{"id":1012,"date":"2013-04-28T11:12:40","date_gmt":"2013-04-28T09:12:40","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=1012"},"modified":"2013-04-28T11:12:40","modified_gmt":"2013-04-28T09:12:40","slug":"pavel-vasicek-miroslav-javurek","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=1012&amp;lang=en","title":{"rendered":"(\u010cesky) PAVEL VA\u0160\u00cd\u010cEK, MIROSLAV JAV\u016eREK"},"content":{"rendered":"<p><strong>PROM\u011aNY<br \/>\n21. 3. \u2013  19. 4. 2013<\/strong><\/p>ngg_shortcode_0_placeholder<p>V\u00fdstava s\u00a0n\u00e1zvem \u201eProm\u011bny\u201c zprost\u0159edkov\u00e1v\u00e1 pohled dvou velmi siln\u00fdch tv\u016fr\u010d\u00edch individualit jedn\u00edm ohniskem z\u00a0\u00fahlu n\u011bkolika rozm\u011br\u016f. Pavel Va\u0161\u00ed\u010dek p\u0159edstavuje svou nejnov\u011bj\u0161\u00ed tvorbu v\u00a0dvoudimenzion\u00e1ln\u00ed form\u011b obraz\u016f, zat\u00edmco Mirek Jav\u016frek se p\u0159edstavuje velkoryse pojatou plastikou. Zn\u00e1m oba autory dlouho a mus\u00edm \u0159\u00edct, \u017ee m\u00e1m z\u00a0tohoto spojen\u00ed na spole\u010dn\u00e9 v\u00fdstav\u011b velkou radost. Je a\u017e s\u00a0podivem, kolik paralel lze naj\u00edt v\u00a0jejich d\u00edle. Jist\u00e1 barokn\u00ed teatr\u00e1lnost, ko\u0161atost v\u00fdrazu, pregnantn\u00ed symbolika a kone\u010dn\u011b virtuozita \u0159emesln\u00e9ho zpracov\u00e1n\u00ed. Nikoho tedy nep\u0159ekvap\u00ed, \u017ee oba um\u011blci vy\u0161li z\u00a0ateli\u00e9ru klasick\u00e9 malby prof. Zde\u0148ka Berana na AVU. Snadno bych si dokonce dok\u00e1zala p\u0159edstavit, \u017ee by si auto\u0159i na v\u00fdstav\u011b prohodili role i motivy. P\u0159es mnoho shodn\u00fdch moment\u016f je tv\u016fr\u010d\u00ed vid\u011bn\u00ed ka\u017ed\u00e9ho z\u00a0nich hluboce vyhran\u011bn\u00e9 a velmi individu\u00e1ln\u00ed.<br \/>\nN\u00e1zev \u201eProm\u011bny\u201c vznikl z\u00a0voln\u00e9 asociace na pov\u00eddku Franze Kafky \u201eProm\u011bna\u201c,  v\u00a0n\u00ed\u017e se jej\u00ed hlavn\u00ed postava obchodn\u00edk \u0158eho\u0159 probouz\u00ed prom\u011bn\u011bn v hmyz. Pov\u00eddka v\u00a0sob\u011b skr\u00fdv\u00e1 n\u011bkolik interpretac\u00ed od symbolick\u00e9ho zobrazen\u00ed osam\u011blosti a boje s vlastn\u00edm \u00fad\u011blem, p\u0159es v\u00fdznam grotesky a zhmotn\u011bn\u00ed absurdity. Tento existencion\u00e1ln\u00ed a v\u011b\u010dn\u00fd motiv, mysl\u00edm, charakterizuje i dne\u0161n\u00ed dobu a tak\u00e9 Va\u0161\u00ed\u010dkovu a Jav\u016frkovu tvorbu. Sou\u010dasn\u011b bych tuto paralelu cht\u011bla vzt\u00e1hnout je\u0161t\u011b nepatrn\u011b d\u00e1l, k \u201eProm\u011bn\u00e1m\u201c Ovidiov\u00fdm (ve smyslu r\u016fznosti forem).<br \/>\nPavel Va\u0161\u00ed\u010dek a Mirek Jav\u016frek jsou p\u0159edstaviteli \u201ebarokn\u00ed\u201c linie sou\u010dasn\u00e9ho um\u011bn\u00ed. Jakkoli uveden\u00e9 za\u0159azen\u00ed m\u016f\u017ee zn\u00edt nep\u0159\u00edpadn\u011b, je ve sv\u00e9 podstat\u011b naprosto v\u00fdsti\u017en\u00e9.<br \/>\nPavel Va\u0161\u00ed\u010dek (1979) pracuje koncep\u010dn\u011b na t\u00e9to linii ji\u017e n\u011bkolik let. Jeho pl\u00e1tna bohatost\u00ed a pohybem p\u0159\u00edmo p\u0159et\u00e9kaj\u00ed. V\u00a0posledn\u00ed dob\u011b se jeho pr\u00e1ce st\u00e1vaj\u00ed, co se t\u00fd\u010de n\u00e1m\u011btu, m\u00e9n\u011b vyhran\u011bn\u00e9. Obrazy dost\u00e1vaj\u00ed mnohem meditativn\u011bj\u0161\u00ed a senzu\u00e1ln\u011bj\u0161\u00ed tv\u00e1\u0159. Jako by se z\u00a0jeho d\u011bl ztr\u00e1cel (v\u00a0barokn\u00edm stylu tak dominantn\u00ed) motiv, doslova se rozechv\u011bl mezi jednotliv\u00e9 vrstvy, strukturu obrazu. Tato \u201eabsence\u201c dod\u00e1v\u00e1 Va\u0161\u00ed\u010dkov\u00fdm nov\u00fdm pl\u00e1tn\u016fm tajuplnosti a umoc\u0148uje jeho mistrn\u00e9 mal\u00ed\u0159sk\u00e9 gesto, kter\u00e9 bylo v\u017edy jeho silnou zbran\u00ed.<br \/>\nMirek Jav\u016frek (1979) je tv\u016frcem neoby\u010dejn\u011b plodn\u00fdm a piln\u00fdm. Zpo\u010d\u00e1tku se mi zd\u00e1lo, \u017ee autor sp\u00ed\u0161e ne\u017e um\u011bn\u00ed miluje pr\u00e1ci. Ale nen\u00ed to v\u00a0tomto p\u0159\u00edpad\u011b tot\u00e9\u017e? Jeho obrovsk\u00e1 produktivita sm\u011b\u0159uje hlavn\u00edm proudem k\u00a0u\u017eitn\u00e9 tvorb\u011b (v\u00a0nejvy\u0161\u0161\u00edm standardu) a jen v\u00a0men\u0161\u00ed m\u00ed\u0159e je v\u011bnov\u00e1na voln\u00e9 tvorb\u011b. Vn\u00edm\u00e1m to v\u0161ak sp\u00ed\u0161e jako plus, proto\u017ee pr\u00e1v\u011b spojen\u00ed \u201eproduction-designera\u201c a akademick\u00e9ho mal\u00ed\u0159e prop\u016fj\u010duje jeho obraz\u016fm a soch\u00e1m obrovskou velkorysost, profesion\u00e1ln\u00ed jistotu a monument\u00e1ln\u00ed propor\u010dnost.<br \/>\nDouf\u00e1m, \u017ee v\u00e1m toto \u201ebl\u00edzk\u00e9 i vzd\u00e1len\u00e9\u201c spojen\u00ed ud\u011bl\u00e1 stejnou radost, s\u00a0jakou jsme spole\u010dn\u011b v\u00fdstavu p\u0159ipravovali.<br \/>\n<em>Rea Michalov\u00e1<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PROM\u011aNY 21. 3. \u2013 19. 4. 2013 V\u00fdstava s\u00a0n\u00e1zvem \u201eProm\u011bny\u201c zprost\u0159edkov\u00e1v\u00e1 pohled dvou velmi siln\u00fdch tv\u016fr\u010d\u00edch individualit jedn\u00edm ohniskem z\u00a0\u00fahlu n\u011bkolika rozm\u011br\u016f. Pavel Va\u0161\u00ed\u010dek p\u0159edstavuje svou nejnov\u011bj\u0161\u00ed tvorbu v\u00a0dvoudimenzion\u00e1ln\u00ed form\u011b obraz\u016f, zat\u00edmco Mirek Jav\u016frek se p\u0159edstavuje velkoryse pojatou plastikou. Zn\u00e1m oba autory dlouho a mus\u00edm \u0159\u00edct, \u017ee m\u00e1m z\u00a0tohoto spojen\u00ed na spole\u010dn\u00e9 v\u00fdstav\u011b velkou radost. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1012","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1012"}],"version-history":[{"count":0,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1012\/revisions"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1012"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}