{"id":877,"date":"2012-07-11T22:49:31","date_gmt":"2012-07-11T20:49:31","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=877"},"modified":"2012-07-11T22:49:31","modified_gmt":"2012-07-11T20:49:31","slug":"%e2%80%9egloria-slavia%e2%80%9c","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=877&lang=en","title":{"rendered":"\u201eGLORIA SLAVIA\u201c"},"content":{"rendered":"

Sou\u010dasn\u00ed um\u011blci na t\u00e9ma \u010desk\u00e9 st\u00e1tnosti a n\u00e1rodn\u00ed hrdosti
\nJan Gemrot, Miroslav Jav\u016frek, Martin K\u00e1\u0148a, David Saudek, Jan Stoss, Jan Wolfchen Vl\u010dek
\nKur\u00e1tor: Rea Michalov\u00e1
\n24. 5. \u2013 21. 6. 2012<\/strong><\/p>ngg_shortcode_0_placeholder

Hlavn\u00ed ideovou linii v\u00fdstavn\u00edho projektu, kter\u00fd p\u0159edstavuje d\u00edla p\u0159edn\u00edch um\u011blc\u016f mlad\u0161\u00ed a st\u0159edn\u00ed generace, lze sumarizovat do hesel \u010desk\u00e1 st\u00e1tnost, n\u00e1rodn\u00ed identita, hrdost a uv\u011bdom\u011bn\u00ed, vlastenectv\u00ed. Cesta na\u0161eho n\u00e1roda k\u00a0modern\u00ed \u010desk\u00e9 st\u00e1tnosti a suverenit\u011b byla velmi slo\u017eit\u00e1, jej\u00ed prosazen\u00ed komplikovan\u00e9, konfliktn\u00ed, a jejich existence byla proto vn\u00edm\u00e1na jako vysok\u00e1 hodnota. Za prvn\u00ed sv\u011btov\u00e9 v\u00e1lky svitla \u010cech\u016fm po dlouh\u00fdch stalet\u00edch nov\u00e1 nad\u011bje. Kdy\u017e 28. \u0159\u00edjna 1918 vznikla \u010ceskoslovensk\u00e1 republika, nov\u00fd st\u00e1t uprost\u0159ed Evropy, cel\u00fd n\u00e1rod byl hrd\u00fd na sv\u016fj p\u016fvod. V\u0161ichni byli ochotni j\u00edt bojovat a zem\u0159\u00edt za svou zemi, podobn\u011b jako p\u0159i ud\u00e1lostech p\u0159ed druhou sv\u011btovou v\u00e1lkou a b\u011bhem n\u00ed. V roce 1939 se v\u0161ak \u010cech\u016fm ve\u0161ker\u00e1 d\u016fv\u011bra ve spravedlnost a demokracii zhroutila. Za v\u00e1lky vyv\u00edjeli \u010dinnost proti nacist\u016fm, \u0159ada odboj\u00e1\u0159\u016f skon\u010dila na popravi\u0161t\u00edch nebo v koncentra\u010dn\u00edch t\u00e1borech. Po v\u00e1lce, po komunistick\u00e9m pu\u010di, se sice o n\u00e1rodn\u00ed hrdosti, ob\u010danstv\u00ed a slu\u017eb\u011b n\u00e1rodu mluvilo, ale jednalo se jen o zprofanovan\u00e9 fr\u00e1ze a manipulace s t\u011bmito pojmy.
\n\u010ce\u0161i maj\u00ed svou historickou zku\u0161enost s\u00a0t\u00edm, co znamen\u00e1 ztratit svobodu, co znamen\u00e1 \u017e\u00edt pod ciz\u00ed nadvl\u00e1dou. V\u00a0tomto ohledu jsou daleko citliv\u011bj\u0161\u00ed ne\u017e ob\u010dan\u00e9 z\u00e1padoevropsk\u00fdch zem\u00ed, kter\u00e9 historie obdobn\u00fdch zkou\u0161ek u\u0161et\u0159ila. P\u00e1d komunismu, obnoven\u00ed demokracie a vstup do Evropsk\u00e9 unie pro n\u00e1s znamenal nov\u00fd za\u010d\u00e1tek. Dnes se op\u011bt ocit\u00e1me v\u00a0obdob\u00ed \u201eodv\u011bk\u00e9ho z\u00e1pasu o n\u00e1rodn\u00ed a st\u00e1tn\u00ed suverenitu, spojen\u00e9ho se za\u010dle\u0148ov\u00e1n\u00edm do smyslupln\u00e9ho \u0161ir\u0161\u00edho celku\u201c. N\u00e1rodn\u00ed identita je v sou\u010dasn\u00e9m sv\u011bt\u011b, v n\u011bm\u017e je n\u00e1rodn\u00ed st\u00e1t z\u00e1kladn\u00ed kulturn\u00ed i politickou jednotkou, jednou z nejd\u016fle\u017eit\u011bj\u0161\u00edch skupinov\u00fdch identit. Jej\u00ed r\u016fznost, spolu s\u00a0diferenciac\u00ed tradic, kultury, zvyk\u016f i historick\u00e9 zku\u0161enosti pat\u0159\u00ed ke specifik\u016fm ka\u017ed\u00e9ho n\u00e1roda v\u00a0EU a m\u011bla by b\u00fdt zachov\u00e1na. Dne\u0161n\u00ed anal\u00fdzy uk\u00e1zaly, \u017ee \u010desk\u00e1 n\u00e1rodn\u00ed identita proch\u00e1z\u00ed kriz\u00ed a \u017ee n\u00e1rodn\u00ed st\u00e1t nen\u00ed nejv\u00fdzna\u010dn\u011bj\u0161\u00edm teritoriem, se kter\u00fdm se \u010ce\u0161i identifikuj\u00ed. Celkov\u00fd obraz slab\u00e9 n\u00e1rodn\u00ed identity dokresluje slab\u00fd patriotismus. Slab\u00e1 identifikace s \u010ceskou republikou je ve v\u00fdznamn\u00e9m vztahu s n\u00e1zorem na budouc\u00ed podobu Evropsk\u00e9 unie, doch\u00e1z\u00ed k\u00a0\u010dast\u011bj\u0161\u00edmu preferov\u00e1n\u00ed modelu federalizace. Podstatn\u00fd vliv na n\u00e1rodn\u00ed st\u00e1ty a spole\u010dnosti m\u00e1 globalizace. Kulturn\u00ed sf\u00e9ra je charakterizov\u00e1na prol\u00edn\u00e1n\u00edm lok\u00e1ln\u00edch a nadn\u00e1rodn\u00edch vliv\u016f, kter\u00e9 p\u0159inesla kulturn\u00ed internacionalizace.
\nV\u00fdtvarn\u00ed um\u011blci, zastoupen\u00ed na v\u00fdstav\u011b, cht\u011bj\u00ed svou tvorbou p\u0159isp\u011bt k\u00a0op\u011btovn\u00e9mu n\u00e1rodn\u00edmu uv\u011bdom\u011bn\u00ed a hrdosti. Integruj\u00ed historii \u010desk\u00e9 zem\u011b do sv\u00e9ho tv\u016fr\u010d\u00edho vid\u011bn\u00ed. Naz\u00edraj\u00ed ji optikou sou\u010dasnosti a vyjad\u0159uj\u00ed se n\u011bkdy p\u0159\u00edmo \u010ditelnou v\u00fdpov\u011bd\u00ed, jindy obecn\u011bji nast\u00edn\u011bnou metaforou. Jsou uchv\u00e1ceni historick\u00fdmi ud\u00e1lostmi, osobnostmi vytv\u00e1\u0159ej\u00edc\u00edmi v\u016fd\u010d\u00ed ideje \u010deskoslovensk\u00e9ho st\u00e1tu, hrdiny n\u00e1rodn\u00edho odboje, st\u00e1tn\u00edmi symboly atd. a transponuj\u00ed je dle sv\u00e9 individu\u00e1ln\u00ed um\u011bleck\u00e9 percepce. Poukazuj\u00ed na \u010deskou st\u00e1tnost jako na duchovn\u00ed d\u011bdictv\u00ed tak z\u00e1va\u017en\u00e9, \u017ee si svou hodnotu nejen udr\u017euje, ale je i sm\u011brodatn\u00fdm ukazatelem do budoucna.<\/p>\n

Jan Gemrot \/1983\/<\/strong>, ve sv\u00e9 hyperrealisticky\/realisticky orientovan\u00e9 malb\u011b se siln\u00fdm emocion\u00e1ln\u00edm a psychologick\u00fdm p\u016fsoben\u00edm, p\u0159edstavuje \u010d\u00e1st cyklu o \u010deskoslovensk\u00fdch letc\u00edch v\u00a0Royal Air Force. Zachycuje letadlo Liberator, s\u00edlu, co stvo\u0159ila \u010desk\u00fd znak.
\nMiroslav Jav\u016frek \/1979\/<\/strong>, ovlivn\u011bn\u00fd klasickou evropskou barokn\u00ed malbou a po\u010d\u00e1tky daguerrotypie (prvn\u00ed v\u00a0praxi pou\u017e\u00edvan\u00e9 fotografick\u00e9 techniky), vystavuje \u00fast\u0159edn\u00ed monument\u00e1ln\u00ed pl\u00e1tno \u201eKopule\u201c, kter\u00e9 parafr\u00e1zuje n\u00e1stropn\u00ed malby minul\u00fdch stolet\u00ed glorifikuj\u00edc\u00ed my\u0161lenku n\u00e1rodn\u00ed identity a slovanstv\u00ed.
\nMartin K\u00e1\u0148a \/1975\/<\/strong>, v\u00fdrazn\u00fd p\u0159edstavitel sou\u010dasn\u00e9ho socha\u0159stv\u00ed fascinovan\u00fd modern\u00edmi technologiemi, prezentuje mapu z\u00a0roku 1939 zhotovenou z n\u00e1kupn\u00edch ta\u0161ek z vietnamsk\u00fdch tr\u017enic.
\nDavid Saudek \/1966\/ vystavuje konceptu\u00e1ln\u011b lad\u011bn\u00e9 obrazy z\u00a0cyklu \u201eGloria Slavia\u201c na t\u00e9ma v\u00e1le\u010dn\u00e9ho atent\u00e1tu na \u0159\u00ed\u0161sk\u00e9ho protektora a na motiv protin\u011bmeck\u00e9ho odboje ve II. sv\u011btov\u00e9 v\u00e1lce. Vyu\u017e\u00edv\u00e1 formu esteticky p\u016fsobiv\u00e9 \u201ekol\u00e1\u017ee\u201c, v\u00a0n\u00ed\u017e symboly transponuje do maxim\u00e1ln\u00ed zkratky.
\nJan Stoss \/1964\/<\/strong>, \u010derpaj\u00edc\u00ed z\u00a0vlastenecky zabarven\u00e9 \u010desk\u00e9 a \u010deskoslovensk\u00e9 historie, se prezentuje pl\u00e1tnem jemn\u00e9ho v\u00fdtvarn\u00e9ho v\u00fdrazu a velk\u00e9ho n\u00e1rodn\u011b-historick\u00e9ho dopadu \u201eSv. Ane\u017eka\u201c.
\nJan Wolfchen Vl\u010dek \/1977\/<\/strong>, jeho\u017e konceptu\u00e1ln\u011b zam\u011b\u0159en\u00e1 tvorba se utv\u00e1\u0159\u00ed z\u00a0jeho dlouhodob\u00e9ho a hlubok\u00e9ho z\u00e1jmu o st\u00e1tnost, vojenstv\u00ed a jeho historii, o roverskou a skautskou t\u00e9matiku, pyrotechnick\u00e9 ritu\u00e1ly a akce, p\u0159edstavuje jako hlavn\u00ed d\u00edlo obraz \u201eBohemia B5\u201c, zachycuj\u00edc\u00ed prvn\u00ed letadlo (dvouplo\u0161n\u00edk) \u010deskoslovensk\u00e9 v\u00fdroby (1918).
\nRea Michalov\u00e1<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Sou\u010dasn\u00ed um\u011blci na t\u00e9ma \u010desk\u00e9 st\u00e1tnosti a n\u00e1rodn\u00ed hrdosti Jan Gemrot, Miroslav Jav\u016frek, Martin K\u00e1\u0148a, David Saudek, Jan Stoss, Jan Wolfchen Vl\u010dek Kur\u00e1tor: Rea Michalov\u00e1 24. 5. \u2013 21. 6. 2012 Hlavn\u00ed ideovou linii v\u00fdstavn\u00edho projektu, kter\u00fd p\u0159edstavuje d\u00edla p\u0159edn\u00edch um\u011blc\u016f mlad\u0161\u00ed a st\u0159edn\u00ed generace, lze sumarizovat do hesel \u010desk\u00e1 st\u00e1tnost, n\u00e1rodn\u00ed identita, hrdost a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-877","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=877"}],"version-history":[{"count":1,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/877\/revisions"}],"predecessor-version":[{"id":878,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/877\/revisions\/878"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}