{"id":19,"date":"2008-08-25T10:46:19","date_gmt":"2008-08-25T08:46:19","guid":{"rendered":"http:\/\/localhost\/mc\/?page_id=52"},"modified":"2016-12-08T19:12:21","modified_gmt":"2016-12-08T17:12:21","slug":"rea-michalova","status":"publish","type":"page","link":"https:\/\/michalscollection.cz\/?page_id=19","title":{"rendered":"Rea Michalov\u00e1"},"content":{"rendered":"<p><a class=\"thickbox\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/rea-michalova\/Rea.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/rea-michalova\/thumbs\/thumbs_Rea.jpg\" alt=\"Rea Michalov\u00e1\" \/><\/a>PhDr. Rea Michalov\u00e1, Ph. D., histori\u010dka um\u011bn\u00ed a kur\u00e1torka<br \/>\n<span style=\"text-decoration: underline;\">1998-2003<\/span> Filozofick\u00e1 fakulta Univerzity Karlovy, obor d\u011bjiny um\u011bn\u00ed<br \/>\n<span style=\"text-decoration: underline;\">2003-2007<\/span> Filozofick\u00e1 fakulta Univerzity Karlovy, obor d\u011bjiny um\u011bn\u00ed, postgradu\u00e1ln\u00ed studium<br \/>\n<span style=\"text-decoration: underline;\">2008-2015<\/span> kur\u00e1torka Sb\u00edrky modern\u00edho a sou\u010dasn\u00e9ho um\u011bn\u00ed N\u00e1rodn\u00ed galerie v Praze<\/p>\n<p>Specializuje se na \u010desk\u00e9 modern\u00ed um\u011bn\u00ed 20. stolet\u00ed a na sou\u010dasn\u00e9 um\u011bn\u00ed.<br \/>\nSoudn\u00ed znalec jmenovan\u00fd M\u011bstsk\u00fdm soudem v\u00a0Praze, v\u00a0oboru \u0160kolstv\u00ed a kultura, se zvl. specializac\u00ed ov\u011b\u0159ov\u00e1n\u00ed pravosti um\u011bleck\u00fdch d\u011bl 20. a 21. stolet\u00ed &#8211; prov\u00e1d\u00ed znaleck\u00e9 posudky a ov\u011b\u0159ov\u00e1n\u00ed um\u011bleck\u00fdch d\u011bl, tak\u00e9 pro p\u0159edn\u00ed galerie a auk\u010dn\u00ed domy.<br \/>\nOdborn\u00e9 poradenstv\u00ed, budov\u00e1n\u00ed sb\u00edrek.<br \/>\n<a href=\"mailto:info@michalscollection.cz\">info(at)michalscollection.cz<\/a><\/p>\n<p>Je \u010dlenkou:<\/p>\n<ul>\n<li>Association internationale des critiques d\u2019art (AICA)<\/li>\n<li>Sdru\u017een\u00ed v\u00fdtvarn\u00fdch kritik\u016f a teoretik\u016f<\/li>\n<li>Um\u011bleckohistorick\u00e1 spole\u010dnost v \u010desk\u00fdch zem\u00edch<\/li>\n<li>Spolek v\u00fdtvarn\u00fdch um\u011blc\u016f M\u00e1nes<\/li>\n<\/ul>\n<p><strong><span style=\"text-decoration: underline;\">Knihy:<\/span><\/strong><\/p>\n<p style=\"text-align: left;\"><strong>Karel Teige. Kapit\u00e1n avantgardy.<br \/>\nRea Michalov\u00e1, Vyd. KANT, 2016. 800 stran. ISBN 978-80-7437-171-4. Doporu\u010den\u00e1 MOC: 1790 K\u010d<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"Jan Baucha (1898-1995)\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/rea-michalova\/Teige-prebal-TISK.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/rea-michalova\/thumbs\/thumbs_Teige-prebal-TISK.jpg\" alt=\"\" \/><\/a>Karel Teige ovlivnil \u010deskou kulturu v mnoha oblastech a jednozna\u010dn\u011b pat\u0159\u00ed k mimo\u0159\u00e1dn\u00fdm osobnostem \u010desk\u00e9ho modern\u00edho um\u011bn\u00ed. Jeho tvorba je v\u0161ak paradoxn\u011b zn\u00e1ma a uzn\u00e1v\u00e1na v\u00edce v zahrani\u010d\u00ed ne\u017e u n\u00e1s.<br \/>\nKniha Karel Teige \u2013 Kapit\u00e1n avantgardy je dal\u0161\u00edm p\u0159\u00edsp\u011bvkem k od\u010din\u011bn\u00ed tohoto dluhu. Jej\u00ed autorka, histori\u010dka um\u011bn\u00ed Rea Michalov\u00e1, se navrac\u00ed ad fontes a p\u0159edev\u0161\u00edm na z\u00e1klad\u011b p\u0159\u00edm\u00fdch citac\u00ed zn\u00e1m\u00fdch i zapomenut\u00fdch Teigeho text\u016f, prac\u00ed jeho genera\u010dn\u00edch souputn\u00edk\u016f, autentick\u00fdch vzpom\u00ednek i dokument\u016f zprost\u0159edkov\u00e1v\u00e1 fascinuj\u00edc\u00ed p\u0159\u00edb\u011bh my\u0161lenkov\u00e9ho v\u00fdvoje a n\u00e1zorov\u00e9ho zr\u00e1n\u00ed jednoho z nejinspirativn\u011bj\u0161\u00edch, by\u0165 v mnoha ohledech rozporupln\u00fdch tv\u016frc\u016f \u010desk\u00e9 modern\u00ed kultury.<\/p>\n<p><strong>JAN BAUCH (1898-1995)<\/strong><br \/>\n<strong>Rea Michalov\u00e1 (monografie) a Peter Kov\u00e1\u010d (esej), Galerie Art Praha, 2012, 408 str., 300 reprodukc\u00ed v\u010detn\u011b osmn\u00e1cti exkluzivn\u00edch obrazov\u00fdch v\u00fdklop\u016f, 1 400 K\u010d<\/strong><br \/>\n<a class=\"thickbox\" title=\"Jan Baucha (1898-1995)\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/obalka.JPG\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_obalka.JPG\" alt=\"\" \/><\/a>Prvn\u00ed novodob\u00e1, reprezentativn\u00ed monografie Jana Baucha (1898-1995), mal\u00ed\u0159e, socha\u0159e, grafika. Jedin\u00e9ho \u010desk\u00e9ho um\u011blce, kter\u00fd pro\u017eil t\u00e9m\u011b\u0159 cel\u00e9 20. stolet\u00ed a jeho\u017e citov\u011b vzru\u0161en\u00e9, lidsky i ob\u010dansky anga\u017eovan\u00e9 d\u00edlo p\u0159es\u00e1hlo hranice sv\u00e9 generace a sv\u00e9 zem\u011b.<\/p>\n<p>Jeho obrazy z t\u0159ic\u00e1t\u00fdch let jsou barevn\u00fdmi drahokamy spojuj\u00edc\u00edmi skute\u010dnost s p\u0159edstavou, ty z \u010dty\u0159ic\u00e1t\u00fdch let obsahuj\u00ed nap\u011bt\u00ed a tragiku doby, varov\u00e1n\u00ed i \u00fazkost, jsou skryt\u00fdmi symboly. V pades\u00e1t\u00fdch letech a pozd\u011bji dost\u00e1v\u00e1 Bauchova malba nov\u00fd \u0159\u00e1d, upom\u00ednaj\u00edc\u00ed na nejstar\u0161\u00ed humanistick\u00e9 poselstv\u00ed, je\u017e tv\u016frcova ruka, kter\u00e1 poslouch\u00e1 hmotu a ct\u00ed jej\u00ed z\u00e1kony, odevzd\u00e1v\u00e1 neust\u00e1le a nezprost\u0159edkovan\u011b d\u00e1l do d\u011bjin.<\/p>\n<p><em>\u201eMal\u00ed\u0159 usiluje o to, aby obraz \u201emluvil\u201c, aby vyslovil to, o\u010d mu jde. Proto jeho pr\u00e1ce souvis\u00ed poka\u017ed\u00e9 s \u010dasem, v n\u011bm\u017e \u017eije, je reflexem doby a p\u0159itom nav\u00edc je\u0161t\u011b pohledem zp\u00e1tky, v\u00fdpov\u011bd\u00ed o tom, jak ch\u00e1pe smysl a \u00fahrn \u017eivota, co chce ze sebe jako poselstv\u00ed vyslovit. Aby to slovo bylo pravdiv\u00e9. Rodin kdysi \u0159ekl, \u017ee um\u011bn\u00ed je pravda rozpt\u00fdlen\u00e1 v\u0161ude a socha\u0159 mus\u00ed usilovat, aby ji odhalil. Hled\u00e1 ji tvarem, t\u00edm vznik\u00e1 v\u017edy znovuvytvo\u0159en\u00ed vymy\u0161len\u00e9ho \u017eivota v organismu um\u011bleck\u00e9ho d\u00edla. S t\u00edmto v\u011bdom\u00edm, co v\u0161echno pat\u0159\u00ed k v\u00fdtvarn\u00e9 \u0159e\u010di, do tohoto z\u00e1pasu o nekone\u010dno vstupuje mal\u00ed\u0159 a v\u00ed, \u017ee v n\u011bm nem\u016f\u017ee zv\u00edt\u011bzit. Ale podstupuje to v\u017edy znovu a d\u00e1v\u00e1 mu to kr\u00e1sn\u00fd pocit z pr\u00e1ce. Kdy\u017e se pak d\u00edv\u00e1 zp\u00e1tky, jako by ka\u017ed\u00fdm obrazem \u0159ekl kus sv\u00e9ho \u017eivota.\u201c Jan Bauch, 1980<\/em><\/p>\n<p><strong>ORIGIN\u00c1LN\u00cd &amp; PERSPEKTIVN\u00cd.<\/strong><br \/>\n<strong>Exluzivn\u00ed v\u00fdb\u011br ze sou\u010dasn\u00e9ho \u010desko-slovensk\u00e9ho v\u00fdtvarn\u00e9ho um\u011bn\u00ed, Praha, 2011, 206 stran, 495 K\u010d<\/strong><br \/>\n<a class=\"thickbox\" title=\"ORIGIN\u00c1LN\u00cd &amp; PERSPEKTIVN\u00cd.&lt;br &gt;&lt;\/a&gt;&lt;br \/&gt;&#10;Exluzivn\u00ed v\u00fdb\u011br ze sou\u010dasn\u00e9ho \u010desko-slovensk\u00e9ho v\u00fdtvarn\u00e9ho um\u011bn\u00ed, Praha, 2011, 206 stran, 495 K\u010d\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/obal-final.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_obal-final.jpg\" alt=\"\" \/><\/a>Reprezentativn\u00ed publikace ORIGIN\u00c1LN\u00cd &amp; PERSPEKTIVN\u00cd p\u0159edstavuje v\u016fd\u010d\u00ed osobnosti sou\u010dasn\u00e9 \u010desko-slovensk\u00e9 um\u011bleck\u00e9 sc\u00e9ny. Je zac\u00edlena na m\u00e9dium malby a sochy jako na tradi\u010dn\u00ed v\u00fdtvarn\u00e9 prost\u0159edky, kter\u00e9 jsou i dnes nosn\u00e9 pro nov\u00e9 obsahy a um\u011bleck\u00e9 v\u00fdpov\u011bdi.<\/p>\n<p>Kniha prezentuje v\u00fdznamn\u00e9, etablovan\u00e9 autory st\u0159edn\u00ed generace, kte\u0159\u00ed vstoupili na v\u00fdtvarnou sc\u00e9nu za\u010d\u00e1tkem 90. let 20. stolet\u00ed, a um\u011blce mlad\u0161\u00ed a nejmlad\u0161\u00ed generace, kte\u0159\u00ed prok\u00e1zali velk\u00fd tv\u016fr\u010d\u00ed potenci\u00e1l a osobitost um\u011bleck\u00e9ho vyj\u00e1d\u0159en\u00ed. V\u00fdrazov\u00fd rejst\u0159\u00edk zastoupen\u00fdch mal\u00ed\u0159\u016f zahrnuje realistick\u00fd a hyperrealistick\u00fd projev, zobraziv\u00e9 narativn\u00ed, expresivn\u00ed, konstruktivistick\u00e9 tendence nebo p\u0159\u00edstupy vedouc\u00ed a\u017e k abstrakci a konceptu\u00e1ln\u011b zam\u011b\u0159en\u00e9 tvorb\u011b. Do publikace je selektivn\u011b zahrnuto t\u00e9\u017e d\u00edlo n\u011bkolika p\u0159edn\u00edch, progresivn\u00edch socha\u0159\u016f a fotograf\u016f.<\/p>\n<p>Zastoupen\u00ed auto\u0159i:<\/p>\n<p>Pepa Achrer, Karel Balcar, Ale\u0161 Br\u00e1zdil, Roman Franta, Jan Gemrot, Patrik H\u00e1bl, Ji\u0159\u00ed Hauschka, Zbyn\u011bk Havl\u00edn, Jakub Hub\u00e1lek, Jakub Janovsk\u00fd, Karel Jerie, Martin K\u00e1men, Juraj Koll\u00e1r, Petr Ko\u017e\u00ed\u0161ek, Martin Krajc, Alena Kup\u010d\u00edkov\u00e1, MICL, Luk\u00e1\u0161 Miffek, Du\u0161an Mravec, Ond\u0159ej Oliva, R\u00f3bert Pal\u00fach, Milan Peri\u010d, Martin Salajka, David Saudek, Lucie Sk\u0159iv\u00e1nkov\u00e1, Marek Slav\u00edk, Martin \u0160\u00e1rovec, Martin \u0160ilh\u00e1n, Petra \u0160imkov\u00e1, Pavel Ticho\u0148, \u0160tefan T\u00f3th, Roman Trabura, Mark\u00e9ta Urbanov\u00e1, \u0160imon Vahala, Jaroslav Vale\u010dka, Pavel Va\u0161\u00ed\u010dek, Petr Va\u0161\u00ed\u010dek, Vladim\u00edr V\u00e9la, Vladim\u00edr V\u011btrovsk\u00fd a Jan Wolfchen Vl\u010dek.<\/p>\n<p style=\"text-align: left;\"><strong>Rea Michalov\u00e1, Klasicismus v modern\u00edm um\u011bn\u00ed, Praha, 2007, 288 str. (\u010desky s rozs\u00e1hl\u00fdm anglick\u00fdm r\u00e9sum\u00e9); b\u011b\u017en\u00e1 cena 1395 K\u010d, u n\u00e1s 1200 K\u010d<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"Rea Michalov\u00e1, Klasicismus v modern\u00edm um\u011bn\u00ed, Praha, 2007, 288 str. (\u010desky s rozs\u00e1hl\u00fdm anglick\u00fdm r\u00e9sum\u00e9); b\u011b\u017en\u00e1 cena 1395 K\u010d, u n\u00e1s 1200 K\u010d\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/Titul-210x275-screen.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_Titul-210x275-screen.jpg\" alt=\"\" \/><\/a>Prvn\u00ed novodob\u00e1 publikace souhrnn\u011b se zab\u00fdvaj\u00edc\u00ed klasicismem ve v\u00fdtvarn\u00e9m um\u011bn\u00ed. Definuje ho jako pojem a vysv\u011btluje jeho v\u00fdznamy od antiky do 20. stolet\u00ed. Podrobn\u011b se zab\u00fdv\u00e1 klasicistn\u00edmi projevy v modern\u00edm evropsk\u00e9m, p\u0159edev\u0161\u00edm francouzsk\u00e9m um\u011bn\u00ed, a n\u00e1sledn\u011b v \u010desk\u00e9m prost\u0159ed\u00ed, od 90. let 19. stolet\u00ed a\u017e do 30. let minul\u00e9ho stolet\u00ed. Samostatn\u00e9 medailony pojedn\u00e1vaj\u00ed o Andr\u00e9 Derainovi, Pablu Picassovi, Janu Preislerovi, Bohumilu Kubi\u0161tovi, Josefu \u010capkovi, Rudolfu Kremli\u010dkovi a Otakaru Kub\u00ednovi \u2013 Coubine a dal\u0161\u00edch.<\/p>\n<p>Kniha upozor\u0148uje na d\u016fle\u017eitou roli klasicistn\u00edch tendenc\u00ed v modern\u00edm um\u011bn\u00ed a dokazuje, \u017ee tradice a originalita si nemus\u00ed proti\u0159e\u010dit.<\/p>\n<p>Zvl\u00e1\u0161tn\u00ed pozornost si zaslou\u017e\u00ed obrazov\u00e1 p\u0159\u00edloha. Autorka vybrala reprezentativn\u00ed soubor m\u00e9n\u011b zn\u00e1m\u00fdch a vz\u00e1cn\u00fdch v\u00fdtvarn\u00fdch d\u011bl.<\/p>\n<p style=\"text-align: left;\"><strong>Rea Michalov\u00e1, Apo\u0161tolov\u00e9 a mu\u010dedn\u00edci, Bernard \u2013 Denis \u2013 Kubi\u0161ta \u2013 Marten, Praha, 2006, 108 str. (\u010desky); b\u011b\u017en\u00e1 cena 240 K\u010d, u n\u00e1s 200 K\u010d<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"Rea Michalov\u00e1, Apo\u0161tolov\u00e9 a mu\u010dedn\u00edci, Bernard \u2013 Denis \u2013 Kubi\u0161ta \u2013 Marten, Praha, 2006, 108 str. (\u010desky); b\u011b\u017en\u00e1 cena 240 K\u010d, u n\u00e1s 200 K\u010d\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/367_6732.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_367_6732.jpg\" alt=\"\" \/><\/a>Um\u011bleckohistorick\u00e1 studie \u201eApo\u0161tolov\u00e9 a mu\u010dedn\u00edci\u201c pojedn\u00e1v\u00e1 o problematice tradicionalismu a modern\u00edho um\u011bn\u00ed koncem 19. a v prvn\u00edch desetilet\u00edch 20. stolet\u00ed. Odv\u00edj\u00ed se od v\u00fdstavy francouzsk\u00e9ho mal\u00ed\u0159e \u00c9mila Bernarda (1868-1941) roku 1909 v Praze a rozehr\u00e1v\u00e1 fiktivn\u00ed \u201ediskuzi\u201c \u010dty\u0159 um\u011blc\u016f (\u00c9mile Bernard, Maurice Denis, Bohumil Kubi\u0161ta, Milo\u0161 Marten) o tom, jak\u00e1 by sou\u010dasn\u00e1 tvorba \u201epo impresionismu\u201c m\u011bla b\u00fdt.<\/p>\n<p>Bohumil Kubi\u0161ta (1884-1918), p\u0159esv\u011bd\u010den\u00fd, \u017ee \u201e\u010dlov\u011bk nov\u00fd je skute\u010dn\u011b jinak uzp\u016fsoben ne\u017eli \u010dlov\u011bk star\u00fd\u201c, si s \u00c9milem Bernardem, bojovn\u00edkem za \u201eum\u011bleckou Renesanci\u201c, mohl porozum\u011bt skute\u010dn\u011b jen t\u011b\u017eko. Ale na druhou stranu je tu p\u0159ece n\u011bco, co v\u0161echny jmenovan\u00e9 spojuje: program syntetick\u00e9 malby, symbolismus se sklonem k mysticismu a p\u0159edev\u0161\u00edm hlubok\u00e9 p\u0159esv\u011bd\u010den\u00ed a neoblomn\u00e1 v\u00edra v um\u011bleckou pravdu, kterou h\u00e1j\u00ed, bez ohledu na strasti, je\u017e s sebou p\u0159in\u00e1\u0161\u00ed.<\/p>\n<p style=\"text-align: left;\"><strong>Rea Michalov\u00e1, Andr\u00e9 Derain, Skryt\u00e1 tajemstv\u00ed \u2013 Hidden Secrets, Praha, 2005, 124 str. (\u010desky a anglicky \u2013dvojjazy\u010dn\u00e9 vyd\u00e1n\u00ed); b\u011b\u017en\u00e1 cena 240 K\u010d,<\/strong><\/p>\n<p><strong><span>u n\u00e1s 200 K\u010d<\/span><\/strong><\/p>\n<p><a class=\"thickbox\" title=\"Rea Michalov\u00e1, Andr\u00e9 Derain, Skryt\u00e1 tajemstv\u00ed \u2013 Hidden Secrets, Praha, 2005, 124 str. (\u010desky a anglicky \u2013dvojjazy\u010dn\u00e9 vyd\u00e1n\u00ed); b\u011b\u017en\u00e1 cena 240 K\u010d, u n\u00e1s 200 K\u010d\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/368_6837.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_368_6837.jpg\" alt=\"\" \/><\/a>Um\u011bleckohistorick\u00e1 esej, kter\u00e1 osv\u011btluje podstatu d\u00edla mal\u00ed\u0159e Andr\u00e9 Deraina (1880-1954) na z\u00e1klad\u011b m\u00e9n\u011b zn\u00e1m\u00fdch dokument\u016f. Z\u00e1rove\u0148 v\u0161ak p\u0159ekra\u010duje pouhou monografickou studii t\u00edm, \u017ee jasn\u011b formuluje dopady modernistick\u00e9ho \u201eodvracen\u00ed zraku\u201c, jeho\u017e se Derain stal ob\u011bt\u00ed. Naps\u00e1no u p\u0159\u00edle\u017eitosti pades\u00e1t\u00e9ho v\u00fdro\u010d\u00ed Derainova \u00famrt\u00ed.<\/p>\n<p style=\"text-align: left;\"><strong>Rea Michalov\u00e1, Alois Wachsman, Praha, 2003, 176 str. (\u010desky, s anglick\u00fdm r\u00e9sum\u00e9); b\u011b\u017en\u00e1 cena 895 K\u010d, u n\u00e1s 800 K\u010d<\/strong><\/p>\n<p style=\"text-align: justify;\"><a class=\"thickbox\" title=\"R. Michalov\u00e1, Alois Wachsman, Praha, 2003, 176 str. (\u010desky, s anglick\u00fdm r\u00e9sum\u00e9); b\u011b\u017en\u00e1 cena 895 K\u010d, u n\u00e1s 800 K\u010d\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/367_6730.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_367_6730.jpg\" alt=\"\" \/><\/a>Prvn\u00ed rozs\u00e1hl\u00e1 monografie o \u017eivot\u011b a d\u00edle Aloise Wachsmana (1898-1942).<\/p>\n<p>Wachsmanovo mal\u00ed\u0159sk\u00e9 d\u00edlo pat\u0159\u00ed k nejhlub\u0161\u00edm projev\u016fm \u010desk\u00e9 meziv\u00e1le\u010dn\u00e9 avantgardy. Jako \u010dlen skupiny Dev\u011btsil rozv\u00edjel ve dvac\u00e1t\u00fdch letech v\u00fdtvarn\u00e9 tendence magick\u00e9ho realismu, primitivismu a nov\u00e9 v\u011bcnosti, zrcadl\u00edc\u00ed atmosf\u00e9ru pov\u00e1le\u010dn\u00e9 doby.<\/p>\n<p>Se sv\u00fdmi vrstevn\u00edky Franti\u0161kem Muzikou, Jind\u0159ichem \u0160tyrsk\u00fdm, Toyen, Franti\u0161kem Janou\u0161kem, Josefem \u0160\u00edmou a dal\u0161\u00edmi byl reprezentativn\u00edm souborem obraz\u016f (v duchu lyrick\u00e9ho, imaginativn\u00edho kubismu i abstrakce) zastoupen na v\u00fdstav\u011b \u201ePoesie 1932\u201c, uspo\u0159\u00e1dan\u00e9 Spolkem v\u00fdtvarn\u00fdch um\u011blc\u016f M\u00e1nes. Expozice konfrontovala \u010deskou malbu a plastiku se sou\u010dasnou zahrani\u010dn\u00ed tvorbou (H. Arp, S. Dali, M. Ernst, J. Mir\u00f3, P. Klee ad.) a zd\u016fraznila jejich soun\u00e1le\u017eitost.<\/p>\n<p>Wachsmanovo sm\u011b\u0159ov\u00e1n\u00ed vrchol\u00ed v polovin\u011b t\u0159ic\u00e1t\u00fdch let s\u00e9ri\u00ed monument\u00e1ln\u00edch surrealistick\u00fdch obraz\u016f, kter\u00e9 p\u0159edstavuj\u00ed jeden z nejcenn\u011bj\u0161\u00edch p\u0159\u00ednos\u016f sv\u011btov\u00e9mu um\u011bn\u00ed.<\/p>\n<p>V posledn\u00edm obdob\u00ed (1938-1942), spjat\u00e9m s jeho pobytem ve Dvo\u0159e Kr\u00e1lov\u00e9, dosp\u011bl k osobit\u00e9mu vyj\u00e1d\u0159en\u00ed tragiky doby a vlastn\u00edho osudu.<\/p>\n<p>Kniha objevuje i \u0159adu dosud nepublikovan\u00fdch nebo m\u00e9n\u011b zn\u00e1m\u00fdch d\u011bl ze st\u00e1tn\u00edch a soukrom\u00fdch sb\u00edrek.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">Katalogy (v\u00fdb\u011br):<\/span><\/strong><br \/>\n<strong>V\u00e1clav Mandel\u00edk, Obrazy (Paintings), text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2016<\/p>\n<p>Pavel Forman, Herr Korbes, text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2016<\/p>\n<p>Milan Kn\u00ed\u017e\u00e1k, 30 portr\u00e9t\u016f, text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2016<\/p>\n<p>Hrani\u010dn\u00ed syndrom \/ Borderline-Syndrom \/ Hansj\u00fcrgen Gartner, Joachim Lothar Gartner, Martin K\u00e1\u0148a, David Saudek, Jaroslav Vale\u010dka\/, texty Jan Samec a Rea Michalov\u00e1, vydal KANT a Galerie um\u011bn\u00ed Karlovy Vary<\/p>\n<p>Vale\u010dka\/, texty Jan Samec a Rea Michalov\u00e1, vydal KANT a Galerie um\u011bn\u00ed Karlovy Vary<\/p>\n<p><a href=\"https:\/\/issuu.com\/mahish\/docs\/katalog_holy_ways_final?e=2440438\/37683812\" target=\"_blank\">HOLY WAYS \/Ale\u0161 Br\u00e1zdil, Jan Gemrot, Mark\u00e9ta Kore\u010dkov\u00e1, Du\u0161an Mravec, David Saudek, Jaroslav Vale\u010dka\/, text Rea Michalov\u00e1, vydala  Galerie European Arts, 2015<\/a><\/p>\n<p><a href=\"https:\/\/issuu.com\/mahish\/docs\/katalog_jerie-saudek_web__1___1_\" target=\"_blank\">Karel Jerie, David Saudek, Riders on the Storm, text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2015<br \/>\n<\/a><\/p>\n<p>Ond\u0159ej Oliva, AN(ORGANIC), text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2015<\/p>\n<p>Roman Trabura, V\u00fdb\u011br (Die schwarze Wurst), text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2015<\/p>\n<p>Petr Lys\u00e1\u010dek, Nejez chleba lam \u017eelezo, text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2015<\/p>\n<p>Jan Gemrot, Pavel Va\u0161\u00ed\u010dek, Intersection, text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2014<\/p>\n<p>Blanka Nov\u00e1kov\u00e1, Mark\u00e9ta Kore\u010dkov\u00e1, Bez cukru, text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2014<\/p>\n<p>Zden\u011bk Beran, Rodn\u00e9 hn\u00edzdo (po letech), text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2014<\/p>\n<p>Jakub \u0160pa\u0148hel, Babo\u010dka admir\u00e1l, text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2014<\/p>\n<p>Michael Rittstein, \u010cek\u00e1rna na minulost, text Rea Michalov\u00e1, vydala Galerie Beseda, Ostrava, 2013<\/strong><\/p>\n<p><strong>TVRD\u00c1 ABECEDA, Karel Jerie, MICL, Luk\u00e1\u0161 Miffek, Jaroslav Vale\u010dka, \u00favodn\u00ed<\/strong><br \/>\n<strong>text Rea Michalov\u00e1, Galerie Michal&#8217;s Collection, Praha, 2013<\/strong><\/p>\n<p style=\"text-align: left;\"><strong>David Saudek 2011-2012, text Rea Michalov\u00e1, \u010desky a anglicky, vydala Galerie Beseda, Ostrava, 2012, 350 K\u010d<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"David Saudek 2011-2012, text Rea Michalov\u00e1, \u010desky a anglicky, vydala Galerie Beseda, Ostrava, 2012, 350 K\u010d\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/Saudek_katalogObalka.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_Saudek_katalogObalka.jpg\" alt=\"\" \/><\/a>Velkoform\u00e1tov\u00fd katalog v podob\u011b reprezentativn\u00edho obrazov\u00e9ho alba p\u0159edstavuje mal\u00ed\u0159skou tvorbu Davida Saudka (1966) z let 2011-2012, ale prezentuje v exkluzivn\u00edm v\u00fdb\u011bru i autorovy malby z 80. let, jako osv\u011btlen\u00ed jeho um\u011bleck\u00fdch v\u00fdchodisek. David Saudek je nep\u0159ehl\u00e9dnutelnou um\u011bleckou osobnost\u00ed siln\u00e9 postmodern\u00ed generace, kter\u00e1 na kulturn\u00ed sc\u00e9nu nastupovala od 2. poloviny 80. let. Ji\u017e b\u011bhem studi\u00ed na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze (1991-1997), kde pro\u0161el Ateli\u00e9rem socha\u0159stv\u00ed prof. Stanislava Kol\u00edbala a Ateli\u00e9rem nov\u00fdch m\u00e9di\u00ed prof. Michaela Bielick\u00e9ho, se vyprofiloval jako autor schopn\u00fd rozv\u00edjet sv\u016fj um\u011bleck\u00fd projev v \u0161ir\u0161\u00edm spektru v\u00fdrazov\u00fdch prost\u0159edk\u016f. Jeho tv\u016fr\u010d\u00ed po\u010d\u00e1tky byly spjaty s gestickou malbou. N\u00e1sledn\u011b se hlavn\u00ed t\u011b\u017ei\u0161t\u011b jeho tvorby p\u0159eneslo do oblasti nov\u00fdch m\u00e9di\u00ed (video art, video instalace) a filmu, v n\u00ed\u017e byl n\u011bkolikr\u00e1t v\u00fdznamn\u011b ocen\u011bn (nominace na \u010cesk\u00e9ho lva za film &#8220;Kytice&#8221; atd.). Od roku 2009 z\u00edskala v jeho d\u00edle dominantn\u00ed postaven\u00ed malba. V\u00fdsledkem jeho konceptu\u00e1ln\u00edch \u00favah se staly obrazy, kter\u00e9 vynikaj\u00ed koncentrovanost\u00ed formy, a p\u0159itom zachov\u00e1vaj\u00ed v\u00edcevrstevnatost obsahu. David Saudek se ve sv\u00e9 tvorb\u011b v\u00fdrazn\u011b dot\u00fdk\u00e1 spole\u010densk\u00fdch t\u00e9mat. Komentuje aktu\u00e1ln\u00ed ud\u00e1losti na medi\u00e1ln\u00ed sc\u00e9n\u011b, ale nevyh\u00fdb\u00e1 se ani abstraktn\u011bj\u0161\u00edm a nad\u010dasov\u011bj\u0161\u00edm sd\u011blen\u00edm. David Saudek realizoval \u0159adu samostatn\u00fdch v\u00fdstav a \u00fa\u010dastnil se mnoha kolektivn\u00edch v\u00fdstavn\u00edch projekt\u016f. Sv\u00fdmi d\u00edly je zastoupen nap\u0159. ve sb\u00edrk\u00e1ch: N\u00e1rodn\u00ed galerie v Praze &#8211; Nadace Jana a Milan Jel\u00ednek; Muzeum Kampa &#8211; Sb\u00edrka Medy Ml\u00e1dkov\u00e9; Museum of Modern Art New York &#8211; Gilbert and Lila Silvermann Foundation; Museum Ludwig, K\u00f6ln a v \u0159ad\u011b soukrom\u00fdch sb\u00edrek v \u010cR a zahrani\u010d\u00ed.<\/p>\n<p style=\"text-align: left;\"><strong>Jan Gemrot, Mal\u00ed\u0159sk\u00e1 tvorba, \u00favodn\u00ed text Rea Michalov\u00e1, Galerie Dea Orh, Praha, 2011<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"Jan Gemrot, Mal\u00ed\u0159sk\u00e1 tvorba, \u00favodn\u00ed text Rea Michalov\u00e1, Galerie Dea Orh, Praha, 2011\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/janGdeaOrch.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_janGdeaOrch.jpg\" alt=\"\" \/><\/a><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><a href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/NATVRDLI.pdf\" target=\"_blank\"><strong>NATVRDL\u00cd \/Karel Jerie, MICL, Luk\u00e1\u0161 Miffek, Jaroslav Vale\u010dka\/, kur\u00e1torka Rea Michalov\u00e1, texty Rea Michalov\u00e1 a Bernard Coty, Galerie Beseda, Ostrava, 2011<\/strong><\/a><\/p>\n<p style=\"text-align: left;\"><strong>Marek Slav\u00edk, Oil paintings, \u00favodn\u00ed text Rea Michalov\u00e1, Praha, 2011 (\u010desk\u00fd, anglick\u00fd a n\u011bmeck\u00fd text)<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"Marek Slav\u00edk, Oil paintings, \u00favodn\u00ed text Rea Michalov\u00e1, Praha, 2011 (\u010desk\u00fd, anglick\u00fd a n\u011bmeck\u00fd text)\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/oil-paintings-katalog.png\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_oil-paintings-katalog.png\" alt=\"\" \/><\/a><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong>LETN\u00cd KOKTEJL 2010, katalog v\u00fdstavy, \u00favodn\u00ed text Rea Michalov\u00e1, Galerie Michal&#8217;s Collection, 2010<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"LETN\u00cd KOKTEJL 2010, katalog v\u00fdstavy, \u00favodn\u00ed text Rea Michalov\u00e1, Galerie Michal's Collection, 2010\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/letni_koktejl_pozvanka.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_letni_koktejl_pozvanka.jpg\" alt=\"\" \/><\/a><a href=\"https:\/\/michalscollection.cz\/?p=508\">Prohl\u00e9dnout v\u00fdstavu<\/a><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong>Female Hysteria \/Mark\u00e9ta Kore\u010dkov\u00e1, Alena Kup\u010d\u00edkov\u00e1, Petra \u0160imkov\u00e1, Ivana \u0160tenclov\u00e1\/, Galerie Beseda, Ostrava, 2010<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"Female Hysteria \/Mark\u00e9ta Kore\u010dkov\u00e1, Alena Kup\u010d\u00edkov\u00e1, Petra \u0160imkov\u00e1, Ivana \u0160tenclov\u00e1\/, Galerie Beseda, Ostrava, 2010\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/female_hysteria.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_female_hysteria.jpg\" alt=\"\" \/><\/a>Katalog v\u00fdstavy konan\u00e9 v Galerii Beseda v Ostrav\u011b, 29. 4. &#8211; 18. 6. 2010, texty Rea Michalov\u00e1, La\u010fka Hor\u0148\u00e1kov\u00e1, Petr Va\u0148ous. Virtu\u00e1ln\u00ed katalog k dispozici <a href=\"http:\/\/www.relaxvpodhuri.cz\/img\/galeriebeseda\/katalog_female_pro_web.pdf\" target=\"_blank\">zde<\/a>.<\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong>Luk\u00e1\u0161 Miffek 2008-2009, \u00favodn\u00ed text Rea Michalov\u00e1, Arskontakt, 2010, 52 str.<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"Luk\u00e1\u0161 Miffek 2008-2009, \u00favodn\u00ed text Rea Michalov\u00e1, Arskontakt, 2010, 52 str.\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/miffek.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_miffek.jpg\" alt=\"\" \/><\/a> Publikace shrnuj\u00edc\u00ed mal\u00ed\u0159skou tvorbu Luk\u00e1\u0161e Miffka (1978) z let 2008-2009. Miffek ve sv\u00e9 figurativn\u00ed malb\u011b klade d\u016fraz na obsahovost a epick\u00e9 sd\u011blen\u00ed. Formou obrazov\u00e9 metafory, grotesky a parodie vypr\u00e1v\u00ed p\u0159\u00edb\u011bhy, zalo\u017een\u00e9 na realit\u011b v\u0161edn\u00edho dne. Sv\u00fdmi d\u00edly je zastoupen v N\u00e1rodn\u00ed galerii v Praze a v \u0159ad\u011b soukrom\u00fdch sb\u00edrek u n\u00e1s i v zahrani\u010d\u00ed.<\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong>3V \/Vl\u010dek, Vahala, V\u00e9la\/<\/strong><\/p>\n<p><a class=\"thickbox\" title=\"3V \/Vl\u010dek, Vahala, V\u00e9la\/\" href=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/3V_cover.jpg\"><img decoding=\"async\" class=\"ngg-singlepic ngg-left\" src=\"https:\/\/michalscollection.cz\/wp-content\/gallery\/publikace\/thumbs\/thumbs_3V_cover.jpg\" alt=\"\" \/><\/a> texty Rea Michalov\u00e1, fotografie a grafick\u00e1 \u00faprava \u0160imon Vahala, Galerie Michal&#8217;s Collection, 2010, virtu\u00e1ln\u00ed katalog k dispozici na: <a href=\"http:\/\/issuu.com\/vahala\/docs\/3_v\" target=\"_blank\">http:\/\/issuu.com\/vahala\/docs\/3_v<\/a>.<\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n<p style=\"text-align: left;\"><strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PhDr. Rea Michalov\u00e1, Ph. D., histori\u010dka um\u011bn\u00ed a kur\u00e1torka 1998-2003 Filozofick\u00e1 fakulta Univerzity Karlovy, obor d\u011bjiny um\u011bn\u00ed 2003-2007 Filozofick\u00e1 fakulta Univerzity Karlovy, obor d\u011bjiny um\u011bn\u00ed, postgradu\u00e1ln\u00ed studium 2008-2015 kur\u00e1torka Sb\u00edrky modern\u00edho a sou\u010dasn\u00e9ho um\u011bn\u00ed N\u00e1rodn\u00ed galerie v Praze Specializuje se na \u010desk\u00e9 modern\u00ed um\u011bn\u00ed 20. stolet\u00ed a na sou\u010dasn\u00e9 um\u011bn\u00ed. Soudn\u00ed znalec jmenovan\u00fd M\u011bstsk\u00fdm soudem [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19"}],"version-history":[{"count":107,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":1240,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/pages\/19\/revisions\/1240"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}