{"id":1006,"date":"2013-03-25T12:16:42","date_gmt":"2013-03-25T10:16:42","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=1006"},"modified":"2013-03-25T12:16:42","modified_gmt":"2013-03-25T10:16:42","slug":"marketa-koreckova-jan-macko","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=1006","title":{"rendered":"MARK\u00c9TA KORE\u010cKOV\u00c1 &#038; J\u00c1N MACKO"},"content":{"rendered":"<p><strong>RODINA NEN\u00cd Z\u00c1KLAD ST\u00c1TU<br \/>\n22. 2. \u2013 15. 2. 2013<\/strong><\/p>ngg_shortcode_0_placeholder<p>Mark\u00e9ta Kore\u010dkov\u00e1 (1975)  a J\u00e1n Macko (1969) charakterizovali svou koncepci v\u00fdstavy slovy: \u201eN\u00e1zev Rodina nen\u00ed z\u00e1klad st\u00e1tu p\u0159evrac\u00ed klasickou fr\u00e1zi o rodin\u011b jako z\u00e1kladn\u00edm stavebn\u00edm prvku spole\u010dnosti. M\u00fdtus, kter\u00fd ve spole\u010dnosti, kde zalo\u017een\u00ed rodiny u\u017e d\u00e1vno nen\u00ed \u017eivotn\u00ed prioritou a st\u00e1t ji nijak nepodporuje, z\u016fstal sp\u00ed\u0161 archaick\u00fdm heslem s\u00a0ironick\u00fdm n\u00e1dechem. Objekty a sochy p\u0159edstaven\u00e9 na v\u00fdstav\u011b se  tohoto t\u00e9matu dot\u00fdkaj\u00ed  v intimn\u00ed situaci jako o\u010dek\u00e1v\u00e1n\u00ed a narozen\u00ed d\u00edt\u011bte (Mark\u00e9ta Kore\u010dkov\u00e1, \u201eS\u00edla pozitivn\u00edho my\u0161len\u00ed\u201c), spole\u010densk\u00e9 deziluzi (J\u00e1n Macko, \u201eNeviditeln\u00e1 ruka trhu\u201c  a \u201eMissky\u201c), v\u00a0autoportr\u00e9tech  (Mark\u00e9ta Kore\u010dkov\u00e1, \u201ePoesie v\u0161edn\u00edho dne I. a II \u201c; J\u00e1n Macko, \u201eBer\u00e1nek\u201c), kde auto\u0159i sami sebe vid\u00ed pom\u011brn\u011b nemilosrdn\u011b, a to i ve vz\u00e1jemn\u00e9m partnersk\u00e9m vztahu, auto\u0159i jsou toti\u017e zcela proti duchu doby oddan\u00fdmi man\u017eeli.\u201c Nejv\u00edce m\u011b zaujalo zamy\u0161len\u00ed se Mark\u00e9ty Kore\u010dkov\u00e9 nad sv\u00fdm nov\u00fdm \u201e\u00fad\u011blem\u201c a nov\u00fdmi d\u00edly:  \u201eS\u00edla pozitivn\u00edho my\u0161len\u00ed\u201c, zahalen\u00e1  figura \u017eeny s\u00a0t\u011bhotn\u00fdm b\u0159ichem a hlavou d\u00edt\u011bte, vznikala p\u0159edev\u0161\u00edm v\u00a0obdob\u00ed m\u00e9ho prvn\u00edho a zat\u00edm jedin\u00e9ho t\u011bhotenstv\u00ed, \u017eila jsem v\u00a0idylick\u00e9m opojen\u00ed v\u0161eho pozitivn\u00edho, co se ve mn\u011b odehr\u00e1v\u00e1, a pozitivn\u00edch p\u0159edstav o sv\u00e9m porodu, kdy sv\u00e9 d\u00edt\u011b nech\u00e1m v klidu a l\u00e1sce p\u0159ij\u00edt na sv\u011bt a budu ho v\u00a0klidu a l\u00e1sce vychov\u00e1vat, jak budu pevn\u00e1 ve sv\u00fdch postoj\u00edch v\u016f\u010di necitliv\u00e9mu syst\u00e9mu zdej\u0161\u00edho porodnictv\u00ed a pediatrie, jak budu jednat intuitivn\u011b a budu tak p\u0159esn\u011b nejl\u00e9pe v\u011bd\u011bt, co je pro m\u011b a m\u00e9 d\u00edt\u011b nejlep\u0161\u00ed. Tato socha m\u011bla navazovat na p\u0159edchoz\u00ed pr\u00e1ci \u2013 \u201eNaj\u00e1du\u201c- zahalenou \u017eenskou figuru se skute\u010dn\u00fdmi zv\u00ed\u0159ec\u00edmi rohy coby maskulinn\u00ed symbol v\u00a0\u017eensk\u00e9m t\u011ble. I tato nov\u00e1 figura m\u011bla b\u00fdt osazena zv\u00ed\u0159ec\u00edmi rohy, coby symbol s\u00edly. Po sr\u00e1\u017ece s\u00a0realitou jsem tento hrd\u00fd symbol zm\u011bnila na such\u00e9 v\u011btve a ko\u0159eny, kter\u00e9 daleko l\u00e9pe vystihuj\u00ed skute\u010dn\u00fd stav v\u011bc\u00ed. M\u00e1 intuice nefungovala jak by m\u011bla, nahradilo ji toti\u017e pozitivn\u00ed my\u0161len\u00ed, kter\u00e9, jak jsem se domn\u00edvala, bude m\u00edt vliv i na lidi a atmosf\u00e9ru kolem m\u011b. M\u00edsto abych n\u00e1sledovala sv\u00e9 instinkty, stala jsem se loutkou v\u00a0moci zaveden\u00fdch syst\u00e9m\u016f, jako mnoho \u017een p\u0159ede mnou. Dal\u0161\u00ed objekty vznikly u\u017e v\u00a0dob\u011b, kdy se  tajemn\u00e9 o\u010dek\u00e1v\u00e1n\u00ed t\u00e9m\u011b\u0159 idylick\u00e9ho t\u011bhotenstv\u00ed zm\u011bnilo v\u00a0syrovou skute\u010dnost fyzicky a psychicky vy\u010derpan\u00e9 novope\u010den\u00e9 \u201emaminky\u201c, kter\u00e1 zoufale z\u00e1pas\u00ed s  ka\u017edodenn\u00edmi\u00a0banalitami. Oproti vystylizovan\u00e9 propracovan\u00e9 draperii figury v \u201eS\u00edle pozitivn\u00edho my\u0161len\u00ed\u201c  tvo\u0159\u00ed draperii v\u00a0objektech \u201ePoesie v\u0161edn\u00edho dne I. a II \u201c oby\u010dejn\u00fd hadr na podlahu, do n\u011bho\u017e jsem otiskla svou tv\u00e1\u0159.\u201c<br \/>\nTato existencion\u00e1ln\u00ed a velmi osobn\u00ed v\u00fdpov\u011b\u010f m\u011b velmi \u00fasm\u011bvn\u011b naladila (nebo\u0165 n\u011bkter\u00e9 v\u011bci v\u00a0\u017eensk\u00e9m \u017eivot\u011b se po stalet\u00ed nem\u011bn\u00ed). A nyn\u00ed k\u00a0m\u00e9mu koment\u00e1\u0159i tvorby obou autor\u016f.<br \/>\nJ\u00e1n Macko je typick\u00fdm p\u0159edstavitelem socha\u0159sk\u00e9 nepra\u0161ovsk\u00e9 \u0161koly. Pracuje s charakteristick\u00fdm ironick\u00fdm  humorem, \u0159emeslnou bravurou a obecn\u011b lidsk\u00fdmi t\u00e9maty. Jeho d\u00edla maj\u00ed, stejn\u011b jako objekty jeho man\u017eelky, siln\u011b autobiografick\u00fd r\u00e1z. Toto \u201ezrcadlo\u201c, velmi vyhran\u011bn\u00e9 zaost\u0159en\u00ed sebereflexe, se z\u0159eteln\u011b manifestuje nap\u0159. v \u201eNeviditeln\u00e9 ruce trhu\u201c (2011), metaforicky vzta\u017een\u00e9 k\u00a0obraznosti a vyzna\u010duj\u00edc\u00ed se precizn\u00ed vyv\u00e1\u017eenost\u00ed hmot. Na prvn\u00ed pohled jsem tuto sochu vn\u00edmala jako jakousi karyatidu, snad i jako lehkov\u00e1\u017enou absurditu. Po del\u0161\u00ed kontemplaci vyplouvaly na povrch v\u00fdznamy daleko jemn\u011bj\u0161\u00ed a hlub\u0161\u00ed. Gesto and\u011blovy ruky na m\u011b p\u016fsobilo mysteri\u00f3zn\u00edm t\u00f3nem, tak jako na obrazech zachycuj\u00edc\u00edch Jana K\u0159titele. T\u00e9m\u011b\u0159 obdobn\u011b m\u011b u plastiky \u201eBer\u00e1nek\u201c (2009) minul jeho prvotn\u00ed v\u00fdznam a dost\u00e1vala jsem se do poloh evokuj\u00edc\u00edch postavy na etrusk\u00fdch sarkof\u00e1z\u00edch. Zaujaly m\u011b sp\u00ed\u0161e jemn\u00e9 n\u00e1znaky v\u00fdznamu \u201eproj\u00edt ohn\u011bm\u201c, \u201eb\u00fdt kovu pevn\u011bj\u0161\u00ed\u201c. Zat\u00edmco d\u0159\u00edv\u011bj\u0161\u00ed pr\u00e1ce J\u00e1na Macka (cyklus \u201eK\u016f\u017ee\u201c, 2004) m\u011b p\u0159ipravily na jistou provokativnost a cynick\u00fd \u00fa\u0161klebek, nov\u011bj\u0161\u00ed tvorba m\u00e1 pon\u011bkud jemn\u011bj\u0161\u00ed vyzn\u011bn\u00ed. Ale nebyl by to J\u00e1n Macko, kdyby n\u00e1m p\u0159ece jen trochu cynismu nenaserv\u00edroval v \u201eMissk\u00e1ch\u201c (2011).<br \/>\nCh\u00e1pu, \u017ee Mark\u00e9ta Kore\u010dkov\u00e1, jedna z\u00a0m\u00fdch nejobl\u00edben\u011bj\u0161\u00edch socha\u0159ek, vytvo\u0159ila ned\u00e1vno sochu nejkr\u00e1sn\u011bj\u0161\u00ed, kter\u00e1 nebude p\u0159ekon\u00e1na, ale p\u0159esto bych cht\u011bla promluvit o jej\u00edch um\u011bleck\u00fdch aktivit\u00e1ch. V\u00fdvoj Mark\u00e9ty Kore\u010dkov\u00e9 jako tv\u016frkyn\u011b byl raketov\u00fd (ze SU\u0160 v\u00a0Ho\u0159ic\u00edch byla ji\u017e v\u00a0\u0161estn\u00e1cti letech p\u0159ijata na AVU). Byla jsem v\u017edy p\u0159\u00edjemn\u011b p\u0159ekvapena fazetami jej\u00ed pr\u00e1ce, kter\u00e9 od po\u010d\u00e1tku spojovaly p\u0159em\u00fd\u0161liv\u00fd zp\u016fsob s\u00a0velmi emocion\u00e1ln\u00edm p\u0159\u00edstupem ryze d\u00edv\u010d\u00edho, a nyn\u00ed ji\u017e \u017eensk\u00e9ho elementu. Toto balancov\u00e1n\u00ed na hran\u011b zp\u016fsobilo, \u017ee se vedle objekt\u016f uhran\u010div\u011b mystick\u00fdch objevila d\u00edla velmi v\u00fdznamov\u011b jednozna\u010dn\u00e1. V\u017edy m\u011b p\u0159ipadalo, jako by sochy Mark\u00e9ty Kore\u010dkov\u00e9 d\u011blala v\u00edla. I p\u0159es tento poetick\u00fd v\u00fdznam je v\u0161ak autor\u010dina konkr\u00e9tn\u00ed p\u0159\u00edtomnost v\u00a0d\u00edle nepopirateln\u00e1 (a n\u011bkdy se opravdu pop\u0159\u00edt ned\u00e1, jak je vid\u011bt v\u00a0s\u00e9rii veraikon\u016f). Bezesporu je Mark\u00e9ta Kore\u010dkov\u00e1 neoby\u010dejn\u011b senzitivn\u00ed a sofistikovan\u00e1 socha\u0159ka, kter\u00fdch u n\u00e1s v\u00a0\u010cesk\u00e9 republice nen\u00ed ani jako prst\u016f na jedn\u00e9 ruce. Proto\u017ee jsme ve v\u00fdstavn\u00ed s\u00edni omezeni prostorem, nechci analyzovat d\u00edla, kter\u00e1 zde nejsou k\u00a0vid\u011bn\u00ed. Nicm\u00e9n\u011b z\u00e1m\u011brem bylo p\u0159edstavit pr\u00e1ci Mark\u00e9ty Kore\u010dkov\u00e9 i v\u00a0takto komorn\u00edm prostoru, kde naprosto nejl\u00e9pe vyniknou jej\u00ed sochy svou opravdovost\u00ed, vedeny jistou rukou a velmi jasnou my\u0161lenkou. Autorka se neschov\u00e1v\u00e1 za machu \u010di gesta. P\u0159edv\u00e1d\u00ed sv\u00e9 pocity a ideje s\u00a0takovou lehkost\u00ed a osv\u011b\u017euj\u00edc\u00ed inteligenc\u00ed, \u017ee prostor nen\u00ed tak podstatn\u00fd. Zam\u00fd\u0161lela jsem, \u017ee i pro v\u00e1s div\u00e1ky bude podn\u011btn\u00e9 toto sou\u017eit\u00ed dvou lid\u00ed a hotov\u00fdch um\u011bleck\u00fdch osobnost\u00ed zhruba na plo\u0161e bytu. Berme to jako spole\u010denskou n\u00e1v\u0161t\u011bvu jejich sv\u011bta.<br \/>\n<em>Rea Michalov\u00e1<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>RODINA NEN\u00cd Z\u00c1KLAD ST\u00c1TU 22. 2. \u2013 15. 2. 2013 Mark\u00e9ta Kore\u010dkov\u00e1 (1975) a J\u00e1n Macko (1969) charakterizovali svou koncepci v\u00fdstavy slovy: \u201eN\u00e1zev Rodina nen\u00ed z\u00e1klad st\u00e1tu p\u0159evrac\u00ed klasickou fr\u00e1zi o rodin\u011b jako z\u00e1kladn\u00edm stavebn\u00edm prvku spole\u010dnosti. M\u00fdtus, kter\u00fd ve spole\u010dnosti, kde zalo\u017een\u00ed rodiny u\u017e d\u00e1vno nen\u00ed \u017eivotn\u00ed prioritou a st\u00e1t ji nijak nepodporuje, z\u016fstal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1006","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1006"}],"version-history":[{"count":1,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1006\/revisions"}],"predecessor-version":[{"id":1007,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1006\/revisions\/1007"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1006"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1006"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}