{"id":1052,"date":"2013-10-31T17:54:36","date_gmt":"2013-10-31T15:54:36","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=1052"},"modified":"2013-10-31T17:54:36","modified_gmt":"2013-10-31T15:54:36","slug":"jiri-hauschka-albert-ruiz-villar","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=1052","title":{"rendered":"JI\u0158\u00cd HAUSCHKA \/ ALBERT RUIZ VILLAR"},"content":{"rendered":"<p><strong>POD POVRCHEM (BENEATH THE SURFACE)<br \/>\n6. 9. \u2013 4. 10. 2013<\/strong><\/p>ngg_shortcode_0_placeholder<p>Projekt \u201ePod povrchem\u201c konfrontuje dva sou\u010dasn\u00e9 evropsk\u00e9 um\u011blce, kte\u0159\u00ed se na tomto m\u00edst\u011b setk\u00e1vaj\u00ed tv\u00e1\u0159\u00ed v\u00a0tv\u00e1\u0159 poprv\u00e9 a jejich spojen\u00ed je d\u00e1no kur\u00e1torsk\u00fdm v\u00fdb\u011brem. Zd\u00e1 se mi toti\u017e, \u017ee pr\u00e1ce \u010desk\u00e9ho mal\u00ed\u0159e Ji\u0159\u00edho Hauschky a \u0161pan\u011blsk\u00e9ho um\u011blce Alberta Ruize Villara vykazuje a\u017e p\u0159ekvapiv\u00e9 mno\u017estv\u00ed paralel. Jako prvn\u00ed bych uvedla podobnou profesn\u00ed kari\u00e9ru i \u017eivotn\u00ed n\u00e1hled. V\u00fdstavu jsem pojmenovala podle t\u011bchto shodn\u00fdch prvk\u016f, tedy n\u011b\u010deho, co se div\u00e1kovi skr\u00fdv\u00e1 \u201epod povrchem\u201c, nikoli v\u0161ak nesrozumiteln\u011b hluboko. U obou autor\u016f p\u0159evl\u00e1d\u00e1 snaha rozkr\u00fdt skute\u010dnost p\u0159es jej\u00ed strukturu, my\u0161lenka kabalistick\u00e1, ale pro dne\u0161n\u00ed p\u0159e-informovanou dobu velmi n\u00e1le\u017eit\u00e1. Je pravd\u011bpodobn\u00e9, \u017ee Hauschka a Ruiz do\u0161li k\u00a0analogick\u00e9mu pozn\u00e1n\u00ed p\u0159es velmi odli\u0161n\u00e9 inspira\u010dn\u00ed zdroje, av\u0161ak p\u0159i konfrontaci s\u00a0fin\u00e1ln\u00edmi d\u00edly jsou shody nejmarkantn\u011bj\u0161\u00edm znamen\u00edm.<\/p>\n<p>Ji\u0159\u00ed Hauschka (1965) je mal\u00ed\u0159, kter\u00fd ve sv\u00fdch obrazech prol\u00edn\u00e1 r\u016fzn\u00e9 stavy reality. Silo\u010d\u00e1ry, jin\u00e9 zp\u016fsoby vid\u011bn\u00ed a realitu a\u017e ban\u00e1ln\u011b jasnou. Autorovy origin\u00e1ln\u00ed stylizace (ve smyslu silo\u010dar, induk\u010dn\u00edch map, frakt\u00e1l\u016f pohybu, \u010dasov\u00fdch ozv\u011bn apod.), vytv\u00e1\u0159ej\u00ed objemov\u00fd tvar n\u011b\u010deho, co n\u00e1m tv\u016frce nechce prozradit p\u0159\u00edmo. Tyto linie proplouvaj\u00ed krajinou. Jsou to jak\u00e9si toky energie, reprezentuj\u00edc\u00ed paraleln\u00ed, fantazijn\u00ed sv\u011bty, budovan\u00e9 imaginac\u00ed. Hauschkovo vn\u00edm\u00e1n\u00ed sv\u011bta, ve sv\u00e9 podstat\u011b analytick\u00e9 (a t\u00edm souzn\u00edc\u00ed s\u00a0Ruizov\u00fdm), je dopl\u0148ov\u00e1no jist\u00fdm vc\u00edt\u011bn\u00edm se do chv\u00edle uv\u00edzl\u00e9 v \u010dase. Sv\u00fdm zp\u016fsobem je tento p\u0159\u00edstup vysoce liter\u00e1rn\u00ed. Hauschkovy obrazy rozv\u00edjej\u00ed souvzta\u017enosti protikladn\u00e9ho, existenci neexistuj\u00edc\u00edho. Dynamick\u00e9 kompozice nejsou v\u00fdsledkem n\u00e1hody, p\u0159edstavuj\u00ed rezult\u00e1t velmi p\u0159esn\u00e9ho tv\u016fr\u010d\u00edho my\u0161len\u00ed. P\u0159esto nep\u016fsob\u00ed d\u00edla nikterak t\u011b\u017ece. Ona v\u0161eobj\u00edmaj\u00edc\u00ed snovost a poezie Hauschkov\u011b tvorb\u011b vlastn\u00ed n\u00e1s p\u0159es tento sofistikovan\u00fd a pracn\u00fd z\u00e1klad lehce p\u0159en\u00e1\u0161\u00ed.<\/p>\n<p>D\u00edla Alberta Ruize Villara (1975) jsou ovlivn\u011bna analytick\u00fdm kubismem, geometrickou abstrakc\u00ed i inspirac\u00ed filozofi\u00ed (jak\u00e9koli matematick\u00e9, zd\u00e1nliv\u011b nesouvisej\u00edc\u00ed, je vzta\u017eeno k map\u011b osudu). Autor v\u011bdom\u011b potla\u010duje expresivn\u00ed v\u00fdrazov\u00e9 prost\u0159edky modern\u00ed malby a v\u00e1\u017ee sv\u00e1 sd\u011blen\u00ed do pevn\u00e9 struktury za minimalistick\u00e9ho u\u017eit\u00ed barev a efekt\u016f. Jist\u00e1 absence \u010dasovosti vypl\u00fdv\u00e1 u\u017e z\u00a0t\u011bchto v\u00fdchoz\u00edch podm\u00ednek. Vznikl\u00e9 obrazy maj\u00ed krom\u011b nezpochybniteln\u00e9ho, siln\u00e9ho obsahu velmi jemnou, u\u0161lechtilou v\u00fdtvarnou kulturu. Ta je \u010diteln\u00e1 i pro div\u00e1ky, kte\u0159\u00ed jejich analytickou hodnotu pominou. Vazba geometrie, je\u017e je v\u00a0um\u011blcov\u011b pod\u00e1n\u00ed tak ur\u010duj\u00edc\u00ed, a citliv\u00e1 volba koloritu, vytv\u00e1\u0159ej\u00ed pot\u0159ebnou nadstavbu nad charakter \u201en\u00e1lezu\u201c, skript, pl\u00e1nu. B\u00e1sniv\u00e9 n\u00e1zvy Ruizov\u00fdch abstraktn\u00edch kompozic by se mohly \u010desk\u00e9mu publiku zd\u00e1t i trochu patetick\u00e9, nicm\u00e9n\u011b uv\u011bdomme si katal\u00e1nsk\u00fd styl vzne\u0161en\u00e9 mluvy, kter\u00fd se u autora takto zaj\u00edmav\u011b prom\u00edtl do jeho jinak velmi \u201ezdr\u017eenliv\u00fdch\u201c obraz\u016f.<\/p>\n<p>Na z\u00e1v\u011br bych cht\u011bla podotknout, \u017ee oba tv\u016frci jsou etablovan\u00ed um\u011blci, co\u017e p\u0159i rozsahu jejich pracovn\u00edch aktivit nen\u00ed b\u011b\u017en\u00e9. Spole\u010densk\u00fd a pracovn\u00ed z\u00e1b\u011br obou jako by p\u0159edem tuto mo\u017enost vylu\u010doval. P\u0159esto jejich d\u00edlo p\u0159i samostatn\u00e9m posouzen\u00ed v\u00edce ne\u017e obstoj\u00ed.<\/p>\n<p><em>Rea Michalov\u00e1<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>POD POVRCHEM (BENEATH THE SURFACE) 6. 9. \u2013 4. 10. 2013 Projekt \u201ePod povrchem\u201c konfrontuje dva sou\u010dasn\u00e9 evropsk\u00e9 um\u011blce, kte\u0159\u00ed se na tomto m\u00edst\u011b setk\u00e1vaj\u00ed tv\u00e1\u0159\u00ed v\u00a0tv\u00e1\u0159 poprv\u00e9 a jejich spojen\u00ed je d\u00e1no kur\u00e1torsk\u00fdm v\u00fdb\u011brem. Zd\u00e1 se mi toti\u017e, \u017ee pr\u00e1ce \u010desk\u00e9ho mal\u00ed\u0159e Ji\u0159\u00edho Hauschky a \u0161pan\u011blsk\u00e9ho um\u011blce Alberta Ruize Villara vykazuje a\u017e p\u0159ekvapiv\u00e9 mno\u017estv\u00ed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1052","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1052"}],"version-history":[{"count":0,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1052\/revisions"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}