{"id":1112,"date":"2014-06-09T10:54:07","date_gmt":"2014-06-09T08:54:07","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=1112"},"modified":"2014-06-09T10:54:07","modified_gmt":"2014-06-09T08:54:07","slug":"temne-hlubiny-stesti-2","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=1112","title":{"rendered":"Temn\u00e9 hlubiny \u0161t\u011bst\u00ed"},"content":{"rendered":"<p><strong>Ale\u0161 Br\u00e1zdil, Jan Gemrot, Martin K\u00e1men, Ond\u0159ej Oliva, R\u00f3bert Pal\u00fach, David Saudek, Pavel Va\u0161\u00ed\u010dek<br \/>\n20. 5. \u2013 15. 6. 2014<br \/>\n<\/strong><br \/>\nVernis\u00e1\u017e v\u00a0pond\u011bl\u00ed 19. 5. 2014 v\u00a017 hod.<br \/>\n\u00davodn\u00ed slovo PhDr. Rea Michalov\u00e1, PhD., kur\u00e1torka v\u00fdstavy<\/p>\n<p>Galerie Orlovna<br \/>\nNa sladovn\u00e1ch 1492, Krom\u011b\u0159\u00ed\u017e<br \/>\n<a href=\"http:\/\/www.galerie-orlovna.cz \">www.galerie-orlovna.cz <\/a><\/p>ngg_shortcode_0_placeholder<p>\u201eKdo mluv\u00ed o \u0161t\u011bst\u00ed, m\u00e1 \u010dasto smutn\u00e9 o\u010di.\u201c Louis Aragon (1897-1982)<br \/>\nV\u00fdstavn\u00ed projekt \u201eTemn\u00e9 hlubiny \u0161t\u011bst\u00ed\u201c prezentuje sedm v\u00fdznamn\u00fdch autor\u016f sou\u010dasn\u00e9 um\u011bleck\u00e9 sc\u00e9ny, kte\u0159\u00ed ve sv\u00fdch d\u00edlech zpracov\u00e1vaj\u00ed existenci\u00e1ln\u00ed t\u00e9ma \u201eparadoxn\u00edho \u0161t\u011bst\u00ed\u201c dne\u0161n\u00ed doby. Ale\u0161 Br\u00e1zdil, Jan Gemrot, David Saudek a Pavel Va\u0161\u00ed\u010dek p\u0159edstavuj\u00ed individu\u00e1ln\u011b rozr\u016fzn\u011bn\u00e9 mal\u00ed\u0159sk\u00e9 p\u0159\u00edstupy, sahaj\u00edc\u00ed od hyperrealistick\u00e9 a realistick\u00e9 tvorby k\u00a0expresivn\u00edmu, barokizuj\u00edc\u00edmu v\u00fdrazu a konceptu\u00e1ln\u011bji zam\u011b\u0159en\u00e9 linii. Martin K\u00e1men je tv\u016frcem aran\u017eovan\u00fdch fotografi\u00ed.  Objekty vystavuj\u00ed Ond\u0159ej Oliva a R\u00f3bert Pal\u00fach.<br \/>\nProjekt \u201eTemn\u00e9 hlubiny \u0161t\u011bst\u00ed\u201c reflektuje v\u011b\u010dnou rovnov\u00e1hu sil ve vesm\u00edru. Zrcadl\u00ed fakt, \u017ee oba extr\u00e9my jednoho d\u011bje se nal\u00e9zaj\u00ed ve stejn\u00e9m bod\u011b v \u010dasoprostoru. Z\u00e1nik je sou\u010dasn\u011b vznikem, okam\u017eik  \u0161t\u011bst\u00ed je z\u00e1rove\u0148 momentem hr\u016fzy. Tento p\u0159\u00edrodn\u00ed i filozofick\u00fd, snad jedin\u00fd v\u0161eobecn\u011b platn\u00fd princip, p\u0159edstavuje jednu z\u00a0mo\u017en\u00fdch cest k pochopen\u00ed vlastn\u00ed existence. P\u0159ijet\u00edm takov\u00e9ho pozn\u00e1n\u00ed se st\u00e1v\u00e1me samostatnou entitou anebo, snad lidov\u011b \u0159e\u010deno, dosp\u011bl\u00fdm jedincem. Schopnost pro\u017e\u00edvat \u0161t\u011bst\u00ed je spjata se schopnost\u00ed sn\u00e1\u0161et jeho ztr\u00e1tu a s\u00a0n\u00ed spojenou bolest, co\u017e ve sv\u00e9 jednot\u011b vyjad\u0159uje hlubiny lidsk\u00e9 osobnosti.<br \/>\nV\u00a0posledn\u00edch letech se v\u011bdci soust\u0159edili na ot\u00e1zku \u201ev\u00edce blahobytu, av\u0161ak nikoli v\u00edce \u0161t\u011bst\u00ed\u201c, nebo\u0165 a\u010dkoli se v\u00a0posledn\u00edm p\u016flstolet\u00ed mnohon\u00e1sobn\u011b zlep\u0161ily \u017eivotn\u00ed podm\u00ednky, lid\u00e9 se \u0161\u0165astn\u011bj\u0161\u00edmi nestali. P\u0159\u00edmo \u00fam\u011brn\u011b k\u00a0tomu, jak v hyperkonzumn\u00ed spole\u010dnosti trh st\u00e1le l\u00e9pe uspokojuje osobn\u00ed pot\u0159eby, vzr\u016fst\u00e1 nespokojenost jedince se sebou sam\u00fdm. Gilles Lipovetsky p\u0159\u00edzna\u010dn\u011b hovo\u0159\u00ed o \u201eparadoxn\u00edm \u0161t\u011bst\u00ed\u201c. Dne\u0161n\u00ed \u010dlov\u011bk ve svrchovan\u00e9 m\u00ed\u0159e konzumuje k\u00a0oslnivosti doveden\u00fd spekt\u00e1kl o \u0161t\u011bst\u00ed celebrit. Tradi\u010dn\u00ed logiku zast\u00edr\u00e1n\u00ed nahrazuje ostentativn\u00ed p\u0159edv\u00e1d\u011bn\u00ed v\u00fdjime\u010dn\u00fdch podm\u00ednek a zd\u00e1nliv\u00e9ho \u0161t\u011bst\u00ed.  Av\u0161ak za \u201et\u0159pytivou\u201c pod\u00edvanou se otev\u00edraj\u00ed nedoz\u00edrn\u00e9 propasti\u2026 \u0160t\u011bst\u00ed jako spole\u010densk\u00fd ide\u00e1l se za\u010dalo prosazovat ji\u017e na po\u010d\u00e1tku 20. stolet\u00ed, ale v\u00a0hierarchii hodnot a ve spole\u010densk\u00fdch norm\u00e1ch mu bylo p\u0159i\u0159knuto a\u017e druh\u00e9 m\u00edsto, podrobeno vy\u0161\u0161\u00edmu \u0159\u00e1du mor\u00e1lky a povinnosti. Ve druh\u00e9 polovin\u011b 20. stolet\u00ed rozlo\u017eila logika masov\u00e9 spot\u0159eby mravou\u010dn\u00e1 k\u00e1z\u00e1n\u00ed a ustavila kulturu, v\u00a0n\u00ed\u017e \u0161t\u011bst\u00ed v\u00edt\u011bz\u00ed nad mor\u00e1ln\u00edm kodexem. \u201e\u0160t\u011bst\u00ed anebo nic\u201c. Z\u00a0m\u00e9ho pohledu, je-li \u0161t\u011bst\u00ed stavem, kdy na\u0161e pot\u0159eby jsou beze zbytku napln\u011bny, pat\u0159\u00ed mezi n\u011b zajist\u00e9 i mor\u00e1ln\u00ed zadostiu\u010din\u011bn\u00ed.<br \/>\nToto filozofov\u00e1n\u00ed bych zakon\u010dila slovy: \u201e\u0160t\u011bst\u00ed nepoch\u00e1z\u00ed z velikosti \u017eivota, ale z jeho mal\u00fdch a osv\u011b\u017euj\u00edc\u00edch v\u011bc\u00ed, kter\u00e9 se mus\u00ed p\u011bstovat a vyhled\u00e1vat&#8230; Ostatn\u011b &#8211; \u0161t\u011bst\u00ed nemus\u00ed b\u00fdt ni\u010d\u00edm vesel\u00fdm a bla\u017een\u00fdm, jsem si skoro jist, \u017ee \u0161t\u011bst\u00ed mohou b\u00fdt velk\u00e1 a tragick\u00e1 jako um\u011bleck\u00e1 d\u00edla.\u201c Karel \u010capek (1890-1938)<br \/>\n<em>Rea Michalov\u00e1<\/em><\/p>\n<p><strong>Ale\u0161 Br\u00e1zdil \/1983\/<\/strong><br \/>\n2003 \u2013 2009 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (Ateli\u00e9r klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik prof. Zde\u0148ka Berana)<\/p>\n<p><strong>Jan Gemrot \/1983\/ <\/strong><br \/>\n2002 \u2013 2008 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (Ateli\u00e9r klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik prof. Zde\u0148ka Berana)<\/p>\n<p><strong>Martin K\u00e1men \/1982\/<\/strong><br \/>\n2003 \u2013 2008 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (Ateli\u00e9r Nov\u00e1 m\u00e9dia II. Veroniky Bromov\u00e9)<\/p>\n<p><strong>Ond\u0159ej Oliva \/1982\/<\/strong><br \/>\n2005 \u2013 2010 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (Ateli\u00e9r Socha\u0159stv\u00ed I. Jaroslava R\u00f3ny)<\/p>\n<p><strong>R\u00f3bert Pal\u00fach \/1985\/<\/strong><br \/>\n2004 \u2013 2010 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (Ateli\u00e9r Socha\u0159stv\u00ed I., 2004-2005 prof. Jan Koblasa, 2005-2010  Jaroslav R\u00f3na)<\/p>\n<p><strong>David Saudek \/1966\/ <\/strong><br \/>\n1991 \u2013 1997 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (Ateli\u00e9r socha\u0159stv\u00ed prof. Stanislava Kol\u00edbala, Ateli\u00e9r nov\u00fdch m\u00e9di\u00ed prof. Michaela Bielick\u00e9ho)<\/p>\n<p><strong>Pavel Va\u0161\u00ed\u010dek \/1979\/<\/strong><br \/>\n2000 \u2013 2006 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (Ateli\u00e9r klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik prof. Zde\u0148ka Berana)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ale\u0161 Br\u00e1zdil, Jan Gemrot, Martin K\u00e1men, Ond\u0159ej Oliva, R\u00f3bert Pal\u00fach, David Saudek, Pavel Va\u0161\u00ed\u010dek 20. 5. \u2013 15. 6. 2014 Vernis\u00e1\u017e v\u00a0pond\u011bl\u00ed 19. 5. 2014 v\u00a017 hod. \u00davodn\u00ed slovo PhDr. Rea Michalov\u00e1, PhD., kur\u00e1torka v\u00fdstavy Galerie Orlovna Na sladovn\u00e1ch 1492, Krom\u011b\u0159\u00ed\u017e www.galerie-orlovna.cz \u201eKdo mluv\u00ed o \u0161t\u011bst\u00ed, m\u00e1 \u010dasto smutn\u00e9 o\u010di.\u201c Louis Aragon (1897-1982) V\u00fdstavn\u00ed projekt [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1112","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1112"}],"version-history":[{"count":2,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1112\/revisions"}],"predecessor-version":[{"id":1114,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1112\/revisions\/1114"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}