{"id":1151,"date":"2015-03-05T22:24:15","date_gmt":"2015-03-05T20:24:15","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=1151"},"modified":"2015-03-05T22:24:15","modified_gmt":"2015-03-05T20:24:15","slug":"miroslav-javurek","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=1151","title":{"rendered":"Miroslav Jav\u016frek"},"content":{"rendered":"

VIVA EMPTINESS
\n16. 1. \u2013 13. 2. 2015
\n<\/strong><\/p>ngg_shortcode_0_placeholder

Miroslav Jav\u016frek (*1979, MgA., 2004-2009 AVU, Ateli\u00e9r klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik prof. Z. Berana), p\u0159edstavitel \u201ebarokn\u00ed linie\u201c ve sf\u00e9\u0159e klasick\u00e9 realistick\u00e9 malby, je um\u011blecky slo\u017eitou a sou\u010dasn\u011b velmi zaj\u00edmavou osobnost\u00ed. Je obda\u0159en neoby\u010dejn\u00fdm talentem, \u017ee neexistuje snad um\u011bleck\u00e9 odv\u011btv\u00ed, na kter\u00e9 by jeho bravurn\u00ed technick\u00e9 schopnosti a profesion\u00e1ln\u00ed um nesta\u010dily. Tato viditeln\u00e1 p\u0159evaha nad v\u011bt\u0161inou vrstevn\u00edk\u016f zp\u016fsobila, \u017ee m\u00edsto koncentrace na tvorbu rozs\u00e1hlej\u0161\u00edch obrazov\u00fdch cykl\u016f, vytv\u00e1\u0159el velmi p\u016fsobiv\u00e1, ale vz\u00e1jemn\u011b sp\u00ed\u0161e neprov\u00e1zan\u00e1 d\u00edla \u2013 solit\u00e9ry. O to v\u011bt\u0161\u00ed bylo m\u00e9 p\u0159ekvapen\u00ed, kdy\u017e pro aktu\u00e1ln\u00ed v\u00fdstavu autor vybral zcela koherentn\u00ed soubor, po v\u0161ech str\u00e1nk\u00e1ch vyrovnan\u00fd, jeho\u017e p\u016fsoben\u00ed na div\u00e1ka vystup\u0148oval zastoupen\u00edm jak obraz\u016f, tak soch. Cel\u00fd cyklus nese n\u00e1zev \u201eViva Emptiness\u201c, inspirovan\u00fd stejnojmenn\u00fdm albem \u0161v\u00e9dsk\u00e9 metalov\u00e9 kapely \u201eKatatonia\u201c z roku 2003 (remix 2013). Jav\u016frek v n\u011bm poukazuje na t\u00e9mata spole\u010densk\u00e9ho odcizen\u00ed, osam\u011bn\u00ed, apatie, stavy jak\u00e9si bezv\u00fdchodnosti, v nich\u017e se akt\u00e9\u0159i d\u011bl (a\u0165 u\u017e lid\u00e9 nebo zv\u00ed\u0159ata \u2013 kon\u011b) ocitaj\u00ed. Je pozoruhodn\u00e9, \u017ee autorova p\u0159\u00edslove\u010dn\u00e1 profesn\u00ed zru\u010dnost tu tentokr\u00e1t nehraje dominantn\u00ed roli (i kdy\u017e jsou obrazy namalov\u00e1ny stejn\u011b kr\u00e1sn\u011b jako v\u017edy), jako jsme str\u017eeni atmosf\u00e9rou tajemstv\u00ed, sofistikovan\u011b ukryt\u00e9ho do jinak velmi v\u011bcn\u00fdch motiv\u016f. Fascinuje n\u00e1s ur\u010dit\u00fd surrealistick\u00fd n\u00e1dech, kter\u00fd nekompromituje sv\u011bt reality, ale probouz\u00ed v n\u011bm obrazy a podobenstv\u00ed hod\u00edc\u00ed se k vysti\u017een\u00ed jeho slo\u017eitosti. I p\u0159es to, \u017ee d\u00edla zachycuj\u00ed vypjatou atmosf\u00e9ru hrani\u010dn\u00edch stav\u016f a traumatick\u00fdch z\u00e1\u017eitk\u016f, autor je dok\u00e1zal vygradovat do jemn\u00e9 absurdity.
\nMiroslav Jav\u016frek je tv\u016frcem neoby\u010dejn\u011b plodn\u00fdm a piln\u00fdm. Jsem velmi r\u00e1da, \u017ee se jeho pr\u00e1ce tak kvalitn\u011b vyv\u00edj\u00ed, \u017ee poj\u00edm\u00e1 i t\u00e9mata, kter\u00e1 navozuj\u00ed pocit modern\u00ed \u201erozpolcenosti\u201c, t\u00e9mata, kter\u00e1 d\u0159\u00edve p\u0159ech\u00e1zel pro ryz\u00ed radost z tvorby. \u201eEmptiness\u201c, to je pr\u00e1zdnota, kter\u00e1 nese potenci\u00e1l n\u011b\u010deho nov\u00e9ho.
\nRea Michalov\u00e1<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

VIVA EMPTINESS 16. 1. \u2013 13. 2. 2015 Miroslav Jav\u016frek (*1979, MgA., 2004-2009 AVU, Ateli\u00e9r klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik prof. Z. Berana), p\u0159edstavitel \u201ebarokn\u00ed linie\u201c ve sf\u00e9\u0159e klasick\u00e9 realistick\u00e9 malby, je um\u011blecky slo\u017eitou a sou\u010dasn\u011b velmi zaj\u00edmavou osobnost\u00ed. Je obda\u0159en neoby\u010dejn\u00fdm talentem, \u017ee neexistuje snad um\u011bleck\u00e9 odv\u011btv\u00ed, na kter\u00e9 by jeho bravurn\u00ed technick\u00e9 schopnosti a profesion\u00e1ln\u00ed […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1151","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1151"}],"version-history":[{"count":0,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/1151\/revisions"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}