{"id":32,"date":"2008-08-25T12:04:59","date_gmt":"2008-08-25T10:04:59","guid":{"rendered":"http:\/\/localhost\/mc\/?p=66"},"modified":"2009-01-18T03:16:12","modified_gmt":"2009-01-18T01:16:12","slug":"stefan-toth","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=32","title":{"rendered":"\u0160tefan T\u00f3th"},"content":{"rendered":"

25. 9. 2008 \u2013 26. 10. 2008<\/strong>
\nDER SPIELPLATZ<\/strong><\/p>\n

Vernis\u00e1\u017e se kon\u00e1 25. 9. 2008 v 18 hodin.<\/p>\n

\u0160tefan T\u00f3th, narozen 2. 9. 1974 v \u017datci, absolvoval Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze (2001-2007), Intermedi\u00e1ln\u00ed \u0161kola, profesor Milan Kn\u00ed\u017e\u00e1k, v letech 2005-2007 \u010dlen skupiny KONTEXTUAL.<\/p>ngg_shortcode_0_placeholder

Vysok\u00e1 hra \u0160tefana T\u00f3tha<\/strong>
\nApropriace II, Galerie Jelen\u00ed, 17. 9. \u2013 9. 10. 2008
\nDer Spielplatz, Galerie Michal\u2019s Collection, 25. 9. \u2013 26. 10. 2008<\/p>\n

Jm\u00e9no \u0160tefana T\u00f3tha (1974), absolventa Intermedi\u00e1ln\u00ed \u0161koly prof. Milana Kn\u00ed\u017e\u00e1ka na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, bylo jistou dobu \u201eskryto\u201c za aktivitou skupiny KONTEXTUAL. Tato skupina realizovala v dob\u011b sv\u00e9ho trv\u00e1n\u00ed v letech 2005-2007 \u0159adu zaj\u00edmav\u00fdch v\u00fdstavn\u00edch projekt\u016f, nesen\u00fdch v konceptu\u00e1ln\u00edm duchu. V realizac\u00edch jako \u201eKoncept a percepce\u201c v r\u00e1mci Mezin\u00e1rodn\u00edho bien\u00e1le sou\u010dasn\u00e9ho um\u011bn\u00ed N\u00e1rodn\u00ed galerie v Praze, \u201eType A \u2013 Type B\u201c v Pell\u00e9ov\u011b vile, \u201eDvojit\u00fd salchov\u201c v Galerii XXL v Lounech, \u201eParticipa\u010dn\u00ed metoda No. 2\u201c v Modern\u00ed galerii AVU \u010di v projektech uskute\u010dn\u011bn\u00fdch v zahrani\u010d\u00ed (nap\u0159. \u201eSeated Figure\u201c, National Gallery of Australia; \u201eIntuition No. 1\u201c, \u201eOptimum Portrait\u201c, Canberra, Australia) pouk\u00e1zala na osobitost a jedine\u010dnost d\u00edla determinovanou kontextem. Sv\u00fdm posledn\u00edm p\u0159\u00edsp\u011bvkem \u201eCildo Meireles\u201c se skupina roku 2007 za\u0159adila mezi finalisty ceny N\u00e1rodn\u00ed galerie \u201e333\u201c. Ji\u017e zde bychom mohli uva\u017eovat o term\u00ednech jako interpretace, apropriace, aproximace, apod., jich\u017e se \u0160tefan T\u00f3th ve sv\u00e9 tvorb\u011b dot\u00fdk\u00e1.<\/p>\n

V sou\u010dasn\u00e9 dob\u011b p\u0159edstavuje T\u00f3th projekty \u201eApropriace II\u201c v Galerii Jelen\u00ed a \u201eDer Spielplatz\u201c v Galerii Michal\u2019s Collection.<\/p>\n

V Apropriaci II. jde o obrazov\u00fd cyklus inspirovan\u00fd pl\u00e1tny mal\u00ed\u0159e, jeho\u017e snad ani nen\u00ed t\u0159eba p\u0159edstavovat \u2013 Neo Raucha (1960). Jeho v\u00fdstava v Rudolfinu (2007) T\u00f3tha podn\u00edtila k vytvo\u0159en\u00ed souboru \u0161esti pl\u00e1ten, kter\u00e9 k n\u00ed odkazuj\u00ed, ale z\u00e1rove\u0148 jsou sv\u00e9bytn\u00fdm celkem (posledn\u00edm obrazem s n\u00e1zvem \u201eKonspiration\u201c a podtitulem \u201eNeo Neo\u201c je \u010dern\u00fd monochrom, v n\u011bm\u017e se Rauch ji\u017e jakoby vytr\u00e1c\u00ed). Pointa cyklu spo\u010d\u00edv\u00e1 mimo jin\u00e9 v radik\u00e1ln\u00ed zm\u011bn\u011b m\u011b\u0159\u00edtka: T\u00f3th Rauchovy obrazy zmen\u0161il do kabinetn\u00edho form\u00e1tu (35,5\u00d725,5 cm), \u010d\u00edm\u017e se z nich paradoxn\u011b stal a\u017e jak\u00fdsi \u201eschwaigerovsk\u00fd \u017e\u00e1nr\u201c. Na druh\u00e9 stran\u011b tu doch\u00e1z\u00ed ke gradaci v\u00fdrazu, dokazuj\u00edc\u00ed, \u017ee narace nemus\u00ed v\u017edy vynikat ve velk\u00e9 plo\u0161e.<\/p>\n

Realizace \u201eDer Spielplatz\u201c reaguje na d\u00edlo n\u011bmeck\u00e9ho um\u011blce Martina Kippenbergera (1953-1997). Jej\u00ed st\u0159ed tvo\u0159\u00ed prostorov\u00e1 instalace, vztahuj\u00edc\u00ed se k jeho \u201esoci\u00e1ln\u00ed asambl\u00e1\u017ei\u201c \u201eThe Happy End of Franz Kafka\u2019s Amerika\u201c (1994). Touto instalac\u00ed, skl\u00e1daj\u00edc\u00ed se z rozs\u00e1hl\u00e9ho souboru kancel\u00e1\u0159sk\u00fdch stol\u016f a \u017eidl\u00ed, rozm\u00edst\u011bn\u00fdch na povrchu p\u0159ipom\u00ednaj\u00edc\u00edm h\u0159i\u0161t\u011b, navazuje Kippenberger na nedokon\u010den\u00fd rom\u00e1n Franze Kafky \u201eAmerika\u201c (p\u016fvodn\u00ed Kafk\u016fv n\u00e1zev je v\u0161ak \u201eDer Verschollene\u201c \u2013 \u201eNezv\u011bstn\u00fd\u201c). Dod\u00e1v\u00e1 mu paradoxn\u00ed \u201ehappy end\u201c: je to sc\u00e9nick\u00e9 p\u0159edstaven\u00ed masov\u00e9ho p\u0159ij\u00edmac\u00edho pohovoru, alegorie hypermodern\u00ed totalit\u00e1rn\u00ed spole\u010dnosti a byrokratismu.<\/p>\n

\u0160tefan T\u00f3th vy\u0161el z Kippenbergerovy pozn\u00e1mky, \u017ee je logick\u00e9, kdy\u017e si s\u00e1m div\u00e1k p\u0159i pohledu na toto d\u00edlo dopl\u0148uje sv\u00e9 p\u0159\u00edb\u011bhy a v\u00fdznamy k jednotliv\u00fdm n\u00e1bytkov\u00fdm soubor\u016fm. Vytvo\u0159il vlastn\u00ed sestavu, kter\u00e1 je t\u00e9\u017e kompilac\u00ed nalezen\u00fdch i sestrojen\u00fdch \u017eidl\u00ed, stol\u016f, knihoven apod., av\u0161ak na rozd\u00edl od n\u011bmeck\u00e9ho um\u011blce nepracuje s histori\u00ed t\u011bchto p\u0159edm\u011bt\u016f. Zd\u016fraz\u0148uje vizu\u00e1ln\u00ed, estetickou rovinu bez pevn\u011b stanoven\u00e9ho p\u0159\u00edb\u011bhu \u010di ud\u00e1losti.<\/p>\n

Vystaven\u00e9 obrazy dokl\u00e1daj\u00ed autor\u016fv paraleln\u00ed z\u00e1jem o \u201eklasick\u00e9 m\u00e9dium\u201c. P\u0159edstavuj\u00ed nejen koment\u00e1\u0159 k instalaci, ale mal\u00ed\u0159sk\u00fd z\u00e1znam procesu \u2013 procesu p\u0159etv\u00e1\u0159en\u00ed informace z dokumentace na vizu\u00e1ln\u00ed \u201eecho\u201c. T\u00f3th pracuje se z\u00e1znamy v\u00fdstav Martina Kippenbergera, transformuje je v nov\u00e9 vizu\u00e1ln\u00ed ud\u00e1losti, kter\u00e9 na ty p\u016fvodn\u00ed mohou i nemus\u00ed poukazovat.<\/p>\n

Rea Michalov\u00e1<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

25. 9. 2008 \u2013 26. 10. 2008 DER SPIELPLATZ Vernis\u00e1\u017e se kon\u00e1 25. 9. 2008 v 18 hodin. \u0160tefan T\u00f3th, narozen 2. 9. 1974 v \u017datci, absolvoval Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze (2001-2007), Intermedi\u00e1ln\u00ed \u0161kola, profesor Milan Kn\u00ed\u017e\u00e1k, v letech 2005-2007 \u010dlen skupiny KONTEXTUAL. Vysok\u00e1 hra \u0160tefana T\u00f3tha Apropriace II, Galerie Jelen\u00ed, 17. 9. \u2013 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-32","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/32","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32"}],"version-history":[{"count":16,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/32\/revisions"}],"predecessor-version":[{"id":279,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/32\/revisions\/279"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}