{"id":336,"date":"2009-05-31T02:11:20","date_gmt":"2009-05-31T00:11:20","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=336"},"modified":"2009-06-01T17:06:20","modified_gmt":"2009-06-01T15:06:20","slug":"pavel-vasicek","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=336","title":{"rendered":"Pavel Va\u0161\u00ed\u010dek"},"content":{"rendered":"<p><strong>PAVEL VA\u0160\u00cd\u010cEK<br \/>\nPRO\u010c PRO N\u011a PL\u00c1\u010cEME?<\/strong><br \/>\n27. 5. \u2013 20. 6. 2009<br \/>\nGalerie Michal\u2019s Collection<br \/>\nHusova 13, Praha 1<br \/>\nwww.michalscollection.cz<\/p>ngg_shortcode_0_placeholder<p>Pavel Va\u0161\u00ed\u010dek, absolvent Ateli\u00e9ru klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik profesora Zde\u0148ka Berana, je v\u00fdznamn\u00fd p\u0159edstavitel sou\u010dasn\u00e9 mlad\u00e9 \u010desk\u00e9 malby, tvo\u0159\u00edc\u00ed v p\u00f3lech expresivn\u00edho a realistick\u00e9ho v\u00fdrazu. Ve sv\u00fdch obrazech reaguje na dne\u0161n\u00ed masmedi\u00e1ln\u00ed kulturu, kulturn\u00ed pr\u016fmysl a dal\u0161\u00ed dobov\u00e9 fenom\u00e9ny.<\/p>\n<p>Umberto Eco nab\u00edz\u00ed dvoj\u00ed pohled na masm\u00e9dia. Ve sv\u00e9 knize \u201eSkeptikov\u00e9 a t\u011b\u0161itel\u00e9\u201c (Argo, Praha, 2006) z\u00e1rove\u0148 ob\u017ealov\u00e1v\u00e1 i h\u00e1j\u00ed masovou kulturu. Masm\u00e9dia se obrac\u00ed k r\u016fznorod\u00e9mu publiku, p\u0159itom se \u0159\u00edd\u00ed pr\u016fm\u011brn\u00fdm vkusem a vyh\u00fdbaj\u00ed se origin\u00e1ln\u00edm \u0159e\u0161en\u00edm. Podporuj\u00ed pasivn\u00ed a nekritick\u00fd pohled na sv\u011bt. Na druh\u00e9 stran\u011b si je t\u0159eba uv\u011bdomit, \u017ee v na\u0161\u00ed industri\u00e1ln\u00ed spole\u010dnosti nelze zru\u0161it komunikativn\u00ed vztah zn\u00e1m\u00fd jako masov\u00e9 sd\u011blovac\u00ed prost\u0159edky. Jde sp\u00ed\u0161e o to, aby se d\u00edky nim \u0161\u00ed\u0159ily kulturn\u00ed hodnoty. V tomto kontextu m\u016f\u017eeme poj\u00edmat mal\u00ed\u0159e klasick\u00e9ho z\u00e1v\u011bsn\u00e9ho obrazu jako svobodn\u00e9ho kreativn\u00edho jedince, autentick\u00e9ho tv\u016frce, jeho\u017e d\u00edla vy\u017eaduj\u00ed jin\u00fd zp\u016fsob vn\u00edm\u00e1n\u00ed ne\u017e jen rychlou \u201ekonzumaci\u201c.<\/p>\n<p>\u201ePro\u010d pro n\u011b pl\u00e1\u010deme?\u201c je ot\u00e1zka, kterou si Pavel Va\u0161\u00ed\u010dek klade ve vztahu k fantom\u016fm a superhrdin\u016fm dne\u0161n\u00ed doby. V jeho d\u00edlech se setk\u00e1vaj\u00ed dva spolu komunikuj\u00edc\u00ed sv\u011bty \u2013 skute\u010dnost a fikce. Pou\u017e\u00edv\u00e1 standardn\u00edch v\u00fdtvarn\u00fdch princip\u016f a spojuje expresivnost s \u0159\u00e1dem realismu. Jistota pevn\u00e9 linie, celistvost se st\u0159et\u00e1v\u00e1 s intuic\u00ed. Jeho malba se vyzna\u010duje mimo\u0159\u00e1dnou velkorysost\u00ed a bravurou p\u0159ednesu, ale i smyslem pro detail. Inspiraci nach\u00e1z\u00ed v mistrovsk\u00e9 tvorb\u011b Francisca Goyi, Hieronyma Bosche, Jamese Ensora, Honor\u00e9 Daumiera atd.<\/p>\n<p>V obsahov\u00e9 rovin\u011b stav\u00ed proti sob\u011b skute\u010dnost a m\u00fdtus, racionalitu a p\u0159edstavivost. Chef-d\u2019oeuvre v\u00fdstavy je rozm\u011brn\u00e9 pl\u00e1tno \u201eDotek 1\u201c (Batman a pilot F1) (200\u00d7250 cm, 2009). Autor tu konfrontuje filmovou postavu s re\u00e1ln\u00fdm \u201ehrdinou\u201c, automobilov\u00fdm z\u00e1vodn\u00edkem. Jak po obsahov\u00e9, tak v\u00fdtvarn\u00e9 str\u00e1nce buduje fantomick\u00fd prostor, kter\u00fd p\u0159edstavuje jednu z podob iluzorn\u00edho \u00faniku ze skute\u010dnosti. Uv\u00e1d\u00ed n\u00e1s do p\u0159\u00edzna\u010dn\u00e9ho stavu \u201efantazijn\u00edho sn\u011bn\u00ed\u201c. Mohutnost a t\u00edhu Batmanovy postavy m\u016f\u017eeme interpretovat jako p\u0159edstavivost, je\u017e je pov\u00fd\u0161ena na bo\u017eskou \u00farove\u0148. Motiv boha \u010di s\u00edly je t\u00e9\u017e u\u017eit v zadn\u00edm pl\u00e1nu obrazu, v podob\u011b gesta \u201eo\u017eiven\u00ed\u201c ze \u201eStvo\u0159en\u00ed Adama\u201c na Michelangelov\u011b fresce na strop\u011b Sixtinsk\u00e9 kaple. Do tohoto t\u00e9matick\u00e9ho okruhu se \u0159ad\u00ed t\u00e9\u017e obraz \u201eDotek 2\u201c (Batman s pilotem st\u00edhac\u00edho letounu) (160\u00d7150 cm, 2009), kde v\u0161ak Batmanovu p\u0159\u00edtomnost m\u016f\u017eeme pouze tu\u0161it.<\/p>\n<p>Obraz \u201eHokejist\u00e9\u201c (160\u00d7150 cm, 2009) je reflex\u00ed na sou\u010dasn\u00fd sport, kter\u00fd mal\u00ed\u0159 vn\u00edm\u00e1 ve sv\u011btle zu\u0159ivosti a nesportovn\u00edho chov\u00e1n\u00ed. Pozad\u00ed se bl\u00ed\u017e\u00ed surre\u00e1lnu, zhmot\u0148uj\u00edc\u00edm p\u0159edstavy a tu\u017eby.  K dal\u0161\u00edmu aktu\u00e1ln\u00edmu t\u00e9matu, kultu v\u011b\u010dn\u00e9ho ml\u00e1d\u00ed a kr\u00e1sy, se Va\u0161\u00ed\u010dek vyjad\u0159uje v d\u00edle \u201eModelka\u201c (110\u00d7100 cm, 2009). D\u00edvka se st\u00e1v\u00e1 ob\u011bt\u00ed zkr\u00e1\u0161lovac\u00edch proces\u016f a ztr\u00e1c\u00ed vlastn\u00ed identitu.<\/p>\n<p>\u201eDiptych\u201c (2\u00d7170\u00d7120 cm), a\u010d ji\u017e z roku 2005, se tak\u00e9 obsahov\u011b dot\u00fdk\u00e1 dialogu mezi racion\u00e1ln\u00edm a iracion\u00e1ln\u00edm. Je to vyva\u017eov\u00e1n\u00ed d\u00e1vn\u00e9ho sporu \u201e\u0159\u00e1du a dobrodru\u017estv\u00ed\u201c, jak o n\u011bm psal ji\u017e Guillaume Apollinaire.<\/p>\n<p>V\u00fdtvarnou tvorbu Pavla Va\u0161\u00ed\u010dka bych tak trochu p\u0159enesen\u011b ozna\u010dila za \u201eV-Power\u201c, \u010d\u00edm\u017e nemysl\u00edm benz\u00edn vyvinut\u00fd ve spolupr\u00e1ci s teamem Formule 1, ale \u201eVa\u0161\u00ed\u010dek\u2013Power\u201c. Je to snad nejjasn\u011bj\u0161\u00ed vyj\u00e1d\u0159en\u00ed kvality a s\u00edly jeho obraz\u016f.<\/p>\n<p>Rea Michalov\u00e1<\/p>\n<p><strong>MgA. Pavel Va\u0161\u00ed\u010dek <\/strong><br \/>\nNarozen 7. \u00fanora 1979 v Mlad\u00e9 Boleslavi<br \/>\n2000-2006 Studium na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze \u2013 Ateli\u00e9r klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik prof. Zde\u0148ka Berana<br \/>\nSv\u00fdmi d\u00edly je zastoupen v N\u00e1rodn\u00ed galerii v Praze a v \u0159ad\u011b soukrom\u00fdch sb\u00edrek<\/p>\n<p><span style=\"text-decoration: underline;\">V\u00fdb\u011br z v\u00fdstav<\/span><\/p>\n<p>2001<br \/>\n\u010cesk\u00e9 Bud\u011bjovice, Wortner\u016fv d\u016fm, Al\u0161ova jiho\u010desk\u00e1 galerie, Mal\u00ed\u0159sk\u00e1 \u0161kola prof. Z. Berana<\/p>\n<p>2005<br \/>\nPraha, Galerie U Prstenu \u2013 Pavel Va\u0161\u00ed\u010dek, Zuzana Ry\u0161\u00e1nkov\u00e1, Juraj Koll\u00e1r, Du\u0161an Mravec<br \/>\nPraha, Galerie J. Anderle, SONDA 1, SONDA 2 \u2013 v\u00fdstavy student\u016f prof. Z. Berana<\/p>\n<p>2006<br \/>\nN\u00e1rodn\u00ed galerie v Praze, Diplomanti AVU<\/p>\n<p>2007<br \/>\nAl\u0161ova jiho\u010desk\u00e1 galerie, Hlubok\u00e1 nad Vltavou, Sou\u010dasn\u00e9 mal\u00ed\u0159stv\u00ed<br \/>\nN\u00e1rodn\u00ed galerie v Praze, Veletr\u017en\u00ed pal\u00e1c, AVU 18<br \/>\nPraha, Novom\u011bstsk\u00e1 radnice, DEFENESTRACE<\/p>\n<p>2008<br \/>\nVlastiv\u011bdn\u00e9 muzeum a galerie v \u010cesk\u00e9 L\u00edp\u011b, Pavel Va\u0161\u00ed\u010dek: \u201eSv\u011btla a st\u00edny postmoderny\u201c<\/p>\n<p>2009<br \/>\nSemily, Galerie XY, Petr a Pavel Va\u0161\u00ed\u010dkovi<br \/>\nPraha, Galerie Michal\u2019s Collection, Pavel Va\u0161\u00ed\u010dek: \u201ePro\u010d pro n\u011b pl\u00e1\u010deme?\u201c<br \/>\nPraha, Galerie Peron, Petr a Pavel Va\u0161\u00ed\u010dkovi<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PAVEL VA\u0160\u00cd\u010cEK PRO\u010c PRO N\u011a PL\u00c1\u010cEME? 27. 5. \u2013 20. 6. 2009 Galerie Michal\u2019s Collection Husova 13, Praha 1 www.michalscollection.cz Pavel Va\u0161\u00ed\u010dek, absolvent Ateli\u00e9ru klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik profesora Zde\u0148ka Berana, je v\u00fdznamn\u00fd p\u0159edstavitel sou\u010dasn\u00e9 mlad\u00e9 \u010desk\u00e9 malby, tvo\u0159\u00edc\u00ed v p\u00f3lech expresivn\u00edho a realistick\u00e9ho v\u00fdrazu. Ve sv\u00fdch obrazech reaguje na dne\u0161n\u00ed masmedi\u00e1ln\u00ed kulturu, kulturn\u00ed pr\u016fmysl a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-336","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=336"}],"version-history":[{"count":3,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/336\/revisions"}],"predecessor-version":[{"id":341,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/336\/revisions\/341"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}