{"id":366,"date":"2009-10-26T16:59:10","date_gmt":"2009-10-26T14:59:10","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=366"},"modified":"2009-10-26T16:59:10","modified_gmt":"2009-10-26T14:59:10","slug":"marie-seborova","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=366","title":{"rendered":"Marie \u0160eborov\u00e1"},"content":{"rendered":"

22. 10. \u2013 17.11. 2009
\nKLASIKA \/ Sochy a kresby<\/strong><\/p>ngg_shortcode_0_placeholder

Marie \u0160eborov\u00e1 studovala na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, v ateli\u00e9ru kresby prof. Jitky Svobodov\u00e9 a ateli\u00e9ru figur\u00e1ln\u00edho socha\u0159stv\u00ed a medaile prof. Jana Hendrycha. Pro sou\u010dasnou v\u00fdstavu zvolila jednoduch\u00fd a v\u0161e \u0159\u00edkaj\u00edc\u00ed n\u00e1zev: Klasika. Vyjad\u0159uje jej\u00ed um\u011bleck\u00e9 sm\u011b\u0159ov\u00e1n\u00ed, kter\u00e9 vych\u00e1z\u00ed z klasick\u00e9 socha\u0159sk\u00e9 tradice. Navrac\u00ed se k \u010dist\u00e9 socha\u0159sk\u00e9 \u0159e\u010di. Hled\u00e1 nov\u00e9 p\u0159\u00edstupy ztv\u00e1rn\u011bn\u00ed tak v\u011b\u010dn\u00e9ho n\u00e1m\u011btu, jako je figura.
\nVystaven\u00e9 sochy a kresby p\u0159edstavuj\u00ed vz\u00e1jemn\u00e9 prol\u00edn\u00e1n\u00ed dvou v\u00fdtvarn\u00fdch poloh. Zat\u00edmco klasick\u00e1 socha\u0159sk\u00e1 kresba v minulosti p\u0159edch\u00e1zela vzniku plastick\u00e9ho d\u00edla a byla na n\u011bj bezv\u00fdhradn\u011b v\u00e1z\u00e1na, \u0160eborov\u00e1 p\u0159istupuje ke kresb\u011b jako k sv\u00e9bytn\u00e9mu fenom\u00e9nu, schopn\u00e9mu so\u0161e konkurovat nejen v mo\u017enosti rychl\u00e9ho zachycen\u00ed n\u00e1padu, ale i v pod\u00e1n\u00ed plastick\u00e9, a\u017e reli\u00e9fn\u00ed objemovosti.
\nVytv\u00e1\u0159\u00ed plastiky, kter\u00e9 odl\u00e9v\u00e1 do bronzu, tradi\u010dn\u011bj\u0161\u00ed v\u00fdrazovosti, jak ji v \u010desk\u00e9m v\u00fdtvarn\u00e9m um\u011bn\u00ed nal\u00e9z\u00e1me nap\u0159. u Jana \u0160tursy, Karla Dvo\u0159\u00e1ka, Josefa Wagnera, Jana Hendrycha ad. Krom\u011b toho \u010dasto pracuje s kamenem, a\u0165 u\u017e jde o mramor, p\u00edskovec, opuku \u010di v\u00e1penec. Technick\u00e9 i tv\u016fr\u010d\u00ed p\u0159\u00edstupy v t\u011bchto rozli\u010dn\u00fdch druz\u00edch materi\u00e1lu si ov\u011b\u0159ila b\u011bhem mnoha pobyt\u016f na socha\u0159sk\u00fdch sympozi\u00edch u n\u00e1s i v zahrani\u010d\u00ed. Ka\u017ed\u00fd kamenn\u00fd blok m\u00e1 sv\u00e1 skryt\u00e1 tajemstv\u00ed a svou p\u0159irozenou kr\u00e1su. Spoluiniciuje um\u011bleckou my\u0161lenku, vede ji a \u010dasto ur\u010duje i dal\u0161\u00ed postup ztv\u00e1rn\u011bn\u00ed sochy.
\nKamenn\u00e9 figur\u00e1ln\u00ed skulptury Marie \u0160eborov\u00e9 jsou synt\u00e9zou jej\u00edch my\u0161lenek, n\u00e1pad\u016f, pocit\u016f, dosavadn\u00edch zku\u0161enost\u00ed a nov\u00fdch technick\u00fdch mo\u017enost\u00ed. V souboru mal\u00fdch \u201eFigur\u201c, na v\u00fdstav\u011b p\u0159edstaven\u00e9m, se t\u011b\u017ei\u0161t\u011b um\u011bleck\u00e9ho ztv\u00e1rn\u011bn\u00ed p\u0159esouv\u00e1 ze z\u00e1kladn\u00ed dimenze hmatovosti do sekund\u00e1rn\u00ed, t. j. doch\u00e1z\u00ed k opu\u0161t\u011bn\u00ed plasti\u010dnosti. Prioritn\u00edm se st\u00e1v\u00e1 obrys a povrch sochy, kter\u00fd pojedn\u00e1v\u00e1 ryt\u00fdmi line\u00e1rn\u00edmi grafick\u00fdmi prvky. Tyto ornamenty estetizuj\u00ed jednoduchou formu a evokuj\u00ed otisky star\u00fdch kultur. Ve sv\u00e9m celku skulptury evokuj\u00ed starov\u011bk\u00e9 kykladsk\u00e9 idoly. \u0160eborov\u00e1 tady abstrahuje realitu a\u017e na nejzaz\u0161\u00ed hranici. Odpout\u00e1v\u00e1 se od nepodstatn\u00e9ho, redukuje na bytostn\u00e9, na pras\u00edly vyj\u00e1d\u0159en\u00e9 v pratvarech. Zachov\u00e1v\u00e1 jakousi z\u00e1kladn\u00ed esenci \u017eenskosti.
\nVe vystaven\u00fdch kresb\u00e1ch klade autorka d\u016fraz na plastick\u00fd objem a m\u00edsty a\u017e reli\u00e9fn\u00ed strukturu povrchu. Mapuje sv\u011bt \u017eensk\u00e9ho t\u011bla a jeho k\u0159ivek. Torzo se st\u00e1v\u00e1 krajinou plnou vzru\u0161iv\u00fdch moment\u016f, podbarvenou jemn\u00fdm koloritem.
\nMarie \u0160eborov\u00e1 nach\u00e1z\u00ed ve sv\u00e9m d\u00edle rovnov\u00e1hu mezi mo\u017enostmi, kter\u00e9 konkr\u00e9tn\u00ed materi\u00e1l nab\u00edz\u00ed, a dokonalou kone\u010dnou formou. Tento proces je neuzav\u0159en\u00fd a poskytuje neust\u00e1le nov\u00e9 mo\u017enosti tvorby.<\/p>\n

Rea Michalov\u00e1<\/em><\/p>\n

Marie \u0160eborov\u00e1<\/strong>
\nNarozena 1966 v Krom\u011b\u0159\u00ed\u017ei<\/p>\n

1993-1996 AVU Praha – ateli\u00e9r figur\u00e1ln\u00edho socha\u0159stv\u00ed a medaile Prof. J.Hendrych
\n1990-1993 AVU Praha – ateli\u00e9r kresby Prof. J.Svobodov\u00e1
\n1992 zahrani\u010dn\u00ed st\u00e1\u017e na Fachhochschule Kiel, N\u011bmecko, Prof. J.Koblasa<\/p>\n

\u010casto se \u00fa\u010dastn\u00ed socha\u0159sk\u00fdch a medail\u00e9rsk\u00fdch sympozi\u00ed, um\u011bleck\u00fdch projekt\u016f a v\u00fdstav v zahrani\u010d\u00ed (Austr\u00e1lie, Francie, Holansko, It\u00e1lie, Ji\u017en\u00ed Korea, Kypr, Ma\u010farsko, N\u011bmecko, Polsko, Turecko). Jej\u00ed d\u00edla byla n\u011bkolikr\u00e1t ocen\u011bna (prvn\u00ed ceny: II.Socha\u0159sk\u00e9 symposium Woerden 2007, Holandsko, 29.Medail\u00e9rsk\u00e9 symposium Ny\u00edregyh\u00e1za 2005, Ma\u010farsko). Socha\u0159sk\u00e9 realizace Marie \u0160eborov\u00e9 jsou trvale vystaveny ve ve\u0159ejn\u00fdch prostorech v \u010cesk\u00e9 Republice (Dob\u0159ichovice u Prahy, Z\u00e1meck\u00fd park ve Vla\u0161imi, Socha\u0159sk\u00fd park v Uhersk\u00e9m Brod\u011b, Hornick\u00e9 muzeum na Landeku v Ostrav\u011b-Pet\u0159kovic\u00edch, Socha\u0159sk\u00fd park v T\u011brlicku) i v cizin\u011b a jsou sou\u010d\u00e1st\u00ed ve\u0159ejn\u00fdch a soukrom\u00fdch sb\u00edrek.<\/p>\n","protected":false},"excerpt":{"rendered":"

22. 10. \u2013 17.11. 2009 KLASIKA \/ Sochy a kresby Marie \u0160eborov\u00e1 studovala na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, v ateli\u00e9ru kresby prof. Jitky Svobodov\u00e9 a ateli\u00e9ru figur\u00e1ln\u00edho socha\u0159stv\u00ed a medaile prof. Jana Hendrycha. Pro sou\u010dasnou v\u00fdstavu zvolila jednoduch\u00fd a v\u0161e \u0159\u00edkaj\u00edc\u00ed n\u00e1zev: Klasika. Vyjad\u0159uje jej\u00ed um\u011bleck\u00e9 sm\u011b\u0159ov\u00e1n\u00ed, kter\u00e9 vych\u00e1z\u00ed z klasick\u00e9 socha\u0159sk\u00e9 tradice. Navrac\u00ed […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-366","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=366"}],"version-history":[{"count":3,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/366\/revisions"}],"predecessor-version":[{"id":369,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/366\/revisions\/369"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}