{"id":389,"date":"2010-02-20T12:45:17","date_gmt":"2010-02-20T10:45:17","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=389"},"modified":"2010-02-20T13:03:57","modified_gmt":"2010-02-20T11:03:57","slug":"roman-franta","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=389","title":{"rendered":"Roman Franta"},"content":{"rendered":"

Ne\u0161ikovn\u00fd cenzor B. B.
\n17. 2. \u2013 16. 3. 2010<\/strong><\/p>ngg_shortcode_0_placeholder

Roman Franta pat\u0159\u00ed k siln\u00e9 postmodern\u00ed um\u011bleck\u00e9 generaci, nastupuj\u00edc\u00ed v 90. letech, kter\u00e1 se vymezila formulac\u00ed vlastn\u00edho v\u00fdtvarn\u00e9ho programu a svobodn\u00e9 obraznosti. Jeho tvorba reflektuje jeho z\u00e1jmy o p\u0159\u00edrodu, sport a vn\u00edm\u00e1n\u00ed aktu\u00e1ln\u00edch politick\u00fdch a spole\u010densk\u00fdch probl\u00e9m\u016f. Ve sv\u00e9m v\u00fdvoji se vyzna\u010duje experimentac\u00ed se \u0161irokou \u0161k\u00e1lou v\u00fdrazov\u00fdch prost\u0159edk\u016f. Realistick\u00e9 vid\u011bn\u00ed sv\u011bta ho vede n\u011bkdy k expresivn\u00edmu vyj\u00e1d\u0159en\u00ed, jindy a\u017e ke geometricky-abstraktn\u00edm kompozic\u00edm, je\u017e jsou zalo\u017eeny na pr\u00e1ci s konkr\u00e9tn\u00edm detailem, zapojen\u00fdm do vy\u0161\u0161\u00edho celku v podob\u011b mno\u017ein. Jeho fascinace mno\u017estv\u00edm se datuje ji\u017e od doby studi\u00ed na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze, kdy za\u010dal malovat cyklus rostlinn\u00fdch a \u017eivo\u010di\u0161n\u00fdch struktur. N\u00e1hodn\u011b vysypan\u00e1 a n\u00e1sledn\u011b obarven\u00e1 r\u00fd\u017ee ho inspirovala k jeho dosud nejrozs\u00e1hlej\u0161\u00edmu souboru obraz\u016f s motivem brouk\u016f, kter\u00fd sofistikovan\u011b rozv\u00edjel po dobu v\u00edce jak deseti let. Figuru substituoval broukem a pracoval s n\u00edm v r\u016fzn\u00fdch obsahov\u00fdch a form\u00e1ln\u00edch rovin\u00e1ch. Zmno\u017een\u00ed vyjad\u0159ovalo s\u00edlu, a\u0165 u\u017e pozitivn\u00ed \u010di negativn\u00ed, a vztahy, d\u016fle\u017eit\u00e9 pro komunikaci. Slovy autora: \u201eJinak se ka\u017ed\u00fd chov\u00e1, kdy\u017e je v davu a jinak, kdy\u017e je s\u00e1m.\u201c Roku 2008 brou\u010d\u00ed t\u00e9ma opustil (vznikly nap\u0159. cykly \u201eGrand Slam\u201c \u010di \u201eP-ZOO\u201c \/Political ZOO\/), aby n\u00e1sledn\u011b zjistil, \u017ee ho zcela nevy\u010derpal.
\nV\u00fdstavou \u201eB. B. (K)NOW\u201c v galerii Nov\u00e1 s\u00ed\u0148 v Praze na po\u010d\u00e1tku ledna 2010 se k motivu brouka, tentokr\u00e1t ve specifick\u00e9 podob\u011b jako \u201eB. B.\u201c \u2013 \u201eBag Bug\u201c (\u201ePytel Brouk\u201c), vrac\u00ed. V\u0161ezn\u00e1lek a zmatka\u0159 B. B. je na obrazech Romana Franty ironicky konfrontov\u00e1n se stavem sou\u010dasn\u00e9 politick\u00e9 sc\u00e9ny a konzumn\u00ed, erotismem ovl\u00e1dan\u00e9 spole\u010dnosti. Autor v\u00fdstavu p\u0159ed\u010dasn\u011b ukon\u010dil, proto\u017ee nesouhlasil se z\u00e1sahem do jeho v\u00fdtvarn\u00fdch d\u011bl nalepen\u00edm \u010dern\u00fdch kruhov\u00fdch samolepek na m\u00edsta \u017eensk\u00fdch genit\u00e1li\u00ed bez jeho souhlasu. Cenzuru provedl \u0159editel galerie, takt\u00e9\u017e z d\u016fvodu negativn\u00ed reakce ze strany majitele pozemku, \u0159\u00e1du Sv. Vor\u0161ily.
\nDnes zahajovan\u00e1 v\u00fdstava s n\u00e1zvem \u201eNe\u0161ikovn\u00fd cenzor B. B.\u201c je Frantovou spont\u00e1nn\u00ed a n\u00e1paditou reakc\u00ed na tuto ud\u00e1lost. Hlavn\u00edho hrdinu B. B. pasuje na cenzora, kter\u00fd prov\u00e1d\u00ed \u00fapravy jeho obraz\u016f \u010dern\u00fdmi punt\u00edky ve snaze zabr\u00e1nit pohor\u0161en\u00ed. Ten se ale pro svou roztr\u017eitost netref\u00ed na spr\u00e1vn\u00e9 m\u00edsto, tak\u017ee punt\u00edky se dostaly i na podlahu galerie. N\u011bkter\u00e9 zapomn\u011bl um\u00edstit a div\u00e1k si m\u016f\u017ee autocenzuru prov\u00e9st s\u00e1m. V\u00fdstavu ur\u010duje dech erotismu, odleh\u010den\u00fd autorov\u00fdm charakteristick\u00fdm smyslem pro nads\u00e1zku, ironii a humor. B. B. ve sv\u00e9 zv\u00eddavosti nakukuje p\u0159es ze\u010f kl\u00e1\u0161tera (\u201eZa kl\u00e1\u0161tern\u00ed zd\u00ed\u201c, 30\u00d740 cm, 2009) a zl\u00e1k\u00e1n t\u00edm, co uvid\u011bl, se tam z\u00e1hy ocit\u00e1 – \u201eB. B. v kl\u00e1\u0161te\u0159e\u201c, (130\u00d7180 cm, 2009). V tomto velkoform\u00e1tov\u00e9m obrazu Franta op\u011btovn\u011b humorn\u00fdm zp\u016fsobem zpracov\u00e1v\u00e1 t\u00e9ma mno\u017einy, ze kter\u00e9 je B. B. p\u0159ekvapen a z\u00e1rove\u0148 rozru\u0161en, a\u017e mu vst\u00e1vaj\u00ed vlasy na hlav\u011b. B. B. na sv\u00e9 cest\u011b tak\u00e9 prov\u00e1d\u00ed sv\u00e9r\u00e1zn\u00e9 urinoterapeutick\u00e9 o\u017eivovac\u00ed pokusy (\u201eO\u017eivovac\u00ed k\u016fra\u201c, 135\u00d7170 cm, 2009) a pot\u00e9 se dost\u00e1v\u00e1 do v\u011b\u017ee kostela (\u201eVe zvonici s d\u011bv\u010daty\u201c, 70\u00d7100 cm, 2008-2009), kde se mu ur\u010dit\u011b rozbu\u0161ilo srdce jako zvon. B. B. nez\u016fst\u00e1v\u00e1 pozadu ani v charit\u011b, jak vtipn\u011b dokl\u00e1d\u00e1 funk\u010dn\u00ed \u201eKasi\u010dka\u201c (2009-2010). Fin\u00e1le p\u0159edstavuje nov\u011b vznikl\u00e9 rozm\u011brn\u00e9 pl\u00e1tno \u201e\u0160ok\u201c (120\u00d7160 cm, 2010), kter\u00e9 spojuje konkr\u00e9tn\u00ed m\u00edstopis s fiktivn\u00edm rozveden\u00edm ud\u00e1losti. B. B. je p\u0159ed v\u00fdstavn\u00ed s\u00edn\u00ed p\u0159\u00edmo konfrontov\u00e1n s \u0159\u00e1dov\u00fdmi sestrami a situace se cel\u00e1 obr\u00e1tila.
\nV \u010d\u00e1sti expozice jsou p\u0159edstaveny obrazy a kresby, v nich\u017e Franta propojuje erotick\u00e9 akty \u017een s \u010desk\u00fdmi hrady a z\u00e1mky (\u201eMotiv z \u010cech\u201c, 30\u00d740 cm, 2009-2010; \u201eBouzov\u201c, 29,5\u00d721 cm, 1994-2010; \u201eHlubok\u00e1\u201c, 29,5\u00d721 cm, 2009-2010), ale tak\u00e9 t\u0159eba s Guggenheim muzeem v New Yorku (\u201eMotiv z USA \/NYC\/\u201c, 35\u00d735 cm, 2009-2010). V\u017edy\u0165 mu\u017ei maj\u00ed \u201ev krvi\u201c dob\u00fdvat jak hrady, tak \u017eeny. Pro tuto v\u00fdstavu mal\u00ed\u0159 d\u00edla nov\u011b zcenzuroval.
\nSou\u010dasn\u00e9 obrazy Romana Franty jsou synt\u00e9zou jeho dosavadn\u00edho v\u00fdvoje. Seismogramy energie, kter\u00e9 nech\u00e1vaj\u00ed vyzn\u00edt jeho gestickou spont\u00e1nnost, maj\u00edc\u00ed sv\u016fj p\u016fvod v kresb\u011b, a gejz\u00edr nevy\u010derpateln\u00fdch n\u00e1pad\u016f.<\/p>\n

Rea Michalov\u00e1<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

Ne\u0161ikovn\u00fd cenzor B. B. 17. 2. \u2013 16. 3. 2010 Roman Franta pat\u0159\u00ed k siln\u00e9 postmodern\u00ed um\u011bleck\u00e9 generaci, nastupuj\u00edc\u00ed v 90. letech, kter\u00e1 se vymezila formulac\u00ed vlastn\u00edho v\u00fdtvarn\u00e9ho programu a svobodn\u00e9 obraznosti. Jeho tvorba reflektuje jeho z\u00e1jmy o p\u0159\u00edrodu, sport a vn\u00edm\u00e1n\u00ed aktu\u00e1ln\u00edch politick\u00fdch a spole\u010densk\u00fdch probl\u00e9m\u016f. Ve sv\u00e9m v\u00fdvoji se vyzna\u010duje experimentac\u00ed se \u0161irokou […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-389","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=389"}],"version-history":[{"count":2,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/389\/revisions"}],"predecessor-version":[{"id":393,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/389\/revisions\/393"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=389"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}