{"id":434,"date":"2010-03-14T14:36:10","date_gmt":"2010-03-14T12:36:10","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=434"},"modified":"2010-03-14T16:44:27","modified_gmt":"2010-03-14T14:44:27","slug":"jan-gemrot-2","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=434","title":{"rendered":"Jan Gemrot"},"content":{"rendered":"

PSYCHOLOGICK\u00dd PORTR\u00c9T
\nGalerie Peron, 19. 11. \u2013 18. 12. 2009<\/strong><\/p>\n

<\/a> S po\u010d\u00e1tkem nov\u00e9ho tis\u00edcilet\u00ed se na \u010desk\u00e9 sc\u00e9n\u011b profiluje \u0159ada nastupuj\u00edc\u00edch um\u011bleck\u00fdch osobnost\u00ed nejr\u016fzn\u011bj\u0161\u00edho tv\u016fr\u010d\u00edho zam\u011b\u0159en\u00ed. Jedn\u00edm z v\u00fdrazn\u00fdch proud\u016f, kter\u00fd se u n\u00e1s konstituoval od 70. let 20. stolet\u00ed, je hyperrealismus. Hyperrealismus mlad\u00e9 um\u011blce st\u00e1le p\u0159itahuje, i kdy\u017e sou\u010dasn\u00e9 lidsk\u00e9 vn\u00edm\u00e1n\u00ed se mus\u00ed neust\u00e1le p\u0159izp\u016fsobovat zrychlen\u00e9mu tempu doby a konstantn\u00edmu p\u0159\u00edlivu nov\u00fdch informac\u00ed, tak\u017ee na moment setrv\u00e1n\u00ed, prodlen\u00ed nezb\u00fdv\u00e1 mnoho \u010dasu. Hyperrealistick\u00e1 malba sm\u011b\u0159uje proti vn\u00edm\u00e1n\u00ed \u010dasu dnes. Zastavuje ho a dov\u00e1d\u00ed n\u00e1s k \u00fa\u017easu a ztrnut\u00ed nad podobou reality. Zobrazuje ji \u201eost\u0159eji\u201c, ne\u017e jak\u00e1 ve skute\u010dnosti je. Velk\u00fd vliv na volbu tohoto um\u011bleck\u00e9ho sm\u011b\u0159ov\u00e1n\u00ed m\u00e1 tak\u00e9 ateli\u00e9r klasick\u00e9 malby na AVU v Praze veden\u00fd profesorem Zde\u0148kem Beranem. Tam byl v roce 2002 jako mimo\u0159\u00e1dn\u00fd talent ji\u017e po ukon\u010den\u00ed t\u0159et\u00edho ro\u010dn\u00edku V\u00fdtvarn\u00e9 \u0161koly V\u00e1clava Hollara v Praze p\u0159ijat Jan Gemrot.
\nVe sv\u00e9 realistick\u00e9 \u010di sp\u00ed\u0161e hyperrealistick\u00e9 malb\u011b usiluje Gemrot prost\u0159ednictv\u00edm konkr\u00e9tn\u00edho vizu\u00e1ln\u00edho prvku o vyj\u00e1d\u0159en\u00ed t\u011b\u017eko uchopiteln\u00e9ho pocitu a atmosf\u00e9ry, tedy o siln\u00e9 psychologick\u00e9 p\u016fsoben\u00ed obrazu. Vytv\u00e1\u0159\u00ed psychologick\u00fd portr\u00e9t spole\u010dnosti, r\u016fznosti lidsk\u00e9 existence, ale vtiskuje mu i svou vlastn\u00ed tv\u00e1\u0159, odraz sebe sama. Pracuje t\u00e9\u017e s historick\u00fdm kontextem, kter\u00fd rekonstruuje a vsazuje ho do nov\u00fdch aktu\u00e1ln\u00edch souvislost\u00ed.
\nCelou autorovou tvorbou proch\u00e1z\u00ed jako nosn\u00e9 a z\u00e1sadn\u00ed t\u00e9ma moment odosobn\u011bn\u00ed \u010dlov\u011bka, jeho vy\u010dlen\u011bn\u00ed ze spole\u010dnosti. P\u0159istupuje k n\u011bmu s distanc\u00ed, kterou vyjad\u0159uje chladn\u00fd realistick\u00fd\/hyperrealistick\u00fd v\u00fdtvarn\u00fd projev, jen\u017e je n\u011bkdy p\u0159eru\u0161ov\u00e1n gesti\u010dt\u011bj\u0161\u00edm, expresivn\u00edm rukopisem. M\u00edsty nech\u00e1v\u00e1 zazn\u00edt jemnou tu\u017ekovou podkresbu. Propojen\u00ed mistrovsk\u00e9 mal\u00ed\u0159sk\u00e9 virtuozity s intenzivn\u00edm, a\u017e \u0161okuj\u00edc\u00edm obsahem rozehr\u00e1van\u00fdm v n\u011bkolika interpreta\u010dn\u00edch rovin\u00e1ch, spolu s konceptu\u00e1ln\u00edm uva\u017eov\u00e1n\u00edm, stav\u00ed Jana Gemrota na jednu z p\u0159edn\u00edch pozic sou\u010dasn\u00e9 mlad\u00e9 um\u011bleck\u00e9 sc\u00e9ny.
\nV\u00fdstava v galerii Peron je malou retrospektivou mal\u00ed\u0159ova d\u00edla. Obraz \u201eMatka\u201c (2002), v\u00e1\u017e\u00edc\u00ed se t\u00e9maticky k jeho d\u011btstv\u00ed, je ovlivn\u011bn\u00fd Pop artem. Pl\u00e1tno \u201eOb\u011b\u0165 (2002) se \u0159ad\u00ed do expresivn\u00ed linie pojet\u00ed figury, inspirovan\u00e9 tvorbou Francise Bacona. Ji\u017e zde se projevuje Gemrot\u016fv z\u00e1jem o zachycen\u00ed mezn\u00ed psychick\u00e9 situace. Ve \u201eV\u011bzni 2\u201c (2003), p\u016fvodn\u011b sou\u010d\u00e1sti konceptu\u00e1ln\u00ed instalace na AVU, autor surrealizuj\u00edc\u00edm momentem vytv\u00e1\u0159\u00ed jakousi celu, kter\u00e1 se st\u00e1v\u00e1 bari\u00e9rou odd\u011bluj\u00edc\u00ed jedince od sv\u011bta. Navozuje kafkovsk\u00fd pocit izolovanosti a vy\u0159azenosti ze spole\u010dnosti. \u201eVzpom\u00ednka\u201c (2008) se v\u00e1\u017ee k rozs\u00e1hl\u00e9mu cyklu \u201e\u00danos\u201c (2007-2008), v n\u011bm\u017e hled\u00e1 paralely osud\u016f minul\u00fdch a sou\u010dasn\u00fdch ob\u011bt\u00ed n\u00e1sil\u00ed. Pouze portr\u00e9t d\u00edvky vrac\u00ed do souboru lidskost. Av\u0161ak tak\u00e9 sv\u00fdm lazurn\u00edm mal\u00ed\u0159sk\u00fdm ztv\u00e1rn\u011bn\u00edm nazna\u010duje, \u017ee je jen mizej\u00edc\u00ed vzpom\u00ednkou.
\nRoku 2008 vznik\u00e1 rozs\u00e1hlej\u0161\u00ed soubor pl\u00e1ten s n\u00e1zvem \u201eMelancholia\u201c. Autor zde rozv\u00edj\u00ed obrazovou tradici ikonografick\u00e9ho t\u00e9matu, jeho\u017e nejproslulej\u0161\u00edm p\u0159\u00edkladem se stala D\u00fcrerova rytina \u201eMelencolia I\u201c.
\nV obrazech \u201eMo\u017en\u00e1 otec\u201c, \u201eMo\u017en\u00e1 sestra\u201c mal\u00ed\u0159 nevymezuje psychick\u00fd stav model\u016f a nepod\u00e1v\u00e1 jejich p\u0159esnou identifikaci. Navozuje pouze ur\u010dit\u00fd stav, s n\u00edm\u017e lze \u201ena\u0161i\u201c melancholii spojit. Celkov\u00fd \u00fa\u010din zesiluje brilantn\u00edm hyperrealistick\u00fdm pod\u00e1n\u00edm, hrou sv\u011btla a st\u00ednu a jemn\u00fdch barevn\u00fdch p\u016flt\u00f3n\u016f. Velkoform\u00e1tov\u00e1 pl\u00e1tna \u201eLet racka\u201c a \u201eLet pelik\u00e1na\u201c zastavuj\u00ed neust\u00e1le ub\u00edhaj\u00edc\u00ed \u010das v jednotliv\u00fdch f\u00e1z\u00edch letu. Vyjad\u0159uj\u00ed stav mysli symbolick\u00fdm zp\u016fsobem.
\nV \u201eKr\u00e1lovstv\u00ed svobodn\u00e9 matky\u201c (2009) z\u00e1m\u011brn\u011b pracuje s diagon\u00e1ln\u00edm roz\u010dlen\u011bn\u00edm form\u00e1t\u016f s c\u00edlem prov\u00e1z\u00e1n\u00ed v\u00fdznam\u016f jednotliv\u00fdch obrazov\u00fdch \u010d\u00e1st\u00ed. Pod\u00e1v\u00e1 sociologickou sondu dne\u0161n\u00ed spole\u010dnosti na konkr\u00e9tn\u00edm p\u0159\u00edb\u011bhu. Autor matku glorifikuje a sou\u010dasn\u011b vystihuje jej\u00ed pocit osam\u011blosti a deprese. U syna substituuje absenci otce nekritick\u00e1 a necitov\u00e1 fixace na masmedi\u00e1ln\u00ed idoly.
\nPl\u00e1tno \u201ePuberta \u2013 Homage to Edvard Munch\u201c (2009), koncipovan\u00e9 jako sou\u010d\u00e1st instalace, se vztahuje k \u201ePubert\u011b\u201c Edvarda Mucha, av\u0161ak sp\u00ed\u0161e v kompozi\u010dn\u00ed rovin\u011b. Zat\u00edmco obraz norsk\u00e9ho mal\u00ed\u0159e reflektuje trauma z fyzick\u00e9ho a psychick\u00e9ho dosp\u00edv\u00e1n\u00ed, Gemrot vid\u00ed sou\u010dasnou realitu mnohem \u201edrsn\u011bji\u201c a vyhrocen\u011bji. P\u0159ipou\u0161t\u00ed i mo\u017enost demonstrativn\u00ed sebevra\u017edy. Hladk\u00e1 malba igelitov\u00e9ho s\u00e1\u010dku p\u0159es obli\u010dej vytv\u00e1\u0159\u00ed fantastick\u00e9 odlesky a tvarov\u00e9 deformace tu\u0161en\u00e9ho objemu hlavy odkazuj\u00ed k nejasnosti mysli d\u00edvky. T\u011blo je rozru\u0161eno chv\u011bjivost\u00ed expresivn\u00edho rukopisu. Temn\u00fd st\u00edn v pozad\u00ed je vizualizac\u00ed podv\u011bdom\u00ed.
\nV nejnov\u011bj\u0161\u00edm, expresivn\u011b lad\u011bn\u00e9m obraze \u201eKafka\u201c (2009) prom\u00edt\u00e1 do podobizny slavn\u00e9ho spisovatele Franze Kafky jeho pocity izolovanosti a vyd\u011bd\u011bnosti, jak je popsal v rom\u00e1nu \u201eProm\u011bna\u201c.
\nTvorba Jana Gemrota je synt\u00e9zou \u010di psychologickou exkurz\u00ed do probl\u00e9m\u016f sou\u010dasn\u00e9 spole\u010dnosti. Sv\u00fdm brilantn\u00edm v\u00fdtvarn\u00fdm pod\u00e1n\u00edm rozv\u00edj\u00ed p\u0159\u00edb\u011bh, v n\u011bm\u017e v\u0161ak v\u017edy z\u016fst\u00e1v\u00e1 n\u011bco nedo\u0159e\u010deno pro projekci div\u00e1kova osobn\u00edho stanoviska. Nal\u00e9havost jeho um\u011bleck\u00e9 v\u00fdpov\u011bdi je nep\u0159ehl\u00e9dnuteln\u00e1.<\/p>\n

Rea Michalov\u00e1<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

PSYCHOLOGICK\u00dd PORTR\u00c9T Galerie Peron, 19. 11. \u2013 18. 12. 2009 S po\u010d\u00e1tkem nov\u00e9ho tis\u00edcilet\u00ed se na \u010desk\u00e9 sc\u00e9n\u011b profiluje \u0159ada nastupuj\u00edc\u00edch um\u011bleck\u00fdch osobnost\u00ed nejr\u016fzn\u011bj\u0161\u00edho tv\u016fr\u010d\u00edho zam\u011b\u0159en\u00ed. Jedn\u00edm z v\u00fdrazn\u00fdch proud\u016f, kter\u00fd se u n\u00e1s konstituoval od 70. let 20. stolet\u00ed, je hyperrealismus. Hyperrealismus mlad\u00e9 um\u011blce st\u00e1le p\u0159itahuje, i kdy\u017e sou\u010dasn\u00e9 lidsk\u00e9 vn\u00edm\u00e1n\u00ed se mus\u00ed neust\u00e1le […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-434","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=434"}],"version-history":[{"count":3,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/434\/revisions"}],"predecessor-version":[{"id":464,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/434\/revisions\/464"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}