{"id":443,"date":"2010-03-14T14:42:39","date_gmt":"2010-03-14T12:42:39","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=443"},"modified":"2010-03-14T16:45:38","modified_gmt":"2010-03-14T14:45:38","slug":"vladimir-vetrovsky","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=443","title":{"rendered":"Vladim\u00edr V\u011btrovsk\u00fd"},"content":{"rendered":"<p><strong>Organick\u00e1 v\u011b\u017e<br \/>\nGalerie v Jind\u0159i\u0161sk\u00e9 v\u011b\u017ei, 2. 10. \u2013 15. 11. 2009<\/strong><\/p>\n<p><a class=\"thickbox\" rel=\"\" href='https:\/\/michalscollection.cz\/wp-content\/gallery\/dalsi-projekty\/pozvanka_vez.jpg' title='Pozv\u00e1nka'><img src='https:\/\/michalscollection.cz\/wp-content\/gallery\/dalsi-projekty\/thumbs\/thumbs_pozvanka_vez.jpg' alt='' class='ngg-singlepic ngg-left' \/><\/a> Vladim\u00edr V\u011btrovsk\u00fd (1977), absolvent mal\u00ed\u0159sk\u00e9ho ateli\u00e9ru prof. Michaela Rittsteina na AVU v Praze, pat\u0159\u00ed k v\u00fdrazn\u00fdm osobnostem koloristicko-expresivn\u00ed linie \u010desk\u00e9 malby. Vynik\u00e1 v\u00fdjime\u010dnou mnohostrannost\u00ed um\u011bleck\u00e9ho vyj\u00e1d\u0159en\u00ed. \u0160\u00ed\u0159e jeho tv\u016fr\u010d\u00edho rejst\u0159\u00edku vyplynula ze studia na AVU, DAMU a tak\u00e9 p\u0159edt\u00edm na SUP\u0160, oboru um\u011bleck\u00e9ho zpracov\u00e1n\u00ed kov\u016f. Osvojil si mnoho v\u00fdtvarn\u00fdch technik, experimentoval s materi\u00e1ly a jejich kombinacemi. Krom\u011b klasick\u00e9 malby, kresby a grafiky, je V\u011btrovsk\u00fd autorem prostorov\u00fdch objekt\u016f a soch, filmu a divadeln\u00edch p\u0159edstaven\u00ed na hranici performance a karikaturn\u00edho divadla. Zat\u00edmco narativn\u00ed slo\u017eku p\u0159esouv\u00e1 sp\u00ed\u0161e do filmu, figur\u00e1ln\u00ed do soch, v obrazech zachycuje to, co vid\u00ed a pro\u017e\u00edv\u00e1 a \u201ep\u0159efiltrov\u00e1v\u00e1\u201c sv\u00fdm intelektem a temperamentem.<br \/>\nMalba m\u00e1 v jeho d\u00edle dominantn\u00ed postaven\u00ed. Je projevem citliv\u00e9ho vn\u00edm\u00e1n\u00ed p\u0159\u00edrody v \u0161ir\u0161\u00edm smyslu slova. Vych\u00e1z\u00ed z reality, ale ta se transformuje a prol\u00edn\u00e1 s abstrakc\u00ed. Charakterizuje ji expresivn\u00ed, suver\u00e9nn\u00ed gesto, d\u016fraz na pr\u00e1ci s hmotou barvy a jej\u00edm \u00fadern\u00fdm t\u00f3nem jako induktorem emoc\u00ed a v\u00fdznam\u016f. Zrcadl\u00ed i um\u011blcovu zku\u0161enost ze st\u00e1\u017ee v Dr\u00e1\u017e\u010fanech, kdy se d\u016fkladn\u011b sezn\u00e1mil s tvorbou mal\u00ed\u0159\u016f tzv. \u201eLeipziger Schule\u201c (Bernard Heisig, Werner T\u00fcbke, Wolfgang Mattheuer), expresionist\u016f dr\u00e1\u017e\u010fansk\u00e9 skupiny \u201eDie Br\u00fccke\u201c ad. Kompozi\u010dn\u011b klade d\u016fraz na prostor a jeho traktaci, je\u017e obraz otev\u00edraj\u00ed div\u00e1kovi. Sv\u011btlo navozuje emotivn\u00ed lad\u011bn\u00ed celku. Autor pracuje zpo\u010d\u00e1tku spont\u00e1nn\u011b, ale jak \u0159\u00edk\u00e1, \u201ev ur\u010dit\u00fd moment je t\u0159eba proud podv\u011bdom\u00fdch impulz\u016f nasm\u011brovat t\u00edm spr\u00e1vn\u00fdm sm\u011brem\u201c.<br \/>\nZ t\u00e9matick\u00e9ho hlediska: krajina byla V\u011btrovsk\u00e9ho v\u00fdchodiskem a tvo\u0159\u00ed i b\u00e1zi jeho sou\u010dasn\u00e9 tvorby. P\u0159\u00edrodn\u00ed motivy a jejich voln\u00e9 variace mu sk\u00fdtaj\u00ed mo\u017enost k \u017eiveln\u00e9mu mal\u00ed\u0159sk\u00e9mu projevu i k uv\u011bdom\u011bl\u00e9mu komponov\u00e1n\u00ed strukturovan\u00e9ho celku. Vedou a\u017e k abstraktn\u00edmu v\u00fdrazu. Z\u00e1ti\u0161\u00ed maj\u00ed absurdn\u00ed existenci\u00e1ln\u00ed n\u00e1dech a figury, jak\u00e9si fantomy, se n\u00e1m pokou\u0161ej\u00ed sd\u011blit skryt\u00e1 poselstv\u00ed. Nejedn\u00e1 se v\u0161ak o neslu\u010diteln\u00e9 polarity, ale o paraleln\u00ed, komplement\u00e1rn\u00ed linie. Mal\u00ed\u0159 s\u00e1m se o tom p\u0159esv\u011bd\u010dil p\u0159i shl\u00e9dnut\u00ed v\u00fdstavy Gerharda Richtera, jeho\u017e v\u00fdtvarn\u00fd projev je \u0161irokospektr\u00fd.<br \/>\nSou\u010dasn\u00e1 v\u00fdstava, nazvan\u00e1 \u201eOrganick\u00e1 v\u011b\u017e\u201c podle cyklu obraz\u016f z roku 2009, prezentuje V\u011btrovsk\u00e9ho p\u0159edev\u0161\u00edm jako krajin\u00e1\u0159e. V\u00fdvojov\u011b hr\u00e1ly z\u00e1sadn\u00ed roli jeho pobyty v p\u0159\u00edrod\u011b a tvorba v plen\u00e9ru. Ji\u017e v dob\u011b studia na DAMU se spolu se sv\u00fdmi kamar\u00e1dy vydal malovat do Provence ve Francii, po stop\u00e1ch Paula C\u00e9zanna.<br \/>\nKrajinu buduje na z\u00e1klad\u011b barevn\u00fdch a form\u00e1ln\u00edch vztah\u016f z jednotliv\u00fdch element\u016f \u010di fragment\u016f. V obraze \u201eDuna\u201c (olej\/pl\u00e1tno, 165\u00d7210 cm, 2007) pracuje s organickou strukturou, klade vrstvy barev na sebe. Jejich vz\u00e1jemn\u00fdm prol\u00edn\u00e1n\u00edm vytv\u00e1\u0159\u00ed prostor a kompozici sceluje. Balancuje na pomez\u00ed re\u00e1ln\u00e9ho zobrazen\u00ed a abstrakce. \u201eOpravdu r\u00e1d se pohybuji na hran\u011b\u201c, dod\u00e1v\u00e1 s\u00e1m autor.<br \/>\nTvaroslov\u00ed, kter\u00e9 pou\u017e\u00edv\u00e1, se st\u00e1v\u00e1 autonomn\u00edm slovn\u00edkem jeho vlastn\u00edho sv\u011bta a postupn\u011b se samostatn\u011b vyv\u00edj\u00ed. Vznikaj\u00ed cykly imagin\u00e1rn\u00edch krajin a prostor\u016f (\u201eNepojmenovan\u00e9 prostory\u201c, 2006; \u201eGeodiversitn\u00ed krajiny\u201c, 2007). V d\u00edle \u201eSoukrom\u00e1 krajina I\u201c (akryl\/pl\u00e1tno, 190\u00d7205 cm, 2008) za\u010d\u00edn\u00e1 ji\u017e proces v\u00fdstavby \u201eorganick\u00e9 v\u011b\u017ee\u201c (cyklus \u201eOrganick\u00e1 v\u011b\u017e\u201c, 2009), jak\u00e9si biologick\u00e9 \u201eshrum\u00e1\u017ee\u201c, kter\u00e1 vytv\u00e1\u0159\u00ed podlo\u017e\u00ed pro vznik dal\u0161\u00edch kultur. Symbolizuje cyklus vzniku a z\u00e1niku a op\u011btovn\u00e9ho zrodu.<br \/>\nV n\u011bkter\u00fdch d\u00edlech z roku 2009 se V\u011btrovsk\u00fd zcela osvobozuje a dovol\u00ed si i De Kooningovsk\u00fd gestick\u00fd rukopis (\u201eUntitled 2-09\u201c, akryl\/pl\u00e1tno, 130\u00d790 cm, 2009). Vize krajiny ustupuje do pozad\u00ed, jedn\u00e1 se o nekonkr\u00e9tn\u00ed prostor barevn\u00fdch komponent\u016f a lini\u00ed. V jin\u00fdch obrazech se naopak setk\u00e1v\u00e1me s vymezov\u00e1n\u00edm jednotliv\u00fdch prvk\u016f, jimi\u017e jsou uskupen\u00ed kamen\u016f, skal, st\u00e9bla tr\u00e1vy, dov\u00e1d\u011bj\u00edc\u00ed n\u00e1s a\u017e ke hv\u011bzdn\u00fdm galaxi\u00edm.<br \/>\nVladim\u00edr V\u011btrovsk\u00fd vyz\u00fdv\u00e1 div\u00e1ka k cest\u011b t\u00edmto nov\u00fdm prostorem. U\u010d\u00ed n\u00e1s jist\u00e9mu druhu setrv\u00e1n\u00ed. Je to setrv\u00e1n\u00ed, kter\u00fdm pronik\u00e1me do jeho autonomn\u00edho sv\u011bta. Sou\u010dasn\u011b n\u00e1m poskytuje dostatek pocitu volnosti k vlastn\u00edm asociac\u00edm a prom\u00edtnut\u00ed sebe sama do tohoto imagin\u00e1rn\u00edho univerza.<\/p>\n<p><i>Rea Michalov\u00e1<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Organick\u00e1 v\u011b\u017e Galerie v Jind\u0159i\u0161sk\u00e9 v\u011b\u017ei, 2. 10. \u2013 15. 11. 2009 Vladim\u00edr V\u011btrovsk\u00fd (1977), absolvent mal\u00ed\u0159sk\u00e9ho ateli\u00e9ru prof. Michaela Rittsteina na AVU v Praze, pat\u0159\u00ed k v\u00fdrazn\u00fdm osobnostem koloristicko-expresivn\u00ed linie \u010desk\u00e9 malby. Vynik\u00e1 v\u00fdjime\u010dnou mnohostrannost\u00ed um\u011bleck\u00e9ho vyj\u00e1d\u0159en\u00ed. \u0160\u00ed\u0159e jeho tv\u016fr\u010d\u00edho rejst\u0159\u00edku vyplynula ze studia na AVU, DAMU a tak\u00e9 p\u0159edt\u00edm na SUP\u0160, oboru um\u011bleck\u00e9ho [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-443","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=443"}],"version-history":[{"count":2,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/443\/revisions"}],"predecessor-version":[{"id":465,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/443\/revisions\/465"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}