{"id":447,"date":"2010-03-14T14:47:20","date_gmt":"2010-03-14T12:47:20","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=447"},"modified":"2010-03-14T15:09:42","modified_gmt":"2010-03-14T13:09:42","slug":"marketa-urbanova","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=447","title":{"rendered":"Mark\u00e9ta Urbanov\u00e1"},"content":{"rendered":"<p><strong>Obrazy a grafika \/4. 3. \u2013 2. 4. 2010\/<br \/>\nGalerie U L\u00e1vky, Praha 7 &#8211; Troja<\/strong><\/p>ngg_shortcode_0_placeholder<p>Mark\u00e9ta Urbanov\u00e1 (1978) je jednou z v\u00fdrazn\u00fdch um\u011bleck\u00fdch osobnost\u00ed, absolventkou ateli\u00e9ru prof. Zde\u0148ka Berana na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze. Ve sv\u00e9 tvorb\u011b vych\u00e1z\u00ed z fundament\u00e1ln\u00ed tradice klasick\u00e9 malby, kterou aktualizuje soudob\u00fdm c\u00edt\u011bn\u00edm. Rozv\u00edj\u00ed vyhran\u011bn\u00fd v\u00fdtvarn\u00fd n\u00e1zor, zalo\u017een\u00fd na symbi\u00f3ze racion\u00e1ln\u00edch a intuitivn\u00edch zdroj\u016f. Pom\u011br mezi tradic\u00ed a inovac\u00ed je vyv\u00e1\u017een\u00fd a zachov\u00e1v\u00e1 m\u00edru tvo\u0159iv\u00e9ho aspektu.<br \/>\nAutorka pojala tuto v\u00fdstavu jako malou retrospektivu mal\u00ed\u0159sk\u00e9ho d\u00edla, s p\u0159esahem do nejnov\u011bj\u0161\u00ed grafick\u00e9 tvorby. Je p\u0159\u00edle\u017eitost\u00ed sezn\u00e1mit se se spektrem jej\u00edho v\u00fdtvarn\u00e9ho rejst\u0159\u00edku, kter\u00fd je vymezen polohami hyperrealismu a introspektivn\u00edho realismu. T\u00e9maticky klade d\u016fraz na figuru a figur\u00e1ln\u00ed kompozici, kde uplat\u0148uje sv\u016fj smysl pro monumentalitu a dovol\u00ed si j\u00edt a\u017e k ur\u010dit\u00e9 syrovosti, chladn\u00e9mu erotismu nebo jindy rozehr\u00e1t bohatstv\u00ed historick\u00fdch reminiscenc\u00ed a symbolick\u00fdch v\u00fdznam\u016f. Paraleln\u011b se zab\u00fdv\u00e1 krajinomalbou, kter\u00e1 del\u0161\u00ed dobu z\u016fst\u00e1vala ve st\u00ednu jej\u00ed v\u00fdrazn\u00e9 figurace. Ale pr\u00e1v\u011b krajin\u00e1\u0159sk\u00e9 d\u00edlo dotv\u00e1\u0159\u00ed jej\u00ed mal\u00ed\u0159sk\u00fd portr\u00e9t, reflektuje jej\u00ed k\u0159ehkou senzibilitu a nitern\u00e9 pro\u017e\u00edv\u00e1n\u00ed \u010desk\u00e9 krajiny, je\u017e ji vede a\u017e k hled\u00e1n\u00ed ji\u017e jednou mal\u00ed\u0159sky vid\u011bn\u00fdch a zachycen\u00fdch m\u00edst.<br \/>\nUrbanov\u00e9 ran\u011bj\u0161\u00ed pr\u00e1ce se vyzna\u010duj\u00ed tlumen\u011bj\u0161\u00ed, redukovan\u011bj\u0161\u00ed barevnou \u0161k\u00e1lou a jejich p\u016fsoben\u00ed n\u011bkdy umoc\u0148uje \u0161erosvitn\u00e1 modelace, podtrhuj\u00edc\u00ed hyperrealistick\u00fd projev. Sou\u010dasn\u00e9 obrazy rozz\u00e1\u0159il nov\u00fd kolorismus a tak\u00e9 i uvoln\u011bn\u00ed formy k v\u011bt\u0161\u00ed mal\u00ed\u0159sk\u00e9 svobod\u011b.<br \/>\nNejstar\u0161\u00ed malbou ze souboru je \u201e\u010cesk\u00e1 krajina\u201c z let 1999-2000. Jej\u00ed elektrizuj\u00edc\u00ed nap\u011bt\u00ed se odehr\u00e1v\u00e1 v n\u011bkolika poloh\u00e1ch. V n\u00e1znaku p\u0159\u00edb\u011bhu mezi \u017eensk\u00fdm a mu\u017esk\u00fdm modelem, pojet\u00ed t\u011bla jako zbo\u017e\u00ed, v absurdit\u011b, vyj\u00e1d\u0159en\u00e9 alogick\u00fdm motivem z\u00e1suvky zapojen\u00e9 v mrac\u00edch. Autorka tu \u010deskou krajinu neidealizuje. Poukazuje na jej\u00ed jednolitost a \u0161edivost, v dozvuku n\u00e1lady p\u0159edrevolu\u010dn\u00ed doby.<br \/>\nV r\u00e1mci rozs\u00e1hlej\u0161\u00edho cyklu podobizen vznikla pl\u00e1tna \u201ePortr\u00e9t otce\u201c a \u201ePortr\u00e9t bratra\u201c (2001). Rodinn\u00ed p\u0159\u00edslu\u0161n\u00edci se st\u00e1vaj\u00ed herci fiktivn\u00ed trag\u00e9die, kterou si mal\u00ed\u0159ka spojila se skute\u010dnou ud\u00e1lost\u00ed teroristick\u00e9ho \u00fatoku na mrakodrapy \u201eTwins\u201c v New Yorku. Zachycuje krajn\u00ed psychologickou situaci, trauma z pro\u017eit\u00e9 trag\u00e9die. Podobn\u011b inscenuje sc\u00e9nu v obraze \u201e\u010cich\u00e1n\u00ed\u201c (2002) a manipuluje s t\u011bly akt\u00e9rek, vedena sv\u00fdm v\u00fdtvarn\u00fdm z\u00e1m\u011brem. Poukazuje na anim\u00e1lnost sexu\u00e1ln\u00edho pudu.<br \/>\nV nov\u011bj\u0161\u00edch monument\u00e1ln\u00edch pl\u00e1tnech, jako \u201eMessinsk\u00e1 nev\u011bsta\u201c a \u201e\u010cern\u00e9 vejce\u201c (2009), realizuje svou vizi kr\u00e1sn\u00e9ho obrazu, inspirov\u00e1na mistrovskou malbou Diega Vel\u00e1zqueze, Francisca Goyi ad. V t\u011bchto hieraticky a\u017e surre\u00e1ln\u011b p\u016fsob\u00edc\u00edch d\u00edlech nov\u011b interpretuje p\u0159\u00edb\u011bh z opery Zde\u0148ka Fibicha \u201eNev\u011bsta messinsk\u00e1\u201c podle Schillerovy trag\u00e9die. Vyu\u017eit\u00edm jak historick\u00fdch reminiscenc\u00ed, tak osobn\u00edch vjem\u016f a z\u00e1\u017eitk\u016f dosp\u00edv\u00e1 k fin\u00e1ln\u00ed podob\u011b obrazu \u2013 p\u0159\u00edb\u011bhu, schopn\u00e9ho p\u0159eklenout propastn\u00e9 rozd\u00edly \u010dasu.<br \/>\nOriginalita a p\u016fsobivost obrazu \u201eA budou padat hlavy\u2026\u201c (2010) je zalo\u017eena na spojen\u00ed dvou kontrastn\u00edch skute\u010dnost\u00ed. Ide\u00e1ln\u00ed, m\u00e1jov\u00e1 krajina dost\u00e1v\u00e1 nov\u00fd v\u00fdznam propojen\u00edm s motivem vzn\u00e1\u0161ej\u00edc\u00edch se lebek v mrac\u00edch, kter\u00fdmi Urbanov\u00e1 metaforicky reaguje na aktu\u00e1ln\u00ed ud\u00e1losti na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze. Na pl\u00e1tn\u011b \u201ePosledn\u00ed let\u201c (2010) je formace mrak\u016f vytv\u00e1\u0159ej\u00edc\u00edch lebku monumentalizov\u00e1na a symbolizuje p\u0159edzv\u011bst bl\u00ed\u017e\u00edc\u00edho se tragick\u00e9ho konce Antoina de Saint Exup\u00e9ryho.<br \/>\nSou\u010dasnou v\u00fdstavu dotv\u00e1\u0159\u00ed p\u011btibarevn\u00e1 serigrafie \u201eVelk\u00fd Stav\u201c (2009) v n\u011bkolika barevn\u00fdch variant\u00e1ch, kterou Mark\u00e9ta Urbanov\u00e1 realizovala jako pr\u00e9mii pro Spolek v\u00fdtvarn\u00fdch um\u011blc\u016f M\u00e1nes, jeho\u017e je \u010dlenkou. Zachytila tu ledovcov\u00e9 jezero \u201eWielki Staw\u201c na polsk\u00e9 stran\u011b Krkono\u0161. Krajina kdysi uz\u0159en\u00e1 a ztv\u00e1rn\u011bn\u00e1 Otakarem Lebedou se autorce stala nej\u010dist\u0161\u00ed esenc\u00ed krajinn\u00e9ho vzne\u0161ena.<\/p>\n<p><i>Rea Michalov\u00e1<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Obrazy a grafika \/4. 3. \u2013 2. 4. 2010\/ Galerie U L\u00e1vky, Praha 7 &#8211; Troja Mark\u00e9ta Urbanov\u00e1 (1978) je jednou z v\u00fdrazn\u00fdch um\u011bleck\u00fdch osobnost\u00ed, absolventkou ateli\u00e9ru prof. Zde\u0148ka Berana na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze. Ve sv\u00e9 tvorb\u011b vych\u00e1z\u00ed z fundament\u00e1ln\u00ed tradice klasick\u00e9 malby, kterou aktualizuje soudob\u00fdm c\u00edt\u011bn\u00edm. Rozv\u00edj\u00ed vyhran\u011bn\u00fd v\u00fdtvarn\u00fd n\u00e1zor, zalo\u017een\u00fd na [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-447","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=447"}],"version-history":[{"count":2,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/447\/revisions"}],"predecessor-version":[{"id":451,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/447\/revisions\/451"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=447"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}