{"id":492,"date":"2010-05-31T08:59:09","date_gmt":"2010-05-31T06:59:09","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=492"},"modified":"2010-05-31T08:59:09","modified_gmt":"2010-05-31T06:59:09","slug":"jakub-sveda","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=492","title":{"rendered":"Jakub \u0160v\u00e9da"},"content":{"rendered":"<p><strong>IMPACT CODE<br \/>\n28. 5. \u2013 20. 6. 2010<\/strong><\/p>ngg_shortcode_0_placeholder<p>Dne\u0161n\u00ed vn\u00edm\u00e1n\u00ed reality se vyzna\u010duje t\u00edm, \u017ee v\u011bda, technologie a um\u011bn\u00ed spolu mnohem t\u011bsn\u011bji komunikuj\u00ed ne\u017e kdykoli p\u0159edt\u00edm.  V\u011bda se \u010dasto inspiruje \u017eivotem (tvo\u0159ivost p\u0159\u00edrodn\u00edch proces\u016f, pam\u011b\u0165 syst\u00e9mu, stavy bl\u00edzk\u00e9 nerovnov\u00e1ze), zat\u00edmco um\u011bn\u00ed t\u011b\u017e\u00ed z \u0161irok\u00e9ho spektra nov\u00fdch m\u00e9di\u00ed a technologi\u00ed. V\u00fdtvarn\u00e9 d\u00edlo Jakuba \u0160v\u00e9dy (1973) reflektuje tyto vazby a p\u0159esahy a odpov\u00edd\u00e1 dynamick\u00e9mu charakteru sou\u010dasn\u00e9ho sv\u011bta. Jeho malby, kresby a sv\u011bteln\u00e9 objekty zachycuj\u00ed rozpor mezi p\u0159\u00edrodou a civilizac\u00ed, konflikt krajiny a industri\u00e1ln\u00edho \u0159\u00e1du. Od konce 90. let vytv\u00e1\u0159el f\u00f3liov\u00e9 obrazy \u2013 \u201ekonstrukce\u201c, s pestrobarevn\u00fdm, abstrahovan\u00fdm kaleidoskopem log, symbol\u016f, k\u00f3d\u016f a kr\u00e1tk\u00fdch text\u016f, posouvaj\u00edc\u00ed obrazov\u00e9 sd\u011blen\u00ed na hranici designu a reklamy. V cyklech apelativn\u00edho charakteru z posledn\u00ed doby, jako \u201eWarning\u201c, \u201eBiotech\u201c, \u201eFirst Aid\u201c, \u201eExist\u201c (2006-2009), zalo\u017een\u00fdch na rafinovan\u00e9m p\u0159ekr\u00fdv\u00e1n\u00ed vrstev malby na pl\u00e1tn\u011b, je obsah obrazu budov\u00e1n ze st\u0159etu organick\u00fdch, abstraktn\u00edch forem, symbolizuj\u00edc\u00edch p\u0159\u00edrodu, a geometrick\u00fdch, industri\u00e1ln\u00edch struktur. Dne\u0161n\u00ed v\u00fdstava \u201eIMPACT CODE\u201c vyjad\u0159uje autorovo p\u0159em\u00fd\u0161len\u00ed o ambivalentn\u00edm dopadu vlivu lidsk\u00e9 civilizace na \u010dlov\u011bka a okoln\u00ed sv\u011bt. \u0160v\u00e9da zachycuje krajinu v jej\u00edch abstraktn\u00edch fragmentech, segmentech, hmot\u00e1ch. Mizej\u00edc\u00ed krajinu, p\u0159ekr\u00fdvanou geometrick\u00fdmi prvky, kter\u00e9 evokuj\u00ed jej\u00ed naru\u0161ov\u00e1n\u00ed technologi\u00ed. Na jedn\u00e9 stran\u011b usiluje o exaktnost, kdy\u017e v kompozici vytv\u00e1\u0159\u00ed industri\u00e1ln\u00ed \u0159\u00e1dy, jak\u00e9si \u201eostr\u016fvky racionality\u201c, na druh\u00e9 stran\u011b nech\u00e1v\u00e1 zazn\u00edt svou emoci, radost z procesu malby, p\u0159itak\u00e1n\u00ed tv\u016fr\u010d\u00ed n\u00e1hod\u011b. Mimo\u0159\u00e1dn\u00fd estetick\u00fd \u00fa\u010dinek obraz\u016f dosahuje \u0160v\u00e9da \u0161irokou \u0161k\u00e1lou netradi\u010dn\u00edch mal\u00ed\u0159sk\u00fdch postup\u016f. Vyu\u017e\u00edv\u00e1 sprej, airbrush st\u0159\u00edkan\u00fd p\u0159es \u0161ablony \u010di u\u017eit\u00fd p\u0159\u00edmo jako \u0161t\u011btec, st\u00e9k\u00e1n\u00ed barvy, rozm\u00fdvan\u00ed ta\u0161istick\u00fdch skvrn, atd. V posledn\u00ed dob\u011b pro sebe nov\u011b objevuje lit\u00ed barvy na pl\u00e1tno, kdy mu tento proces evokuje prom\u011bnlivost krajiny a vznikl\u00e1 struktura jej\u00ed hmotu. Oproti p\u0159edchoz\u00edm cykl\u016fm je soubor \u201eImpact Code\u201c (2010) barevn\u011b redukovan\u011bj\u0161\u00ed, p\u016fsob\u00ed metafyzickou \u010distotou a nekone\u010dnou rozmanitost\u00ed. Je elektrizuj\u00edc\u00edm setk\u00e1n\u00edm racionality a emoce, konfrontac\u00ed dvou kontrastn\u00edch poloh, kter\u00e9 v\u0161ak nevylu\u010duj\u00ed synt\u00e9zu, nebo\u0165 n\u00e1\u0161 sv\u011bt je st\u00e1le poci\u0165ov\u00e1n jako v z\u00e1sad\u011b jedin\u00fd sv\u011bt.<\/p>\n<p><em>Rea Michalov\u00e1<\/em><\/p>\n<p><\/p>\n<p><strong>Jakub \u0160v\u00e9da<\/strong><\/p>\n<p>Narozen 25. 10 1973 v Praze<\/p>\n<p>Studium:<br \/>\n1988 \u2013 1992               St\u0159edn\u00ed odborn\u00e1 \u0161kola v\u00fdtvarn\u00e1, Praha<br \/>\n1993 \u2013 1997               Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed, Praha<br \/>\n                               Ateli\u00e9r Mal\u00ed\u0159sk\u00e1 \u0161kola II. prof. Ji\u0159\u00edho Sopka<br \/>\n1998 \u2013 1999               San Francisco Art Institute, San Francisco<br \/>\n                               New Genres studio, Video class,<br \/>\n                               Digital media studio<br \/>\n2000                         Academia di Brera, Milano<br \/>\n1997 \u2013 2001               Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed, Praha<br \/>\n                               Ateli\u00e9r Vizu\u00e1ln\u00ed komunikace prof. Ji\u0159\u00edho Davida<\/p>\n<p>Tvorba:<br \/>\nZab\u00fdv\u00e1 se malbou, kresbou, sv\u011bteln\u00fdmi objekty, sklen\u011bnou plastikou,<br \/>\nrealizacemi v designu a architektu\u0159e<br \/>\nAutor sochy presti\u017en\u00ed filmov\u00e9 ceny \u201e\u010cESK\u00dd LEV\u201c<\/p>\n<p>Ocen\u011bn\u00ed:<br \/>\nGrafick\u00fd design m\u011bs\u00edce \u010dasopisu Advertising Directory, Cornhill<br \/>\nPublishing Limiter, London<br \/>\n2. m\u00edsto v sout\u011b\u017ei \u010cesk\u00e9 filmov\u00e9 a televizn\u00ed akademie o sochu<br \/>\ntelevizn\u00ed ceny \u201eTELSA\u201c<\/p>\n<p>V\u00fdstavy:<br \/>\nRealizoval \u0159adu samostatn\u00fdch a kolektivn\u00edch v\u00fdstav u n\u00e1s i v zahrani\u010d\u00ed<\/p>\n<p>Zastoupen\u00ed ve sb\u00edrk\u00e1ch:<br \/>\nGalerie St\u0159edo\u010desk\u00e9ho kraje (GASK)<br \/>\nGalerie Klatovy \/ Klenov\u00e1<br \/>\nWannieck gallery, Brno<br \/>\nCBK collection Dordrecht, Holland<br \/>\nsoukrom\u00e9 sb\u00edrky u n\u00e1s i v zahrani\u010d\u00ed<\/p>\n","protected":false},"excerpt":{"rendered":"<p>IMPACT CODE 28. 5. \u2013 20. 6. 2010 Dne\u0161n\u00ed vn\u00edm\u00e1n\u00ed reality se vyzna\u010duje t\u00edm, \u017ee v\u011bda, technologie a um\u011bn\u00ed spolu mnohem t\u011bsn\u011bji komunikuj\u00ed ne\u017e kdykoli p\u0159edt\u00edm. V\u011bda se \u010dasto inspiruje \u017eivotem (tvo\u0159ivost p\u0159\u00edrodn\u00edch proces\u016f, pam\u011b\u0165 syst\u00e9mu, stavy bl\u00edzk\u00e9 nerovnov\u00e1ze), zat\u00edmco um\u011bn\u00ed t\u011b\u017e\u00ed z \u0161irok\u00e9ho spektra nov\u00fdch m\u00e9di\u00ed a technologi\u00ed. V\u00fdtvarn\u00e9 d\u00edlo Jakuba \u0160v\u00e9dy (1973) reflektuje [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-492","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=492"}],"version-history":[{"count":9,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/492\/revisions"}],"predecessor-version":[{"id":501,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/492\/revisions\/501"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}