{"id":534,"date":"2010-10-20T18:37:17","date_gmt":"2010-10-20T16:37:17","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=534"},"modified":"2010-10-20T18:37:17","modified_gmt":"2010-10-20T16:37:17","slug":"marketa-urbanova-2","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=534","title":{"rendered":"Mark\u00e9ta Urbanov\u00e1"},"content":{"rendered":"<p><strong>NUDITA<\/strong>, Opava<\/p>\n<p>Sv\u011bt, v n\u011bm\u017e \u017eijeme, m\u00e1 nesm\u00edrn\u011b slo\u017eit\u00fd \u0159\u00e1d, kter\u00fd nedok\u00e1\u017eeme nikdy komplexn\u011b a najednou postihnout, p\u0159esto\u017ee ho vn\u00edm\u00e1me a c\u00edt\u00edme. Jsme schopni ho objevit a rozkr\u00fdt v okam\u017eiku, kdy je tato \u201eslo\u017eitost\u201c transformov\u00e1na um\u011bleckou senzibilitou tv\u016frce a vt\u011blena do obrazu. Ten je \u201ekoncentr\u00e1tem\u201c autorova p\u0159em\u00fd\u0161len\u00ed a citu pro pozn\u00e1n\u00ed skute\u010dnosti. Navzdory tomu, \u017ee spektrum um\u011bleck\u00fdch p\u0159\u00edstup\u016f bylo v posledn\u00edch desetilet\u00edch roz\u0161\u00ed\u0159eno o konceptu\u00e1ln\u00ed tendence, instalace a  jazyk digit\u00e1ln\u00ed komunikace ve form\u011b nov\u00fdch m\u00e9di\u00ed, klasick\u00e1 malba se dok\u00e1zala uplatnit i v aktu\u00e1ln\u00edch kontextech a dokonce by se dalo \u0159\u00edci, \u017ee nabyla nov\u00e9ho v\u00fdznamu. P\u0159eru\u0161uje zrychlen\u00e9 tempo doby. Odhaluje \u010das jako trv\u00e1n\u00ed, zahrnuje aktualitu, ale i sukcesivitu: bezprost\u0159edn\u011b p\u0159edch\u00e1zej\u00edc\u00ed a n\u00e1sledn\u00e9. Klade jin\u00e9 n\u00e1roky na div\u00e1ka, vy\u017eaduje kontemplaci, a nikoli rychlou \u201ekonzumaci\u201c, jako n\u00e1m vnucuje neust\u00e1l\u00fd tok masmedi\u00e1ln\u00edch informac\u00ed. Sou\u010dasn\u00fd klasick\u00fd obraz, p\u0159edstavuj\u00edc\u00ed tradici \u201ev nov\u00e9m\u201c, zachycuje dobou podm\u00edn\u011bn\u00fd mnohovrstevn\u00fd obsah v\u00fdtvarnou formou, kter\u00e1 m\u016f\u017ee b\u00fdt zdrojem estetick\u00fdch z\u00e1\u017eitk\u016f.<br \/>\nTuto linii sleduje ve sv\u00e9 tvorb\u011b tak\u00e9 Mark\u00e9ta Urbanov\u00e1 (1978), jedna z v\u00fdrazn\u00fdch um\u011bleck\u00fdch osobnost\u00ed mlad\u0161\u00ed generace. Ve sv\u00e9m d\u00edle vyu\u017e\u00edv\u00e1 klasick\u00e9 mal\u00ed\u0159sk\u00e9 postupy a spektrum jej\u00edho v\u00fdrazov\u00e9ho rejst\u0159\u00edku je vymezeno polohami hyperrealismu a introspektivn\u00edho realismu. Je otev\u0159ena nov\u00fdm informac\u00edm, pracuje s realitou komponovanou a umocn\u011bnou fotografick\u00fdm vid\u011bn\u00edm nebo se obrac\u00ed do sebe sama a vizualizuje sv\u016fj \u201evnit\u0159n\u00ed model\u201c, za\u017eehnut\u00fd momentem inspirace \u010di vzpom\u00ednkou. Jej\u00ed obrazy jsou plny existencion\u00e1ln\u00edho a psychologick\u00e9ho nap\u011bt\u00ed, reflektuj\u00ed dobov\u00e9 fenom\u00e9ny. T\u00e9maticky klade d\u016fraz na figuru a figur\u00e1ln\u00ed kompozici, kde uplat\u0148uje sv\u016fj smysl pro monumentalitu a dovol\u00ed si j\u00edt a\u017e k ur\u010dit\u00e9 syrovosti, chladn\u00e9mu erotismu nebo jindy rozehr\u00e1t bohatstv\u00ed historick\u00fdch reminiscenc\u00ed a symbolick\u00fdch v\u00fdznam\u016f. Jej\u00ed mal\u00ed\u0159sk\u00fd profil dotv\u00e1\u0159\u00ed krajin\u00e1\u0159sk\u00e1 tvorba, kter\u00e1 odr\u00e1\u017e\u00ed jej\u00ed k\u0159ehkou senzibilitu a nitern\u00e9 pro\u017e\u00edv\u00e1n\u00ed \u010desk\u00e9 krajiny, je\u017e ji vede a\u017e k ztv\u00e1rn\u011bn\u00ed ji\u017e jednou mal\u00ed\u0159sky vid\u011bn\u00fdch a zachycen\u00fdch m\u00edst na\u0161imi klasiky 19. stolet\u00ed (Adolf Kos\u00e1rek, Otakar Lebeda ad.).<br \/>\nSou\u010dasn\u00e1 v\u00fdstava s n\u00e1zvem \u201eNudita\u201c je reprezentativn\u00edm v\u00fdb\u011brem z  tvorby Mark\u00e9ty Urbanov\u00e9. V letech 1997-98 si ov\u011b\u0159ovala neklasick\u00e1 kompozi\u010dn\u00ed sch\u00e9mata p\u0159i experimentaci a soust\u0159ed\u011bn\u00ed se na v\u00fd\u0159ez, \u201e\u00fatr\u017eek\u201c, kter\u00fd se j\u00ed stal z\u00e1minkou pro v\u00fdtvarnou hru monumentalizovan\u00fdch objem\u016f a jejich sv\u011bteln\u00fdch val\u00e9r\u016f. Maluje obrazy bez p\u0159\u00edb\u011bhu (\u201ePozad\u00ed I.\u201c, 125\u00d7135 cm; \u201eTorzo\u201c, 135\u00d7125 cm 1998-99; \u201ePlocha a pozad\u00ed II.\u201c, 2\u00d7120\u00d780 cm, 1999). Zabalen\u00ed t\u011bl do potravin\u00e1\u0159sk\u00e9 f\u00f3lie je evokac\u00ed dne\u0161n\u00ed \u201edoby plastov\u00e9\u201c a z\u00e1rove\u0148 kategorizac\u00ed lidsk\u00e9ho t\u011bla do roviny zbo\u017e\u00ed. V t\u011bchto hyperrealisticky podan\u00fdch d\u00edlech rozehr\u00e1v\u00e1 sv\u016fj precizn\u00ed a virtu\u00f3zn\u00ed mal\u00ed\u0159sk\u00fd rukopis, tlumen\u00fdm koloritem a sv\u011btelnou modelac\u00ed zachycuje iluzi bohat\u00e9 haptick\u00e9 formy. Obraz \u201eVe sk\u0159\u00edni\u201c (210\u00d7140 cm, 1999, Al\u0161ova jiho\u010desk\u00e1 galerie, Hlubok\u00e1 nad Vltavou) a  \u201eKamar\u00e1dky\u201c (140\u00d7200 cm, 1999) uvozuj\u00ed \u0159adu velkoform\u00e1tov\u00fdch figur\u00e1ln\u00edch kompozic, kdy \u201e\u0159e\u010d t\u011bla\u201c se autorce st\u00e1v\u00e1 z\u00e1sadn\u00edm nositelem v\u00fdznam\u016f a du\u0161evn\u00edch rozpolo\u017een\u00ed. V \u201e\u010cesk\u00e9 krajin\u011b\u201c (135\u00d7110 cm, 1999-2000) nov\u011b zapojuje torza do p\u0159\u00edrodn\u00edho r\u00e1mce. Skli\u010duj\u00edc\u00ed atmosf\u00e9ra a jej\u00ed elektrizuj\u00edc\u00ed nap\u011bt\u00ed se odehr\u00e1v\u00e1 v n\u011bkolika poloh\u00e1ch. V n\u00e1znaku p\u0159\u00edb\u011bhu mezi \u017eensk\u00fdm a mu\u017esk\u00fdm modelem, v absurdit\u011b, vyj\u00e1d\u0159en\u00e9 alogick\u00fdm motivem z\u00e1suvky zapojen\u00e9 v mrac\u00edch. Autorka tu \u010deskou krajinu neidealizuje. Poukazuje na jej\u00ed jednolitost a \u0161edivost, v dozvuku n\u00e1lady p\u0159edrevolu\u010dn\u00ed doby. Obrazem \u201eT\u0159i v kruhu\u201c (200\u00d7160 cm, 2000) se vyrovn\u00e1v\u00e1 s caravaggiovsk\u00fdm \u201esyrov\u00fdm\u201c barokn\u00edm realismem. Ost\u0159e vr\u017een\u00e9 sv\u011btlo pror\u00e1\u017e\u00ed tmu obrazov\u00e9ho prostoru a umo\u017e\u0148uje, aby postavy vystoupily v t\u00e9m\u011b\u0159 hmatateln\u00e9 t\u011blesnosti a staly se akt\u00e9ry novodob\u00e9ho myst\u00e9ria.<br \/>\nV r\u00e1mci rozs\u00e1hlej\u0161\u00edho cyklu existenci\u00e1ln\u00edch podobizen vznikla pl\u00e1tna \u201ePortr\u00e9t otce\u201c a \u201ePortr\u00e9t bratra\u201c (115\u00d795 cm, 2001). Rodinn\u00ed p\u0159\u00edslu\u0161n\u00edci se st\u00e1vaj\u00ed herci fiktivn\u00ed trag\u00e9die, kterou si mal\u00ed\u0159ka spojila se skute\u010dnou ud\u00e1lost\u00ed teroristick\u00e9ho \u00fatoku na mrakodrapy \u201eTwins\u201c v New Yorku. Zachycuje krajn\u00ed psychologickou situaci, trauma z pro\u017eit\u00e9 trag\u00e9die. Obrazov\u00fd soubor \u201eKybel\u00e9\u201c, vytvo\u0159en\u00fd v roce 2002 (\u201eKybel\u00e9\u201c, 190\u00d7120 cm, 2001; \u201e\u010cich\u00e1n\u00ed\u201c, 170\u00d7130 cm, 2002), byl inspirov\u00e1n kultem \u201eVelk\u00e9 matky\u201c, p\u0159\u00edrodn\u00edho bo\u017estva, spjat\u00e9ho s v\u00fdst\u0159edn\u00edmi ob\u0159ady a orgiemi. Urbanov\u00e1 v tomto smyslu zasazuje podivn\u00e9 \u201ebytosti\u201c do prost\u0159ed\u00ed lesa a inscenuje p\u0159\u00edb\u011bh lynchovsk\u00e9 atmosf\u00e9ry (jako v jej\u00edm paraleln\u011b vznikl\u00e9m filmu). \u201eP\u0159ep\u00edn\u00e1\u201c mezi minulost\u00ed a sou\u010dasnost\u00ed, mezi m\u00fdtem a skute\u010dnost\u00ed. Evokuje znepokojuj\u00edc\u00ed vnit\u0159n\u00ed obsah, odlid\u0161t\u011bnost, ztr\u00e1tu citovosti, agresivitu, dominanci anim\u00e1ln\u00edch pud\u016f, vedouc\u00ed a\u017e ke stavu ext\u00e1ze. Pl\u00e1tnem \u201eSchoulen\u00e9\u201c z let 2007-2008 (130\u00d7170 cm) se vrac\u00ed k monument\u00e1ln\u00edm figur\u00e1ln\u00edm kompozic\u00edm a vytv\u00e1\u0159\u00ed dr\u00fazu \u017eensk\u00fdch t\u011bl, semknutou v abstraktn\u00edm prostoru. P\u0159ikl\u00e1n\u00ed se nov\u011b k intenzivn\u011bj\u0161\u00edmu kolorismu.<br \/>\nV triptychu \u201eLetci\u201c (3\u00d740\u00d740 cm, 2009) poukazuje Urbanov\u00e1 na to, \u017ee i zv\u00ed\u0159ata jsou nucena p\u0159izp\u016fsobit se na\u0161\u00ed civilizaci. Probl\u00e9m vyko\u0159en\u011bn\u00ed z p\u016fvodn\u00edho prost\u0159ed\u00ed tematizuje tak\u00e9 v obraze prud\u0161\u00ed a zneklid\u0148uj\u00edc\u00ed fantasti\u010dnosti, \u201eNalezenec\u201c (170\u00d7130 cm, 2009). Tvor jako ze sci-fi p\u0159\u00edb\u011bhu, av\u0161ak odvr\u017een\u00fd a vylou\u010den\u00fd z komunity, vytv\u00e1\u0159\u00ed jakousi paralelu s \u010dlov\u011bkem bez domova. Je zasazen do futuristicky koncipovan\u00e9ho prostoru, inspirovan\u00e9ho architekturou Jana Kaplick\u00e9ho.<br \/>\nCyklus \u201eMessinsk\u00e1 nev\u011bsta\u201c (\u201eMessinsk\u00e1 nev\u011bsta\u201c, N\u00e1rodn\u00ed galerie v Praze, 170\u00d7115 cm, 2009; \u201e\u010cern\u00e9 vejce\u201c, 170\u00d7120 cm, 2009; \u201eLa Piovra\u201c, 150\u00d7100 cm, 2009) byl podn\u00edcen podv\u011bdom\u00fdm spojen\u00edm dvou hlubok\u00fdch existenci\u00e1ln\u00edch pro\u017eitk\u016f, kdy tragika smrti v mohu\u010dsk\u00e9 krypt\u011b autorce asociovala p\u0159\u00edb\u011bh z opery Zde\u0148ka Fibicha \u201eNev\u011bsta messinsk\u00e1\u201c podle Schillerovy trag\u00e9die a vedla autorku k realizaci tohoto jedine\u010dn\u00e9ho souboru. Vt\u011blila do n\u011bj svou vizi kr\u00e1sn\u00e9ho, p\u0159itom vnit\u0159n\u011b dramatick\u00e9ho obrazu, inspirov\u00e1na mistrovskou malbou Diega Vel\u00e1zqueze, Francisca Goyi ad. Obrazy p\u0159ekvap\u00ed minuci\u00f3zn\u00edm zpracov\u00e1n\u00edm detail\u016f krajkov\u00ed, dekorativn\u00edch ornament\u016f pozad\u00ed, barevn\u00fdmi kontrasty v redukovan\u00e9 barevn\u00e9 \u0161k\u00e1le, umn\u00fdm vyu\u017eit\u00edm historick\u00fdch reminiscenc\u00ed i reflex\u00ed vlastn\u00edho sv\u011bta autorky. Hieraticky p\u016fsob\u00edc\u00ed cyklus p\u0159eklenuje propastn\u00e9 rozd\u00edly \u010dasu.<br \/>\nNejaktu\u00e1ln\u011bj\u0161\u00ed v\u00fdtvarn\u00e9 sm\u011b\u0159ov\u00e1n\u00ed Mark\u00e9ty Urbanov\u00e9 je na v\u00fdstav\u011b zastoupeno krajinomalbami \u201eKousek Ze m\u011b\u201c (IV., VI., 100\u00d7150 cm, 2010), v nich\u017e krajinu nov\u011b poj\u00edm\u00e1 v rovin\u011b v\u00fdtvarn\u00e9ho kontrastu rozost\u0159en\u00e9ho v\u00fdseku p\u0159\u00edrodn\u00ed scen\u00e9rie, symbolizuj\u00edc\u00edho zrychlen\u00e9 vn\u00edm\u00e1n\u00ed v duchu dne\u0161n\u00ed doby, a zcela odhmotn\u011bn\u00e9ho, monochromn\u00edho, z\u00e1\u0159iv\u00e9ho energetick\u00e9ho fluida, kter\u00e9 i p\u0159es toto \u201eodcizen\u00ed\u201c z krajiny vyza\u0159uje.<\/p>\n<p>PhDr. Rea Michalov\u00e1, Ph.D.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>NUDITA, Opava Sv\u011bt, v n\u011bm\u017e \u017eijeme, m\u00e1 nesm\u00edrn\u011b slo\u017eit\u00fd \u0159\u00e1d, kter\u00fd nedok\u00e1\u017eeme nikdy komplexn\u011b a najednou postihnout, p\u0159esto\u017ee ho vn\u00edm\u00e1me a c\u00edt\u00edme. Jsme schopni ho objevit a rozkr\u00fdt v okam\u017eiku, kdy je tato \u201eslo\u017eitost\u201c transformov\u00e1na um\u011bleckou senzibilitou tv\u016frce a vt\u011blena do obrazu. Ten je \u201ekoncentr\u00e1tem\u201c autorova p\u0159em\u00fd\u0161len\u00ed a citu pro pozn\u00e1n\u00ed skute\u010dnosti. Navzdory tomu, \u017ee [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-534","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=534"}],"version-history":[{"count":1,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/534\/revisions"}],"predecessor-version":[{"id":535,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/534\/revisions\/535"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}