{"id":557,"date":"2011-01-18T13:25:29","date_gmt":"2011-01-18T11:25:29","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=557"},"modified":"2011-01-18T13:29:35","modified_gmt":"2011-01-18T11:29:35","slug":"petr-kozisek","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=557","title":{"rendered":"Petr Ko\u017e\u00ed\u0161ek"},"content":{"rendered":"<p><strong>@ @ @ @ @<br \/>\n12. 1. \u2013 12. 2. 2011<\/strong><\/p>ngg_shortcode_0_placeholder<p>P\u0159izn\u00e1v\u00e1m, \u017ee kdy\u017e mi Petr Ko\u017e\u00ed\u0161ek napsal jako n\u00e1zev sv\u00e9 v\u00fdstavy p\u011bt \u201ezavin\u00e1\u010d\u016f\u201c, byla jsem v\u00a0rozpac\u00edch. Ujistil m\u011b, \u017ee se nejedn\u00e1 o p\u0159eklep a podal mi n\u00e1sleduj\u00edc\u00ed vysv\u011btlen\u00ed:<\/p>\n<p>\u201eJe to obr\u00e1zek m\u00edsto n\u00e1zvu. To se bu\u010f ne\u010dte, anebo se to m\u00e1 \u010d\u00edst:<br \/>\njednou\u2028&#8221;n\u00e1zev v\u00fdstavy p\u011bt kor\u00e1lk\u016f nebo rol\u00e1da&#8221;\u2028podruh\u00e9\u2028&#8221;n\u00e1zev v\u00fdstavy p\u011bt spray\u016f nebo housenka&#8221;\u2028pot\u0159et\u00ed\u2028&#8221;n\u00e1zev v\u00fdstavy p\u011bt lampi\u00f3n\u016f nebo v\u00e1no\u010dka&#8221;<br \/>\nPokud by Ti to p\u0159i\u0161lo moc &#8220;ul\u00edtl\u00e9&#8221;, tak se to d\u00e1 \u010d\u00edst i jako &#8220;hromadn\u00fd mail&#8221;. To m\u00e1 i spojitost obsahovou s t\u00edm, jak se na konci roku pos\u00edlaj\u00ed maily s v\u00e1no\u010dn\u00edm p\u0159\u00e1n\u00edm a s p\u0159\u00e1n\u00edm do nov\u00e9ho roku. Cel\u00e1 ta zlatost\u0159\u00edbrn\u00e1 s\u00e9rie &#8220;V\u00e1noce v Mod\u0159anech&#8221; je toti\u017e o zdoben\u00ed, vytv\u00e1\u0159en\u00ed a c\u00edt\u011bn\u00ed atmosf\u00e9ry.\u201c<\/p>\n<p>Petr Ko\u017e\u00ed\u0161ek je v\u00fdznamn\u00fdm um\u011blcem, jeho\u017e tvorba ovliv\u0148uje sou\u010dasnou podobu v\u00fdtvarn\u00e9 sc\u00e9ny navzdory tomu, \u017ee na prvn\u00ed pohled p\u016fsob\u00ed \u201enen\u00e1padn\u011b\u201c. Lze ji charakterizovat jako konceptu\u00e1ln\u011b zobrazivou malbu vyu\u017e\u00edvaj\u00edc\u00ed netradi\u010dn\u00ed mal\u00ed\u0159sk\u00e9 techniky. V\u00a0tomto experiment\u00e1ln\u00edm p\u0159\u00edstupu se autor jev\u00ed jako velk\u00fd improviz\u00e1tor. M\u00e1 \u0161irok\u00fd t\u00e9matick\u00fd rejst\u0159\u00edk, kter\u00fd sah\u00e1 od portr\u00e9tu a figury a\u017e k\u00a0abstrahovan\u00e9 v\u00fdrazov\u00e9 zkratce. Ve figur\u00e1ln\u00edch kompozic\u00edch zaost\u0159uje sv\u016fj tv\u016fr\u010d\u00ed potenci\u00e1l na zachycen\u00ed emoc\u00ed a vzpom\u00ednek, je\u017e v\u00a0n\u011bm vyvolaly osoby jemu bl\u00edzk\u00e9, p\u0159\u00e1tel\u00e9 a zn\u00e1m\u00ed. \u010casto  se  obrac\u00ed k\u00a0v\u0161edn\u00edm ud\u00e1lostem \u017eivota, ritu\u00e1l\u016fm a tradic\u00edm s\u00a0jejich duchovn\u00edm v\u00fdznamem. Pono\u0159uje se do prostoru vlastn\u00ed mysli a sestupuje k\u00a0nitern\u00e9 podstat\u011b jev\u016f a skute\u010dnost\u00ed, ani\u017e by se nech\u00e1val manipulovat sm\u011b\u0159ov\u00e1n\u00edm konzumn\u00ed spole\u010dnosti k\u00a0masov\u00e9 kultu\u0159e. Sv\u00fdm introspektivn\u00edm, kontemplativn\u00edm d\u00edlem ne\u0161okuje, nez\u016fst\u00e1v\u00e1 na povrchu v\u011bc\u00ed, ale vyz\u00fdv\u00e1 k\u00a0meditaci a zjit\u0159en\u00ed dnes \u010dasto otup\u011bn\u00fdch cit\u016f. Jeho mal\u00ed\u0159sk\u00fd rukopis je inzitn\u00ed, emocion\u00e1ln\u011b up\u0159\u00edmn\u00fd, s\u00a0k\u0159ehk\u00fdm kresebn\u00fdm prvkem, navozuj\u00edc\u00edm atmosf\u00e9ru vnit\u0159n\u00ed \u010distoty, spiritu\u00e1lnosti, tajemnosti, a\u017e magi\u010dnosti.<br \/>\nSou\u010dasn\u00e1 v\u00fdstava p\u0159edstavuje v\u00fdb\u011br z\u00a0autorova obrazov\u00e9ho cyklu \u201eV\u00e1noce v\u00a0Mod\u0159anech\u201c (2009-2011), kter\u00fd voln\u011b navazuje na soubor \u201eV\u00e1noce v\u00a0Lambar\u00e9n\u00e9\u201c z\u00a0let 2008-2009. Vztahuje se k\u00a0v\u00e1no\u010dn\u00edm sv\u00e1tk\u016fm jako k\u00a0jedn\u00e9 z nejd\u016fle\u017eit\u011bj\u0161\u00edch k\u0159es\u0165ansk\u00fdch slavnost\u00ed, kter\u00e1 zasahuje celou spole\u010dnost, je\u017e ji v\u0161ak p\u0159ev\u00e1\u017en\u011b vn\u00edm\u00e1 sp\u00ed\u0161e jako oslavu vn\u011bj\u0161\u00ed, nikoli vnit\u0159n\u00ed. Petr Ko\u017e\u00ed\u0161ek naopak poukazuje na d\u016fle\u017eitost sv\u00e1te\u010dn\u00ed atmosf\u00e9ry, vyvol\u00e1vaj\u00edc\u00ed pocity dobrotivosti, pro\u017eitky soun\u00e1le\u017eitosti s\u00a0bli\u017en\u00edmi, upev\u0148uj\u00edc\u00ed vztahy v\u00a0rodin\u00e1ch s c\u00edlem p\u0159ibl\u00ed\u017eit se v\u00edce citovosti, ohleduplnosti a l\u00e1sce. V\u00a0dne\u0161n\u00ed duchovn\u011b znivelizovan\u00e9 dob\u011b vn\u00edm\u00e1 ritu\u00e1ly jako zap\u00e1len\u00ed sv\u00edce, zp\u011bv koledy, ozdoben\u00ed interi\u00e9ru \u010di exteri\u00e9ru jako n\u011bco mimo\u0159\u00e1dn\u00e9ho, \u017e\u00e1douc\u00edho a pot\u0159ebn\u00e9ho. Sv\u00e1te\u010dn\u00ed atmosf\u00e9ra je pro n\u011bj natolik z\u00e1sadn\u00ed, \u017ee ve skute\u010dnosti i v\u00a0malb\u011b zdob\u00ed v\u0161edn\u00ed v\u011bci, kter\u00e9 ho obklopuj\u00ed, a\u0165 u\u017e jsou to stromy, pokojov\u00e9 rostliny (na m\u00edsto v\u00e1no\u010dn\u00edho stromku, kter\u00fd \u201eneusmrcuje\u201c) nebo lavi\u010dka, chodba, PC, ledni\u010dka, kuchy\u0148sk\u00fd st\u016fl\u2026 Ozdoby, tradi\u010dn\u00ed \u010di netradi\u010dn\u00ed, koupen\u00e9 nebo darovan\u00e9, jsou v\u017edy osobn\u00ed. Ve vystaven\u00e9m cyklu se p\u0159ev\u00e1\u017en\u011b zredukovaly na lampi\u00f3n. Sakr\u00e1ln\u00ed aspekt je podtr\u017een jemnou barevnost\u00ed s\u00a0p\u0159evl\u00e1daj\u00edc\u00edmi odst\u00edny zlat\u00e9, st\u0159\u00edbrn\u00e9, bronzov\u00e9, \u0161ed\u00e9, b\u00edl\u00e9 a slonov\u00e9 kosti.<br \/>\nCel\u00fdm souborem \u201eV\u00e1noce v\u00a0Mod\u0159anech\u201c prostupuje Ko\u017e\u00ed\u0161kovo kr\u00e9do, \u017ee kdy\u017e si uchov\u00e1me kr\u00e1sn\u00fd a vz\u00e1cn\u00fd pocit, kter\u00fd ka\u017ed\u00fd vnit\u0159n\u011b spolupro\u017e\u00edv\u00e1me, budeme m\u00edt v\u00e1no\u010dn\u00ed radost po cel\u00fd rok.<br \/>\n<em>Rea Michalov\u00e1<\/em><br \/>\n<!-- br--><\/p>\n<p><strong>Petr Ko\u017e\u00ed\u0161ek<\/strong><br \/>\n\/narozen 6. 11. 1972 v Karlov\u00fdch Varech\/<\/p>\n<p>Studia:<br \/>\n1993-98 Katedra v\u00fdtvarn\u00e9 v\u00fdchovy, Pedagogick\u00e1 Fakulta UJEP, \u00dast\u00ed nad Labem<br \/>\n1996-97 Vysok\u00e1 \u0161kola um\u011blecko-pr\u016fmyslov\u00e1 Praha, Alternativn\u00ed techniky, Ad\u00e9la Matasov\u00e1<br \/>\n1997-99 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed Praha, Vizu\u00e1ln\u00ed komunikace, Ji\u0159\u00ed David<br \/>\n2000-03 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed Praha, Malba II, Vladim\u00edr Skrepl<\/p>\n<p>Stipendijn\u00ed pobyty:<br \/>\n2005 Egon Schiele Art Centrum, \u010cesk\u00fd Krumlov<\/p>\n<p>Realizoval \u0159adu samostatn\u00fdch v\u00fdstav, z\u00fa\u010dastnil se mnoha skupinov\u00fdch v\u00fdstav u n\u00e1s i v\u00a0zahrani\u010d\u00ed<\/p>\n","protected":false},"excerpt":{"rendered":"<p>@ @ @ @ @ 12. 1. \u2013 12. 2. 2011 P\u0159izn\u00e1v\u00e1m, \u017ee kdy\u017e mi Petr Ko\u017e\u00ed\u0161ek napsal jako n\u00e1zev sv\u00e9 v\u00fdstavy p\u011bt \u201ezavin\u00e1\u010d\u016f\u201c, byla jsem v\u00a0rozpac\u00edch. Ujistil m\u011b, \u017ee se nejedn\u00e1 o p\u0159eklep a podal mi n\u00e1sleduj\u00edc\u00ed vysv\u011btlen\u00ed: \u201eJe to obr\u00e1zek m\u00edsto n\u00e1zvu. To se bu\u010f ne\u010dte, anebo se to m\u00e1 \u010d\u00edst: jednou\u2028&#8221;n\u00e1zev v\u00fdstavy [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-557","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=557"}],"version-history":[{"count":9,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/557\/revisions"}],"predecessor-version":[{"id":566,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/557\/revisions\/566"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}