{"id":582,"date":"2011-01-18T13:53:03","date_gmt":"2011-01-18T11:53:03","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=582"},"modified":"2011-01-18T13:56:07","modified_gmt":"2011-01-18T11:56:07","slug":"natvrdli","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=582","title":{"rendered":"NATVRDL\u00cd"},"content":{"rendered":"

\/Karel Jerie, MICL, Luk\u00e1\u0161 Miffek, Jaroslav Vale\u010dka\/
\n6. 1. – 30. 1., Galerie Obecn\u00edho domu v Opav\u011b<\/strong><\/p>\n

<\/a> V\u00fdstavn\u00ed projekt \u201eNatvrdl\u00ed\u201c prezentuje \u010dty\u0159i v\u00fdrazn\u00e9 um\u011bleck\u00e9 osobnosti, kter\u00e9 sv\u00fdm d\u00edlem programov\u011b obhajuj\u00ed pozice figurativn\u00ed malby a rozv\u00edjej\u00ed tradici poutav\u00e9ho obrazov\u00e9ho sd\u011blen\u00ed. Karel Jerie (1977), Michal Novotn\u00fd alias MICL (1969), Luk\u00e1\u0161 Miffek (1978) a Jaroslav Vale\u010dka (1972) si nalezli vlastn\u00ed tv\u016fr\u010d\u00ed prostor sp\u00ed\u0161e v\u00a0intuitivn\u00ed rovin\u011b ne\u017e v\u00a0oblasti spekulace. Maluj\u00ed obrazy, kter\u00e9 svou existenci oprav\u0148uj\u00ed jen samy sebou. Jejich zobraziv\u00e1, obsahov\u00e1, narativn\u00ed malba je projevem kontinuity s\u00a0ur\u010dit\u00fdmi tendencemi \u010desk\u00e9ho modern\u00edho mal\u00ed\u0159stv\u00ed, nap\u0159\u00edklad s\u00a0proudem \u010desk\u00e9 grotesky od 70. let 20. stolet\u00ed, s\u00a0tvorbou \u010dlen\u016f skupiny \u201eNormal\u201c (J. Knap, M. Kunc, P. Angermann), zalo\u017een\u00e9 roku 1979, s\u00a0\u017e\u00e1nrem fantaskn\u00edch bytost\u00ed a poh\u00e1dkov\u00fdch p\u0159\u00edb\u011bh\u016f, rozv\u00edjen\u00fdm ji\u017e od po\u010d\u00e1tku 19. stolet\u00ed, se symbolistn\u00ed mystikou na pomez\u00ed reality a snu, s\u00a0novodob\u00fdm v\u00fdvojem komiksu, v\u00a0souladu s\u00a0 percepc\u00ed a senzibilitou ka\u017ed\u00e9ho tv\u016frce. Z\u00e1rove\u0148 ve sv\u00e9 individu\u00e1ln\u011b rozli\u0161en\u00e9 tvorb\u011b reaguj\u00ed na postmedi\u00e1ln\u00ed dobu, odhaluj\u00ed nov\u00e9 souvislosti a nov\u00e9 emocion\u00e1ln\u00ed rozlohy. Integruj\u00ed vid\u011bn\u00e9 do sv\u00fdch estetick\u00fdch a my\u0161lenkov\u00fdch p\u0159edstav. Vn\u011bj\u0161\u00ed sv\u011bt filtrovan\u00fd skrze vnit\u0159n\u00ed formuje jejich um\u011bleckou v\u00fdpov\u011b\u010f. Jejich bohat\u00e1 imaginace se snoub\u00ed se schopnost\u00ed jasn\u011b a p\u0159esv\u011bd\u010div\u011b formulovat svou my\u0161lenku. \u201eNatvrdl\u00ed\u201c jsou zajedno s\u00a0Ernstem Hansem Gombrichem, kter\u00fd napsal, \u017ee kdyby um\u011blec vytvo\u0159il zcela nov\u00fd jazyk, nikdo by mu vlastn\u011b nerozum\u011bl. <\/p>\n

Stylov\u00e1 vyhran\u011bnost malby Karla Jerie spo\u010d\u00edv\u00e1 v\u00a0\u00a0jeho neomezen\u00e9 fantazii a ve\u00a0 schopnosti transponovat ideu do fantaskn\u00edho p\u0159\u00edb\u011bhu na pomez\u00ed reality a fikce. Vytv\u00e1\u0159\u00ed fascinuj\u00edc\u00ed v\u00fdpravn\u00e9 \u201estory\u201c o osudech novodob\u00fdch hrdin\u016f, d\u00e9mon\u016f, superman\u016f, mutant\u016f, imagin\u00e1rn\u00edch bytost\u00ed, inspirovan\u00fdch sci-fi filmy a po\u010d\u00edta\u010dov\u00fdmi hrami (cykly \u201eHeroes\u201c, \u201eSupermani\u201c). Maluje s\u00e9rii portr\u00e9t\u016f houba\u0159\u016f a fantastick\u00fdch lesn\u00edch p\u0159\u00edb\u011bh\u016f, na n\u011b\u017e navazuje cyklus \u201ePosledn\u00ed le\u010d\u201c, rozv\u00edjej\u00edc\u00ed t\u00e9ma honu a mysliveck\u00e9 z\u00e1bavy. O\u017eivuje prehistorick\u00e9 dinosaury a pterodaktyly a projektuje je do budoucnosti (cyklus \u201eLovci dinosaur\u016f\u201c). Historick\u00e9 souvislosti i novodob\u00e9 skute\u010dnosti vyu\u017e\u00edv\u00e1 k\u00a0autentick\u00fdm sd\u011blen\u00edm, kter\u00e1 oko\u0159e\u0148uje sv\u00fdm nezam\u011bniteln\u00fdm smyslem pro humor a nads\u00e1zku. Jedine\u010dnost v\u00fdtvarn\u00e9ho d\u00edla Karla Jerie se manifestuje v\u00a0bravu\u0159e mal\u00ed\u0159sk\u00e9ho pod\u00e1n\u00ed a v\u00a0jedine\u010dn\u00e9 kresl\u00ed\u0159sk\u00e9 virtuozit\u011b, kter\u00e1 je neodmysliteln\u011b spjata s\u00a0jeho komiksovou tvorbou.<\/p>\n

Michal Novotn\u00fd alias MICL reflektuje ve sv\u00fdch obrazech pro\u017e\u00edv\u00e1n\u00ed, z\u00e1\u017eitky a zku\u0161enost ze sou\u010dasn\u00e9ho sv\u011bta, podn\u011bty ze snu a polobd\u011bl\u00fdch stav\u016f. N\u011bkter\u00e9 transponuje do vize imaginativn\u00edho, fantaskn\u00edho univerza mimo n\u00e1\u0161 \u010dasoprostor (poloha \u201enoci\u201c, \u201espl\u00ednu\u201c). V\u00a0jin\u00fdch obrazov\u00fdch \u201ep\u0159\u00edb\u011bz\u00edch\u201c se st\u00e1v\u00e1 \u201eb\u00e1sn\u00edkem\u201c reality, zobec\u0148uje ji, ozvl\u00e1\u0161t\u0148uje ji svou bohatou invenc\u00ed a smyslem pro vtip (poloha \u201edne\u201c, \u201eide\u00e1lu\u201c). Jedn\u00edm z\u00a0MICLov\u00fdch z\u00e1kladn\u00edch t\u00e9matick\u00fdch prvk\u016f je motiv l\u00e9taj\u00edc\u00edch prken a prkenn\u00fdch konstrukc\u00ed, v\u00a0nich\u017e se odr\u00e1\u017e\u00ed nejen jeho z\u00e1jem o architekturu, ale i po\u010d\u00e1te\u010dn\u00ed studium d\u0159evomodel\u00e1\u0159stv\u00ed. Prkna mu umo\u017e\u0148uj\u00ed vybudov\u00e1n\u00ed spiritu\u00e1ln\u00edho prostoru, a\u0165 u\u017e zachycuje stavbu chaty \u010di srubu, labyrint z\u00a0prken nebo \u017eeb\u0159\u00edky do nebe. Autorovo okouzlen\u00ed p\u0159\u00edrodou se manifestuje v\u00a0dal\u0161\u00edch konstant\u00e1ch jeho v\u00fdtvarn\u00e9ho slovn\u00edku: maluje melouny, mrkve, citrony, t\u0159e\u0161\u0148ov\u00e9 kv\u011bty, mechy, marihuanu. Do obrazu zakomponov\u00e1v\u00e1 typicky stylizovan\u00e9, socha\u0159sky otes\u00e1van\u00e9 figury, n\u011bkdy autoportr\u00e9tn\u011b lad\u011bn\u00e9. Mal\u00ed\u0159stv\u00ed a socha\u0159stv\u00ed mu nejsou odd\u011blen\u00fdmi sf\u00e9rami, jsou propojeny vztahem interakce. Proto maluje i sochy, kter\u00e9 vytvo\u0159il. Tak\u00e9 s\u00a0m\u00edrnou nads\u00e1zkou mapuje sv\u016fj vztah k\u00a0\u017een\u011b a citov\u00fd \u017eivot. <\/p>\n

Luk\u00e1\u0161 Miffek si na sou\u010dasn\u00e9 v\u00fdtvarn\u00e9 sc\u00e9n\u011b vydobyl teritorium svou mimo\u0159\u00e1dnou a vtipnou invenc\u00ed, s\u00a0jakou rozehr\u00e1v\u00e1 bohatstv\u00ed poetiky epizod ka\u017edodennosti, v\u0161edn\u00edch mini-p\u0159\u00edb\u011bh\u016f, zalo\u017een\u00fdch na nov\u011b pochopen\u00e9 metafo\u0159e, grotesce a parodii. Jeho um\u011bleck\u00e9 sd\u011blen\u00ed, charakterizovan\u00e9 narativn\u00ed zobrazivost\u00ed, koloristickou a kresebnou vypointovanost\u00ed, se rozv\u00edj\u00ed v\u00a0n\u011bkolika rovin\u00e1ch, s c\u00edlem vt\u00e1hnout div\u00e1ka hloub\u011bji do nitra obrazu a nechat ho rozpl\u00e9tat jeho skryt\u00e9 obsahy. J\u00e1dro a specifikum Miffkovy tvorby p\u0159edstavuj\u00ed obrazy \u201eretro\u201c \u017een, filtrovan\u00e9 p\u0159es oblast autorova libida. Jejich \u201ehrdinky\u201c se st\u00e1vaj\u00ed sou\u010d\u00e1st\u00ed v\u00fdtvarn\u00fdch h\u0159\u00ed\u010dek a humornou formou odkazuj\u00ed k\u00a0sou\u010dasn\u00e9 sexualit\u011b. Do\u00a0um\u011blcova t\u00e9matick\u00e9ho rejst\u0159\u00edku neodmysliteln\u011b pat\u0159\u00ed tak\u00e9 jeho kritick\u00e1 reflexe pop-artov\u00fdch prvk\u016f konzumu \u010di obhajoba \u010desk\u00e9 n\u00e1rodopisn\u00e9 tradice.<\/p>\n

P\u0159i pohledu na obrazy mal\u00ed\u0159e Jaroslava Vale\u010dky n\u00e1s p\u0159ekvap\u00ed jejich vypointovan\u00e1 citovost. Nesou v\u00a0sob\u011b hlubok\u00fd pro\u017eitek z okam\u017eiku inspirace, za\u017eehnut\u00e9\u00a0konkr\u00e9tn\u00edm z\u00e1\u017eitkem nebo vzpom\u00ednkou. Byla to drsn\u00e1 a baladick\u00e1 krajina Lu\u017eick\u00fdch hor a krajina Edvarda Muncha, kter\u00e9 se mu nesmazateln\u011b vepsaly do pam\u011bti. Z\u00e1dum\u010div\u00e1 melancholie, b\u00e1snivost, expresivn\u00ed obsahovost a p\u0159itom nepopisnost t\u00e9matu, a\u0165 u\u017e krajinn\u00e9ho \u010di figur\u00e1ln\u00edho, tvo\u0159\u00ed pil\u00ed\u0159e Vale\u010dkovy um\u011bleck\u00e9 v\u00fdpov\u011bdi. Autor se origin\u00e1ln\u011b vztahuje k\u00a0linii severn\u00edho romantismu, v\u00a0opozici proti u n\u00e1s od 19. stolet\u00ed p\u0159evl\u00e1daj\u00edc\u00ed tradici \u201ecesty na jih\u201c a vytv\u00e1\u0159en\u00ed idyly arkadick\u00e9ho sv\u011bta. Hlavn\u00edm prost\u0159edkem v\u00fdstavby obrazu je mu sofistikovan\u00e1 hra barvy a sv\u011btla jako z\u00e1sadn\u00edch nositel\u016f v\u00fdrazu a emoc\u00ed. Vale\u010dka povy\u0161uje krajinu na zrcadlo univerza. Je prost\u0159edkem k\u00a0transcendenci, p\u0159ekro\u010den\u00ed rozporu mezi subjektem a objektem, k \u201eunio mystica\u201c.
\nPhDr. Rea Michalov\u00e1, Ph.D.<\/em><\/p>\n

Budoucnost pat\u0159\u00ed Natvrdl\u00fdm<\/center><\/p>\n

V\u00fd\u0148atek z\u00a0textu zakl\u00e1daj\u00edc\u00ed listiny:
\n \u201eObraz je mrtev. Nen\u00ed snad ani mo\u017en\u00e9, \u017ee se je\u0161t\u011b dnes na po\u010d\u00e1tku t\u0159et\u00edho tis\u00edcilet\u00ed najdou \u201eum\u011blci\u201c, kte\u0159\u00ed maluj\u00ed obrazy. Co je k\u00a0tomu vede? Copak si neuv\u011bdomuj\u00ed, \u017ee budoucnost pat\u0159\u00ed nov\u00fdm m\u00e9di\u00edm?
\n Copak jim nedo\u0161lo, \u017ee performance a happening maj\u00ed siln\u011bj\u0161\u00ed dopad na div\u00e1kovy emoce?
\n Copak nerozpoznali koncep\u010dn\u00ed \u010distotu konceptu?
\n Copak si v\u016fbec nev\u0161imli, \u017ee sou\u010dasn\u00e9 um\u011bn\u00ed se ub\u00edr\u00e1 \u00fapln\u011b jin\u00fdm sm\u011brem?
\n Copak jsou opravdu tak natvrdl\u00ed?
\nNab\u00edz\u00ed se jedin\u00e1 odpov\u011b\u010f. Ano! Natvrdl\u00ed jsou v\u0161ichni, ale jenom hrstka si to dok\u00e1\u017ee p\u0159iznat.\u201c
\nBernard C. Coty, v Praze, listopad 2000<\/em><\/p>\n

Um\u011blci:
\nMg.A. Karel Jerie<\/strong>
\nNarozen 16. 3. 1977 v\u00a0Praze<\/p>\n

1999-2005 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze, ateli\u00e9r prof. A. St\u0159\u00ed\u017eka, ateli\u00e9r prof. M. Rittsteina
\nJe \u010dlenem Spolku v\u00fdtvarn\u00fdch um\u011blc\u016f M\u00e1nes a zakl\u00e1daj\u00edc\u00edm \u010dlenem ob\u010dansk\u00e9ho sdru\u017een\u00ed na podporu komiksu Seqence\u2028<\/p>\n

Mg.A. Michal Novotn\u00fd<\/strong>
\nNarozen 20. 2. 1969 v Brn\u011b <\/p>\n

1990 -1997 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze, ateli\u00e9r prof. J. Na\u010deradsk\u00e9ho, ateli\u00e9r prof. K. Nepra\u0161e a ateli\u00e9r prof. J. Davida<\/p>\n

Mg.A. Luk\u00e1\u0161 Miffek<\/strong>
\nNarozen 17. 3. 1978 v\u00a0Praze<\/p>\n

1999-2005 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze, ateli\u00e9r prof. A. St\u0159\u00ed\u017eka, ateli\u00e9r prof. M. Rittsteina
\nJe \u010dlenem Spolku v\u00fdtvarn\u00fdch um\u011blc\u016f M\u00e1nes<\/p>\n

Ak. mal. Jaroslav Vale\u010dka<\/strong>
\nNarozen 27. 10. 1972 v Praze<\/p>\n

1991-1998 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze, ateli\u00e9r prof. J. Sopka
\n1994 Vestlandes Kunstakademi, Bergen
\n1995 Staatliche Kunstakademie, Karlsruhe
\n1996 Royal Academy, Rotterdam
\nJe \u010dlenem skupiny \u201ePrague stuckists\u201c<\/p>\n

Kur\u00e1torka:
\nPhDr. Rea Michalov\u00e1, Ph.D.
\nNarozena 11. 3. 1980 v Praze<\/p>\n

1998-2003 Filozofick\u00e1 fakulta Univerzity Karlovy, obor d\u011bjiny um\u011bn\u00ed\u20282003-2007 Filozofick\u00e1 fakulta Univerzity Karlovy, obor d\u011bjiny um\u011bn\u00ed, postgradu\u00e1ln\u00ed studium
\n\u2028Od 2008 kur\u00e1torka Sb\u00edrky modern\u00edho a sou\u010dasn\u00e9ho um\u011bn\u00ed N\u00e1rodn\u00ed galerie v Praze<\/p>\n

Je \u010dlenkou Association internationale des critiques d\u2019art (AICA), Sdru\u017een\u00ed v\u00fdtvarn\u00fdch kritik\u016f a teoretik\u016f, Um\u011bleckohistorick\u00e9 spole\u010dnosti v \u010desk\u00fdch zem\u00edch, Spolku v\u00fdtvarn\u00fdch um\u011blc\u016f M\u00e1nes<\/p>\n","protected":false},"excerpt":{"rendered":"

\/Karel Jerie, MICL, Luk\u00e1\u0161 Miffek, Jaroslav Vale\u010dka\/ 6. 1. – 30. 1., Galerie Obecn\u00edho domu v Opav\u011b V\u00fdstavn\u00ed projekt \u201eNatvrdl\u00ed\u201c prezentuje \u010dty\u0159i v\u00fdrazn\u00e9 um\u011bleck\u00e9 osobnosti, kter\u00e9 sv\u00fdm d\u00edlem programov\u011b obhajuj\u00ed pozice figurativn\u00ed malby a rozv\u00edjej\u00ed tradici poutav\u00e9ho obrazov\u00e9ho sd\u011blen\u00ed. Karel Jerie (1977), Michal Novotn\u00fd alias MICL (1969), Luk\u00e1\u0161 Miffek (1978) a Jaroslav Vale\u010dka (1972) si […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-582","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=582"}],"version-history":[{"count":5,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/582\/revisions"}],"predecessor-version":[{"id":586,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/582\/revisions\/586"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}