{"id":608,"date":"2011-03-28T19:52:01","date_gmt":"2011-03-28T17:52:01","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=608"},"modified":"2011-03-28T19:57:22","modified_gmt":"2011-03-28T17:57:22","slug":"pavel-vasicek-2","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=608","title":{"rendered":"Pavel Va\u0161\u00ed\u010dek"},"content":{"rendered":"

P\u0158ED \u00daSVITEM
\nGalerie SVU M\u00e1nes, Diamant, 2. 3. \u2013 31. 3. 2011<\/strong><\/p>\n

<\/a>Pavel Va\u0161\u00ed\u010dek (1979) se za\u0159adil mezi v\u00fdznamn\u00e9 p\u0159edstavitele sou\u010dasn\u00e9ho mlad\u00e9ho \u010desk\u00e9ho um\u011bn\u00ed malbou monument\u00e1ln\u00edch figur\u00e1ln\u00edch kompozic propojuj\u00edc\u00edch skute\u010dnost a fikci, v\u00a0nich\u017e se\u00a0zam\u00fd\u0161l\u00ed nad ambivalenc\u00ed doby, rozpolcenost\u00ed dne\u0161n\u00edho \u010dlov\u011bka, nad nejednozna\u010dnou definovatelnost\u00ed toho, co n\u00e1m sv\u011bt nab\u00edz\u00ed. Racionalita p\u0159eva\u017euje nad \u201estarost\u00ed o du\u0161i\u201c, individu\u00e1ln\u00ed p\u0159evl\u00e1d\u00e1 nad v\u0161eobecn\u00fdm. V \u201e\u00e9\u0159e pod\u00edvan\u00e9\u201c se jasn\u00e9 protiklady jako realita a iluze, pravda a fale\u0161 st\u00edraj\u00ed, jejich rozpor pozb\u00fdv\u00e1 jasn\u00fdch hranic. Proces personalizace postavil do pop\u0159ed\u00ed osobn\u00ed realizaci a respektov\u00e1n\u00ed subjektivn\u00ed zvl\u00e1\u0161tnosti jako z\u00e1kladn\u00ed hodnoty. Jedinec vyzn\u00e1v\u00e1 narcistick\u00fd individualismus, soust\u0159ed\u011bn\u00fd na glorifikaci sebe sama. Jeho narcistick\u00e9 J\u00e1 je konstruov\u00e1no na z\u00e1klad\u011b reflexe druh\u00fdch. Masm\u00e9dia zintenziv\u0148uj\u00ed jeho sny o sl\u00e1v\u011b a proslulosti a vedou ho ke ztoto\u017e\u0148ov\u00e1n\u00ed se s\u00a0hv\u011bzdami, idoly. S\u00a0t\u00edm souvis\u00ed potla\u010den\u00ed transcendentna v osobn\u00edm \u017eivot\u011b i \u00fastup od soci\u00e1ln\u00edch hodnot a hlub\u0161\u00edch citov\u00fdch vazeb, vedouc\u00ed k\u00a0emo\u010dn\u00ed pustot\u011b a frustraci. S h\u00e9donickou etikou usiluje \u010dlov\u011bk o okam\u017eit\u00e9 pot\u011b\u0161en\u00ed. \u017dije pouze v\u00a0p\u0159\u00edtomnosti, ztr\u00e1c\u00ed smysl pro historickou kontinuitu a pocit odpov\u011bdnosti za budouc\u00ed generace. Minulost pro n\u011bj neexistuje a budoucnost je p\u0159\u00edli\u0161 hroziv\u00e1, ne\u017e aby ji mohl p\u0159ijmout, je traumatizov\u00e1n hr\u016fzou ze st\u00e1rnut\u00ed a smrti vzhledem k neust\u00e1l\u00e9 pot\u0159eb\u011b b\u00fdt oce\u0148ov\u00e1n pro svou kr\u00e1su, mladick\u00fd \u201edrive\u201c \u010di proslulost. Na druh\u00e9 stran\u011b je smrt\u00ed fascinov\u00e1n. Zmoc\u0148uje se ho pr\u00e1zdnota, kter\u00e1 v\u0161ak v\u00a0sob\u011b nem\u00e1 nic tragick\u00e9ho ani apokalyptick\u00e9ho. \u017divot lhostejn\u00fd ke smyslu byt\u00ed se m\u016f\u017ee rozv\u00edjet jen ve sledu jednotliv\u00fdch z\u00e1blesk\u016f.
\nV\u0161echny tyto aspekty p\u0159\u00edzna\u010dn\u00e9 pro sou\u010dasnou konzumn\u00ed spole\u010dnost se st\u00e1vaj\u00ed fundamentem Va\u0161\u00ed\u010dkova tv\u016fr\u010d\u00edho vid\u011bn\u00ed. Tvo\u0159\u00ed nosnou t\u00e9matickou linii v\u00fdstavy \u201eP\u0159ed \u00fasvitem\u201c. P\u0159ed \u00fasvitem nast\u00e1v\u00e1 v\u017edy nejtemn\u011bj\u0161\u00ed chv\u00edle, kter\u00e1 m\u016f\u017ee b\u00fdt \u010dek\u00e1n\u00edm na sv\u011btlo. \u010cek\u00e1n\u00ed nen\u00ed prorock\u00e9, je sp\u00ed\u0161e v\u011bdom\u00fdm strpen\u00edm t\u00e9to f\u00e1ze dne, jej\u00ed\u017e p\u0159\u00edtomnost si \u017e\u00e1d\u00e1 pozornost a bd\u011bn\u00ed a kterou nelze obej\u00edt. Je v\u00edce ne\u017e prorock\u00fdm \u010dek\u00e1n\u00edm na den, proto\u017ee trp\u011bliv\u011b \u017eije z\u00a0toho, co m\u00e1 a v\u011bdoucn\u011b o\u010dek\u00e1v\u00e1 p\u0159\u00edchod neo\u010dek\u00e1van\u00e9ho. To je chv\u00edle, jak Pavel Va\u0161\u00ed\u010dek \u0159\u00edk\u00e1, aby se pocity co nejv\u00edce zhmotnily, abychom je pro\u017eili, proc\u00edtili, pro\u0161li jejich \u0159\u00e1dem a nal\u00e9havost\u00ed v\u00a0t\u00e9 m\u00ed\u0159e, kter\u00e1 odpov\u00edd\u00e1 prahu na\u0161\u00ed citlivosti, prahu zaznamenatelnosti. Autor\u016fv bravurn\u00ed mal\u00ed\u0159sk\u00fd p\u0159ednes m\u00e1 p\u0159ev\u00e1\u017en\u011b expresivn\u00ed charakter, sceluj\u00edc\u00ed se \u010d\u00e1ste\u010dn\u011b do realistick\u00e9, figur\u00e1ln\u00ed malby. Propojen\u00ed t\u011bchto v\u00fdrazov\u00fdch p\u00f3l\u016f dociluje sv\u00fdm smyslem pro \u0159\u00e1d. Jistota pevn\u00e9 linie, celistvost, se st\u0159et\u00e1v\u00e1 s\u00a0nahodilost\u00ed a intuic\u00ed. Aby dos\u00e1hl co nejv\u011bt\u0161\u00edho um\u011bleck\u00e9ho a emocion\u00e1ln\u00edho \u00fa\u010dinu obrazu, hled\u00e1 pro konkr\u00e9tn\u00ed t\u00e9ma adekv\u00e1tn\u00ed vizu\u00e1ln\u00ed gesto. V\u00a0procesu malby dosp\u00edv\u00e1 k \u201en\u00e1hl\u00fdm ud\u00e1lostem\u201c, k anamn\u00e9ze barev a lini\u00ed, reflektuj\u00edc\u00ed jeho zp\u016fsob my\u0161len\u00ed. Va\u0161\u00ed\u010dkova d\u00edla se vyzna\u010duj\u00ed smyslem pro monumentalitu, a\u017e barokizuj\u00edc\u00ed velkorysost\u00ed, citlivou intuitivnost\u00ed, suver\u00e9nn\u00ed kresebnou lini\u00ed a smyslem pro detail. Ve sv\u00e9 bezb\u0159ehosti sp\u011bchaj\u00ed za v\u00fdrazem, jsou prostoupena emocion\u00e1ln\u00edm n\u00e1bojem, jen\u017e je autenticitou \u010dlov\u011bka. Existuj\u00ed ve sf\u00e9\u0159e \u201eromantick\u00e9ho \u0159\u00e1du\u201c, kter\u00fd spojuje racionalitu a p\u0159edstavivost.
\nV\u00a0monument\u00e1ln\u00edm diptychu \u201eHrdinova anamn\u00e9za\u201c (2009) konfrontuje autor p\u0159edstavitele konzumn\u00ed spole\u010dnosti, pilota z\u00e1vodn\u00edho motocyklu, s\u00a0Batmanem, postavou fiktivn\u00ed, vytvo\u0159enou lidskou fantazi\u00ed. Jak po obsahov\u00e9, tak v\u00fdtvarn\u00e9 str\u00e1nce buduje fantomick\u00fd prostor, kter\u00fd p\u0159edstavuje jednu z\u00a0podob iluzorn\u00edho \u00faniku ze skute\u010dnosti. Uv\u00e1d\u00ed n\u00e1s do p\u0159\u00edzna\u010dn\u00e9ho stavu \u201efantazijn\u00edho sn\u011bn\u00ed\u201c. Mohutnost a t\u00edhu Batmanovy postavy m\u016f\u017eeme interpretovat jako imaginaci, je\u017e je pov\u00fd\u0161ena na bo\u017eskou \u00farove\u0148. Motiv boha \u010di s\u00edly je t\u00e9\u017e u\u017eit v\u00a0zadn\u00edm pl\u00e1nu obrazu, v\u00a0podob\u011b gesta \u201eo\u017eiven\u00ed\u201c ze \u201eStvo\u0159en\u00ed Adama\u201c na Michelangelov\u011b fresce na strop\u011b Sixtinsk\u00e9 kaple. Rozm\u011brn\u00e9 pl\u00e1tno \u201eNa m\u011bs\u00edci\u201c (2010-2011) demonstruje pokrok techniky a troufalost lidstva p\u0159ekra\u010dovat hranice pozn\u00e1n\u00ed, ale z\u00e1rove\u0148 bly\u0161tivost a odlesky sv\u011btla ukazuj\u00ed lidsk\u00fd organismus v\u00a0k\u0159ehkosti k\u0159i\u0161\u0165\u00e1lu. V obrazech \u201eKdo jin\u00e9mu kop\u00e1\u201c a \u201eSetk\u00e1n\u00ed\u201c (2010-11) odhaluje zfeti\u0161izovan\u00fd ide\u00e1l masov\u00e9 kultury v\u00a0podob\u011b filmov\u00fdch a komiksov\u00fdch postav, parazituj\u00edc\u00edch na emocion\u00e1ln\u00edm n\u00e1boji. \u201eEmo\u201c (2011) zobec\u0148uje trend n\u00e1klonnosti ke smrti, je autorov\u00fdm laborov\u00e1n\u00edm s emocionalitou \u010dlov\u011bka v \u0161ir\u0161\u00edm smyslu. Na pl\u00e1tnech \u201eKr\u00e1\u010dej\u00edc\u00ed\u201c a \u201eOko\u201c (2011) symbolizuje maximalizovan\u00fd zrakov\u00fd org\u00e1n nad\u0159azenou \u00falohu zraku v\u00a0dne\u0161n\u00ed \u201e\u00e9\u0159e pod\u00edvan\u00e9\u201c, ochuzen\u00e9 o vnit\u0159n\u00ed vid\u011bn\u00ed. V\u00fdstavu uzav\u00edr\u00e1 obraz \u201eSmysly\u201c (2011), kde v\u00a0krajin\u011b p\u0159ed \u00fasvitem vyr\u016fstaj\u00ed lidsk\u00e9 smysly jako svobodn\u011b a organicky se utv\u00e1\u0159ej\u00edc\u00ed podstaty. Jsou autorovou v\u00fdzvou k\u00a0n\u00e1vratu k\u00a0celostn\u00edmu pro\u017e\u00edv\u00e1n\u00ed.
\nPhDr. Rea Michalov\u00e1, Ph.D.<\/em><\/p>\n

<\/br>Pavel Va\u0161\u00ed\u010dek <\/strong>
\n\u2028Narozen 1979 v Mlad\u00e9 Boleslavi<\/p>\n

Studia: \u20282000-2006 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze \u2013 Ateli\u00e9r klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik prof. Zde\u0148ka Berana\u2028
\nV\u00fdstavy \u2013 v\u00fdb\u011br:
\n2001\u2028\u010cesk\u00e9 Bud\u011bjovice, Wortner\u016fv d\u016fm, Al\u0161ova jiho\u010desk\u00e1 galerie, Mal\u00ed\u0159sk\u00e1 \u0161kola prof. Z. Berana
\n2005\u2028Praha, Galerie U Prstenu \u2013 Pavel Va\u0161\u00ed\u010dek, Zuzana Ry\u0161\u00e1nkov\u00e1, Juraj Koll\u00e1r, Du\u0161an Mravec\u2028Praha, Galerie J. Anderle, SONDA 1, SONDA 2 \u2013 v\u00fdstavy student\u016f prof. Z. Berana
\n2006\u2028N\u00e1rodn\u00ed galerie v Praze, Diplomanti AVU
\n2007\u2028Al\u0161ova jiho\u010desk\u00e1 galerie, Hlubok\u00e1 nad Vltavou, Sou\u010dasn\u00e9 mal\u00ed\u0159stv\u00ed\u2028N\u00e1rodn\u00ed galerie v Praze, Veletr\u017en\u00ed pal\u00e1c, AVU 18\u2028Praha, Novom\u011bstsk\u00e1 radnice, DEFENESTRACE
\n2008\u2028Vlastiv\u011bdn\u00e9 muzeum a galerie v \u010cesk\u00e9 L\u00edp\u011b, Pavel Va\u0161\u00ed\u010dek: \u201eSv\u011btla a st\u00edny postmoderny\u201c
\n2009\u2028Semily, Galerie XY, Petr a Pavel Va\u0161\u00ed\u010dkovi\u2028Praha, Galerie Michal\u2019s Collection, Pavel Va\u0161\u00ed\u010dek: \u201ePro\u010d pro n\u011b pl\u00e1\u010deme?\u201c\u2028Praha, Galerie Peron, Petr a Pavel Va\u0161\u00ed\u010dkovi I
\nPraha, Galerie Michal\u00b4s Collection, Letn\u00ed koktejl
\nPraha, Galerie Peron, Petr a Pavel Va\u0161\u00ed\u010dkovi II
\n2010
\nPraha, Galerie Michal\u00b4s Collection, Letn\u00ed koktejl 2010
\n\u010cesk\u00e1 L\u00edpa, VMG galerie J\u00eddelna, Petr a Pavel Va\u0161\u00ed\u010dkovi
\n\u010cesk\u00e1 L\u00edpa, Galerie V kopci, Soukrom\u00fd sen \u2013 Petr a Pavel Va\u0161\u00ed\u010dkovi
\nSemily, muzeum, Mal\u00ed\u0159i Pojize\u0159\u00ed
\n2011
\nPraha, Galerie SVU M\u00e1nes, Diamant, Pavel Va\u0161\u00ed\u010dek: \u201eP\u0159ed \u00fasvitem\u201c<\/p>\n

Zastoupen\u00ed ve sb\u00edrk\u00e1ch:
\nN\u00e1rodn\u00ed galerie v\u00a0Praze; Al\u0161ova jiho\u010desk\u00e1 galerie, Hlubok\u00e1 nad Vltavou; \u0159ada soukrom\u00fdch sb\u00edrek u n\u00e1s a v zahrani\u010d\u00ed<\/p>\n","protected":false},"excerpt":{"rendered":"

P\u0158ED \u00daSVITEM Galerie SVU M\u00e1nes, Diamant, 2. 3. \u2013 31. 3. 2011 Pavel Va\u0161\u00ed\u010dek (1979) se za\u0159adil mezi v\u00fdznamn\u00e9 p\u0159edstavitele sou\u010dasn\u00e9ho mlad\u00e9ho \u010desk\u00e9ho um\u011bn\u00ed malbou monument\u00e1ln\u00edch figur\u00e1ln\u00edch kompozic propojuj\u00edc\u00edch skute\u010dnost a fikci, v\u00a0nich\u017e se\u00a0zam\u00fd\u0161l\u00ed nad ambivalenc\u00ed doby, rozpolcenost\u00ed dne\u0161n\u00edho \u010dlov\u011bka, nad nejednozna\u010dnou definovatelnost\u00ed toho, co n\u00e1m sv\u011bt nab\u00edz\u00ed. Racionalita p\u0159eva\u017euje nad \u201estarost\u00ed o du\u0161i\u201c, individu\u00e1ln\u00ed […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-608","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=608"}],"version-history":[{"count":4,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/608\/revisions"}],"predecessor-version":[{"id":613,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/608\/revisions\/613"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}