{"id":655,"date":"2011-07-23T13:08:08","date_gmt":"2011-07-23T11:08:08","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=655"},"modified":"2011-07-23T13:08:08","modified_gmt":"2011-07-23T11:08:08","slug":"obrazy-ze-sareckeho-udoli","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=655","title":{"rendered":"Obrazy ze \u0160\u00e1reck\u00e9ho \u00fadol\u00ed"},"content":{"rendered":"ngg_shortcode_0_placeholder<p>\u201eJsi v\u00a0zahradn\u00ed restauraci kdesi na okraji Prahy, na st\u016fl r\u016f\u017ee ti dali a ty se d\u00edv\u00e1\u0161 na beru\u0161ku jak v\u00a0r\u016f\u017ei cizopas\u00ed, poslouch\u00e1\u0161 jak v\u00a0d\u00e1li \u010ce\u0161i p\u00edsn\u011b zp\u00edvaj\u00ed.\u201c To napsal Guillaume Apollinaire ve sv\u00e9 sb\u00edrce P\u00e1smo v\u00a0roce 1912. Tehdy nav\u0161t\u00edvil Prahu a p\u0159\u00e1teli byl pozv\u00e1n i do bl\u00edzk\u00e9ho \u0160\u00e1reck\u00e9ho \u00fadol\u00ed.<br \/>\nNa za\u010d\u00e1tku 20. stolet\u00ed to bylo velmi vyhled\u00e1van\u00e9 v\u00fdletn\u00ed m\u00edsto. Z\u00a0Prahy nebylo daleko a lid\u00e9 t\u00e9 doby je\u0161t\u011b nejezdili na sv\u00e9 chaty a chalupy koncem t\u00fddne, jak je tomu dnes. Do \u0160\u00e1reck\u00e9ho \u00fadol\u00ed jsem se dostal poprv\u00e9 v\u00a0m\u00fdch sedmn\u00e1cti letech p\u011b\u0161ky z\u00a0Podbaby. Dokl\u00e1daj\u00ed to m\u00e9 dva lepty z\u00a0r. 1953, \u201eP\u0159\u00edvoz v\u00a0Podbab\u011b\u201c a \u201eKatovna\u201c, pohled na d\u016fm na kopci na prot\u011bj\u0161\u00edm b\u0159ehu Vltavy. Tak\u00e9 jsem maloval v\u011bt\u0161\u00ed, asi metrov\u00fd obraz s\u00a0pohledem k\u00a0m\u00edstu, kde pozd\u011bji byl postaven hotel Internacional. Obraz jsem dal do prodeje k\u00a0panu \u010cerm\u00e1kovi, majiteli obchodu se staro\u017eitnostmi na n\u00e1b\u0159e\u017e\u00ed Legi\u00ed na Sm\u00edchov\u011b. Moje maminka si tam n\u011bkdy koupila n\u011bjakou drobnost. Obchod byl v\u00a0suter\u00e9nu \u010din\u017eovn\u00edho domu, pouze o n\u011bkolik \u010d\u00edsel d\u00e1l, ne\u017e jsme bydleli. Jestli se obraz prodal \u010di ne, si ji\u017e nepamatuji, ale pot\u011b\u0161ilo m\u011b, \u017ee jsem uvid\u011bl mezi nab\u00edzen\u00fdmi obrazy i dva drobn\u00e9 realistick\u00e9 oleje od Mikul\u00e1\u0161e Medka. K\u00a0Medk\u016fm jsem m\u011bl bl\u00edzko i jinak. Pan\u00ed Olga, \u017eena Ivana Medka, bratra Mikul\u00e1\u0161e, m\u011b u\u010dila na klav\u00edr. Byt jsme m\u011bli ve vedlej\u0161\u00edm dom\u011b, d\u00edvali se do oken navz\u00e1jem a pat\u0159ili jsme k\u00a0tzv. inteligentn\u00edm rodin\u00e1m, kter\u00e9 se v okol\u00ed v\u00a0t\u011b\u017ek\u00fdch dob\u00e1ch komunismu je\u0161t\u011b vyskytovaly. Potk\u00e1val jsem zde i dceru Anton\u00edna Slav\u00ed\u010dka, Evu Slav\u00ed\u010dkovou \u2013 Medkovou, \u017eenu gener\u00e1la Mikul\u00e1\u0161e Medka a matku obou d\u011bt\u00ed Mikul\u00e1\u0161e a Ivana.<br \/>\nAle vra\u0165me se k\u00a0\u0160\u00e1reck\u00e9mu \u00fadol\u00ed. Chodil jsem \u010dasto na p\u011b\u0161\u00ed v\u00fdlety t\u00edm sm\u011brem, l\u00edbila se mi Baba, z\u0159\u00edcenina, snad vinn\u00e9ho lisu se sv\u00fdm n\u00e1zvem i se sv\u00fdmi romantick\u00fdmi skalami. Dalo se doj\u00edt odtud p\u011b\u0161ky a\u017e do Divok\u00e9 \u0160\u00e1rky na m\u00edsto star\u00e9ho slovansk\u00e9ho hradi\u0161t\u011b. \u00dadol\u00edm se rozsypaly jako kor\u00e1lky des\u00edtky samot a jejich poetick\u00e9 n\u00e1zvy se zachovaly dodnes. Konv\u00e1\u0159ka, Okolka, Ctiborka, Svatoj\u00e1nka, Sanytrovka, \u017de\u017eulka, Kuli\u0161ka a mnoh\u00e9 dal\u0161\u00ed. Tak\u00e9 b\u00fdval\u00fdch ml\u00fdn\u016f zde bylo n\u011bkolik. V\u00a0jednom z\u00a0nich se narodil Josef Myslive\u010dek, skv\u011bl\u00fd muzikant,  Il Divino Boemo se mu \u0159\u00edkalo v\u00a0It\u00e1lii. Maloval zde v\u00a0okol\u00ed i August Piepenhagen. Ten si odtud nosil dom\u016f na Star\u00e9 M\u011bsto v\u00a0Praze vyr\u00fdpnut\u00e9 kousky mechu, kter\u00e9 aran\u017eoval a maloval podle nich sv\u00e1 kouzeln\u00e1 z\u00e1ti\u0161\u00ed les\u016f a krajin. Pak je prod\u00e1val v \u201e\u017delezn\u00fdch vratech\u201c Star\u00e9ho M\u011bsta nebo u kostela sv. Jilj\u00ed v\u00a0tehdej\u0161\u00ed Dominik\u00e1nsk\u00e9 ulici. Ve sv\u00e9m \u00favodu jsem pominul mnohem star\u0161\u00ed historii t\u00e9to lokality. P\u0159\u00edb\u011bh o Ctiradovi a \u0160\u00e1rce, kter\u00fd \u00fadol\u00ed dal i jm\u00e9no, zhudebnil Zden\u011bk Fibich ve sv\u00e9 ope\u0159e \u0160\u00e1rka.<br \/>\nKolem roku 2000 jsem z\u00edskal v\u00a0\u0160\u00e1rce atelier. Zde pak vznikla cel\u00e1 \u0159ada obraz\u016f, a\u017e se staly zcela souvisl\u00fdm cyklem m\u00e9ho pohledu na p\u0159\u00edrodu. J\u00e1 s\u00e1m do t\u00e9 doby pouze \u201em\u011bstsk\u00fd\u201c \u010dlov\u011bk, najednou jsem za\u010dal jinak vn\u00edmat krajinu kolem sebe, jej\u00ed ro\u010dn\u00ed obdob\u00ed a cykly jej\u00ed prom\u011bny od jara do zimy. To m\u011b za\u010dalo p\u0159itahovat. Vid\u011bl jsem, jak stromy nasazuj\u00ed kv\u011bty, jak l\u00edpa von\u00ed, jak pt\u00e1ci v\u0161ude kolem zp\u00edvaj\u00ed. Na dne\u0161n\u00ed v\u00fdstav\u011b ukazuji v\u00fdsledky sv\u00e9 sou\u010dasn\u00e9 mal\u00ed\u0159sk\u00e9 tvorby. Zd\u00e1 se mi zcela z\u00e1konit\u00e9, \u017ee po letech m\u00e9ho ml\u00e1d\u00ed a sv\u00fdch krajin\u00e1\u0159sk\u00fdch za\u010d\u00e1tk\u016f m\u011b op\u011bt p\u0159\u00edroda p\u0159it\u00e1hla k\u00a0sob\u011b.<br \/>\nGuillaume Apollinaire ostatn\u011b v\u00a0jin\u00e9 \u010d\u00e1sti b\u00e1sn\u011b P\u00e1sma \u0159\u00edk\u00e1: \u201ePozp\u00e1tku to\u010d\u00ed se rafie hodin v\u00a0\u017eidovsk\u00e9 \u010dtvrti a ty brod\u00ed\u0161 se \u017eivotem zp\u00e1tky.<br \/>\nRastislav Michal<\/p>\n<p><strong>Rastislav Michal<\/strong><br \/>\nakademick\u00fd mal\u00ed\u0159, grafik, ilustr\u00e1tor ( 9. 6. 1936 Teplice v \u010cech\u00e1ch)<\/p>\n<p>Studia: Vy\u0161\u0161\u00ed \u0161kola um\u011bleck\u00e9ho pr\u016fmyslu \/V\u00fdtvarn\u00e1 \u0161kola\/ (1951-1955, obor grafick\u00fdch technik, prof. J. Vodr\u00e1\u017eka); Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze (1955-1961, obor portr\u00e9tn\u00ed a figur\u00e1ln\u00ed malby, prof. A. Pelc, M. Hol\u00fd, K. Sou\u010dek); \u010destn\u00fd rok na AVU (1962); stipendium Svazu v\u00fdtvarn\u00fdch um\u011blc\u016f v\u00a0Praze (1963); stipendium francouzsk\u00e9 vl\u00e1dy \u2013 ro\u010dn\u00ed pobyt v\u00a0Pa\u0159\u00ed\u017ei (1975). \u010clen S\u010cVU (od roku 1961), UVU (od 1991) a \u010destn\u00fd \u010dlen Spolku sb\u011bratel\u016f a p\u0159\u00e1tel exlibris v\u00a0Praze (1996).<br \/>\nAutor je sv\u00fdmi obrazy zastoupen: N\u00e1rodn\u00ed galerie v\u00a0Praze; Galerie hlavn\u00edho m\u011bsta Prahy; \u010cesk\u00e9 muzeum modern\u00edho um\u011bn\u00ed v\u00a0Praze; Pam\u00e1tn\u00edk n\u00e1rodn\u00edho p\u00edsemnictv\u00ed, Praha; Al\u0161ova jiho\u010desk\u00e1 galerie, Hlubok\u00e1 nad Vltavou; Galerie um\u011bn\u00ed Karlovy Vary; Z\u00e1pado\u010desk\u00e1 galerie Plze\u0148; Galerie Vyso\u010diny, Jihlava; Galerie Klenov\u00e1; Galerie Roudnice nad Labem; Galerie um\u011bn\u00ed Havl\u00ed\u010dk\u016fv Brod;  Okresn\u00ed galerie N\u00e1chod; Oblastn\u00ed galerie\u00a0Liberec a dal\u0161\u00ed ve\u0159ejn\u00e9 a soukrom\u00e9 sb\u00edrky v\u00a0\u010cesk\u00e9 republice a\u00a0zahrani\u010d\u00ed.<br \/>\nSt\u00e1l\u00e1 expozice akademick\u00e9ho mal\u00ed\u0159e Rastislava Michala, Michal\u2018s Collection, je v\u00a0Husov\u011b ulici 13, Praha 1.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201eJsi v\u00a0zahradn\u00ed restauraci kdesi na okraji Prahy, na st\u016fl r\u016f\u017ee ti dali a ty se d\u00edv\u00e1\u0161 na beru\u0161ku jak v\u00a0r\u016f\u017ei cizopas\u00ed, poslouch\u00e1\u0161 jak v\u00a0d\u00e1li \u010ce\u0161i p\u00edsn\u011b zp\u00edvaj\u00ed.\u201c To napsal Guillaume Apollinaire ve sv\u00e9 sb\u00edrce P\u00e1smo v\u00a0roce 1912. Tehdy nav\u0161t\u00edvil Prahu a p\u0159\u00e1teli byl pozv\u00e1n i do bl\u00edzk\u00e9ho \u0160\u00e1reck\u00e9ho \u00fadol\u00ed. Na za\u010d\u00e1tku 20. stolet\u00ed to bylo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-655","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=655"}],"version-history":[{"count":2,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/655\/revisions"}],"predecessor-version":[{"id":657,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/655\/revisions\/657"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}