{"id":695,"date":"2011-09-27T00:39:26","date_gmt":"2011-09-26T22:39:26","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=695"},"modified":"2011-09-27T00:46:08","modified_gmt":"2011-09-26T22:46:08","slug":"david-saudek","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=695","title":{"rendered":"David Saudek"},"content":{"rendered":"

MY VVVAY
\n28. 6. \u2013 28. 8. 2011<\/strong><\/p>ngg_shortcode_0_placeholder

David Saudek (1966) studoval v\u00a0letech 1991\u20131997 na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze v\u00a0Ateli\u00e9ru socha\u0159stv\u00ed prof. Stanislava Kol\u00edbala a v\u00a0Ateli\u00e9ru nov\u00fdch m\u00e9di\u00ed prof. Michaela Bielick\u00e9ho. Jeho tv\u016fr\u010d\u00ed po\u010d\u00e1tky byly spjaty s\u00a0gestickou malbou pod vlivem skupiny \u201eNeue Wilde\u201c, pozd\u011bji reflektoval principy Neo-Dada (zejm\u00e9na Yves Klein) v synt\u00e9ze se symbolick\u00fdmi znaky\u00a0minul\u00fdch kultur i\u00a0aktu\u00e1ln\u00ed sou\u010dasnosti. N\u00e1sledn\u011b se hlavn\u00edm t\u011b\u017ei\u0161t\u011bm jeho tvorby stala oblast nov\u00fdch m\u00e9di\u00ed (video art) a filmu. V\u00a0roce 2009 navazuje na sv\u00e9 mal\u00ed\u0159sk\u00e9 v\u00fdchodisko a v\u00a0nov\u011b vznikaj\u00edc\u00edch d\u00edlech komponuje vrstvy z\u00e1znam\u016f, znak\u016f, symbol\u016f jako stop lidsk\u00e9 civilizace do obrazov\u00e9ho celku tak, aby v\u00fdsledn\u00fd \u00fa\u010din odpov\u00eddal jeho um\u011bleck\u00e9 percepci a emocion\u00e1ln\u00edmu pro\u017e\u00edv\u00e1n\u00ed. Vyu\u017e\u00edv\u00e1 sediment\u016f kulturn\u00ed historie lidstva (prav\u011bk \u2013 figur\u00e1ln\u00ed n\u00e1st\u011bnn\u00e9 malby z\u00a0jeskyn\u00ed Altamira, Lascaux; starov\u011bk \u2013 egyptsk\u00e9 hieroglyfy; judaismus, isl\u00e1m) ve spojitosti s novodob\u00fdmi symboly, logy, zna\u010dkami, slogany, kter\u00e9 n\u011bkdy p\u0159etv\u00e1\u0159\u00ed a napl\u0148uje nov\u00fdmi obsahy. Inspiruje ho obrovsk\u00e1 dostupnost vizu\u00e1ln\u00edch znak\u016f a \u201eslovn\u00edk\u016f\u201c na internetu. Laboruje s\u00a0my\u0161lenkou, \u017ee ka\u017ed\u00fd znak vypov\u00edd\u00e1 o kulturn\u00edm prost\u0159ed\u00ed a dob\u011b, je nositelem pam\u011bti, ale z\u00e1rove\u0148 p\u016fsob\u00ed jako nez\u00e1visl\u00e1 struktura. Saudek ve sv\u00fdch obrazech ustavuje zvl\u00e1\u0161tn\u00ed souvzta\u017enosti, kontaminuje minulost p\u0159\u00edtomnost\u00ed. \u010casov\u00e9 propojen\u00ed umocnil v cyklu obraz\u016f z roku 2010 vznikl\u00e9m jako p\u0159emalby vlastn\u00edch pl\u00e1ten z\u00a0devades\u00e1t\u00fdch let, co\u017e ur\u010dilo jeho mal\u00ed\u0159\u0161t\u011bj\u0161\u00ed charakter. V\u00a0roce 2011, ve snaze o v\u011bt\u0161\u00ed stylizaci, sv\u016fj um\u011bleck\u00fd p\u0159\u00edstup konceptualizuje, zakl\u00e1d\u00e1 ho na \u201esurfov\u00e1n\u00ed\u201c po s\u00edti, v\u00fdstupech z\u00a0webu, na frekvenci priorit u\u017eivatel\u016f s\u00edt\u011b pro jednotliv\u00e9 symboly a archetypy. D\u016fle\u017eit\u00e9 pro n\u011bj nejsou individuality, ale vn\u00edm\u00e1n\u00ed zmanipulovan\u00e9 konzumn\u00ed masmedi\u00e1ln\u00ed spole\u010dnosti, kterou s\u00a0jej\u00edmi preferencemi stav\u00ed do role dobov\u00e9ho \u201efiltru\u201c a t\u00edm spolutv\u016frce konceptu. S\u00e1m pak vlastn\u00ed senzualitou a ratiem v\u00fdstupy koriguje a zpracov\u00e1v\u00e1 do formy esteticky p\u016fsobiv\u00e9 \u201ekol\u00e1\u017ee\u201c, v\u00a0n\u00ed\u017e symboly transponuje do maxim\u00e1ln\u00ed zkratky. Novodob\u00e9 symboly rezonuj\u00ed se stejnou intenzitou jako hieroglyfy. A\u010d obrazy p\u016fsob\u00ed \u201eserigrafick\u00fdm\u201c dojmem a mohly by b\u00fdt vytvo\u0159eny jak\u00fdmkoli m\u00e9diem, jsou v\u00fdsledkem tv\u016fr\u010d\u00edho nad\u0161en\u00ed a radosti z\u00a0mo\u017enosti d\u00e1t pr\u016fchod sv\u00e9 tv\u016fr\u010d\u00ed vizi, p\u0159edstoupit p\u0159ed b\u00edl\u00e9 pl\u00e1tno, c\u00edtit v\u016fni barev a \u0161t\u011btci se ho dot\u00fdkat. Saudkova paleta se vyzna\u010duje barevnou \u0161k\u00e1lou redukovanou na dva a\u017e t\u0159i t\u00f3ny, n\u011bkdy jemn\u011b lad\u011bn\u00e9, jindy kontrastn\u00ed. Na sou\u010dasn\u00e9 v\u00fdstav\u011b \u201eMY VVVAY\u201c p\u0159edstavuje autor nejnov\u011bj\u0161\u00ed obrazy z\u00a0n\u011bkolika koloristicky a t\u00e9maticky diferenciovan\u00fdch cykl\u016f. V modr\u00e9 s\u00e9rii ztv\u00e1r\u0148uje tragicky zem\u0159el\u00e9 \u201ehrdiny\u201c (Heath Ledger v\u00a0roli Jokera, James Dean, Je\u017e\u00ed\u0161). V\u00a0oran\u017eov\u00e9 a b\u00e9\u017eov\u00e9 s\u00e9rii zpracov\u00e1v\u00e1 d\u00edv\u010d\u00ed sny (Marilyn Monroe, \u201e\u00da\u010da\u201c), optimistick\u00e9 vize (Kabala) nebo morality (\u201eJesus\u201c). David Saudek sv\u00fdm subtiln\u00edm, ale jasn\u011b vyprofilovan\u00fdm um\u011bleck\u00fdm p\u0159\u00edstupem vytv\u00e1\u0159\u00ed nov\u00fd symbolick\u00fd jazyk, harmonizuj\u00edc\u00ed elementy, kter\u00e9 se dosud jevily jako nespojiteln\u00e9.
\nRea Michalov\u00e1<\/em><\/p>\n

David Saudek<\/strong>
\nNarozen 1966 v Praze
\nStudia: 1991-1997 Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze (prof. S. Kol\u00edbal, prof. M. Bielick\u00fd).
\nZastoupen\u00ed ve sb\u00edrk\u00e1ch: N\u00e1rodn\u00ed galerie v\u00a0Praze \u2013 Nadace Jana a Milan Jel\u00ednek; Muzeum Kampa \u2013 Sb\u00edrka Medy Ml\u00e1dkov\u00e9; Museum of Modern Art New York \u2013 Gilbert and Lila Silvermann Foundation; Museum Ludwig, K\u00f6ln; soukrom\u00e9 sb\u00edrky v\u00a0\u010cR a zahrani\u010d\u00ed<\/p>\n","protected":false},"excerpt":{"rendered":"

MY VVVAY 28. 6. \u2013 28. 8. 2011 David Saudek (1966) studoval v\u00a0letech 1991\u20131997 na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze v\u00a0Ateli\u00e9ru socha\u0159stv\u00ed prof. Stanislava Kol\u00edbala a v\u00a0Ateli\u00e9ru nov\u00fdch m\u00e9di\u00ed prof. Michaela Bielick\u00e9ho. Jeho tv\u016fr\u010d\u00ed po\u010d\u00e1tky byly spjaty s\u00a0gestickou malbou pod vlivem skupiny \u201eNeue Wilde\u201c, pozd\u011bji reflektoval principy Neo-Dada (zejm\u00e9na Yves Klein) v synt\u00e9ze se symbolick\u00fdmi znaky\u00a0minul\u00fdch […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-695","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=695"}],"version-history":[{"count":2,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/695\/revisions"}],"predecessor-version":[{"id":702,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/695\/revisions\/702"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}