{"id":770,"date":"2011-12-12T01:38:40","date_gmt":"2011-12-11T23:38:40","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=770"},"modified":"2011-12-12T01:38:40","modified_gmt":"2011-12-11T23:38:40","slug":"karel-jerie","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=770","title":{"rendered":"Karel Jerie"},"content":{"rendered":"<p><strong><br \/>\nRachacha Smotlacha!<br \/>\nGalerie 21. stolet\u00ed, Praha, 5. 11. &#8211; 30. 11. 2011<br \/>\n<\/strong><\/p>ngg_shortcode_0_placeholder<p>Motto:<\/p>\n<p>\u201eFranti\u0161ek Smotlacha (1884 Hradec Kr\u00e1lov\u00e9 \u20131956 Praha) byl legend\u00e1rn\u00ed \u010desk\u00fd mykolog a zakladatel \u010desk\u00e9ho vysoko\u0161kolsk\u00e9ho sportu. V roce 1919 za\u010dal vyd\u00e1vat \u010casopis \u010deskoslovensk\u00fdch houba\u0159\u016f, nyn\u00ed Mykologick\u00fd sborn\u00edk, zalo\u017eil Mykologick\u00fd odbor \u010cesk\u00e9 botanick\u00e9 spole\u010dnosti (1912) a \u010ceskou mykologickou spole\u010dnost (1921). Jeho gigantick\u00e9 d\u00edlo v oblasti popularizace houba\u0159stv\u00ed a v\u00fdzkumu jedlosti a toxikologie hub, (\u2026), je jednou z hlavn\u00edch p\u0159\u00ed\u010din toho, \u017ee \u010ce\u0161i jsou dnes pova\u017eov\u00e1ni za n\u00e1rod houba\u0159\u016f a provozuj\u00ed sb\u011br hub v rozsahu, jak\u00fd nem\u00e1 u \u017e\u00e1dn\u00e9ho dal\u0161\u00edho evropsk\u00e9ho n\u00e1roda obdobu.\u201c<br \/>\nV\u00fdstava Karla Jerie \u201eRachacha Smotlacha!\u201c je v\u011bnov\u00e1na jeho pam\u00e1tce.<br \/>\n\u010cesk\u00e9 specifikum houba\u0159en\u00ed bylo ji\u017e nes\u010d\u00edsln\u011bkr\u00e1t um\u011blecky zpracov\u00e1no. V literatu\u0159e je zastoupeno nap\u0159\u00edklad v rom\u00e1nech Bohumila Hrabala, ve v\u00fdtvarn\u00e9 tvorb\u011b Josefa Lady, ze sou\u010dasn\u00fdch autor\u016f Franti\u0161ka Sk\u00e1ly, objevuje se v \u0159ad\u011b \u010desk\u00fdch filmov\u00fdch sc\u00e9n. Jsme s t\u00edmto t\u00e9matem dob\u0159e obezn\u00e1meni, proto\u017ee ka\u017ed\u00fd m\u00e1 jist\u011b svou vlastn\u00ed houba\u0159skou zku\u0161enost. P\u0159esto se Karlovi Jerie poda\u0159ilo k tomuto n\u00e1m\u011btu nal\u00e9zt zcela origin\u00e1ln\u00ed a p\u0159ekvapiv\u00fd p\u0159\u00edstup.<\/p>\n<p>Karel Jerie se prosadil na \u010desk\u00e9 v\u00fdtvarn\u00e9 sc\u00e9n\u011b jako naprosto p\u0159irozen\u00fd a v\u00fdjime\u010dn\u00fd talent, kter\u00fd programov\u011b rozv\u00edj\u00ed tradici figurativn\u00ed, narativn\u00ed malby, tradici poutav\u00e9 obrazov\u00e9 v\u00fdpov\u011bdi. Voln\u011b a fantaskn\u011b manipuluje s realitou, p\u0159etavuje ji do formy nov\u00e9ho, autentick\u00e9ho sd\u011blen\u00ed s jemu vlastn\u00edm nezam\u011bniteln\u00fdm humorem, nads\u00e1zkou a ironi\u00ed. Kresl\u00ed\u0159sk\u00e1 bravura, perfektnost tahu a preciznost obrysu, neodmysliteln\u00e1 od soub\u011b\u017en\u011b vznikaj\u00edc\u00ed komiksov\u00e9 tvorby, v\u00fdrazn\u011b formuje i jeho mal\u00ed\u0159sk\u00e9 d\u00edlo. Autor dov\u00e1d\u00ed francouzsk\u00fd komiksov\u00fd styl konce 80. let 20. stolet\u00ed (Rich Corben, Moebius) do zcela nov\u00fdch estetick\u00fdch dimenz\u00ed. P\u0159esto jeho obrazy nelze ch\u00e1pat jako pouh\u00e9 \u010d\u00e1sti komiksov\u00e9ho p\u0159\u00edb\u011bhu. Pregnantn\u011b formulovan\u00fd liter\u00e1rn\u00ed obsah je obohacen o stylovou nadstavbu, kter\u00e1 dod\u00e1v\u00e1 d\u00edl\u016fm nad\u010dasovost. Tak\u00e9 m\u00edra humoru a nads\u00e1zky je v prost\u0159ed\u00ed \u010desk\u00e9 mal\u00ed\u0159sk\u00e9 sc\u00e9ny ojedin\u011bl\u00e1.<\/p>\n<p>Cyklus \u201eHouba\u0159i\u201c vytv\u00e1\u0159\u00ed autor kontinu\u00e1ln\u011b od roku 2005. Vid\u00ed je sv\u00fdm tv\u016fr\u010d\u00edm zrakem jako \u017eiveln\u00e9 pred\u00e1tory, vet\u0159elce v citliv\u00e9m ekosyst\u00e9mu lesa. Jednu z v\u00fdrazn\u00fdch podskupin p\u0159edstavuj\u00ed form\u00e1ln\u011b sev\u0159en\u00e9 portr\u00e9ty, kter\u00e9 sv\u00fdm psychologick\u00fdm ponorem p\u0159ekra\u010duj\u00ed i r\u00e1mec t\u00e9matu. Druh\u00fd v\u00fdrazn\u00fd motiv je konkvista lesa, kde d\u011bjinn\u00e9 ud\u00e1losti dost\u00e1vaj\u00ed nov\u00fd rozm\u011br skrze tuto ironickou paralelu. V obrazech Mykonaut\u016f se houba\u0159sk\u00fd n\u00e1m\u011bt dost\u00e1v\u00e1 z oblasti moralit do zvl\u00e1\u0161tn\u00ed transcendent\u00e1ln\u00ed polohy.<\/p>\n<p>Soubor je charakteristick\u00fd sv\u00fdm v\u00fdvojov\u00fdm posunem od nads\u00e1zky a sociologick\u00e9 parodie k daleko fantaskn\u011bj\u0161\u00edmu a meditativn\u011bj\u0161\u00edmu pojet\u00ed. Na nov\u00fdch pl\u00e1tnech houby zastupuj\u00ed v\u00fdrazn\u011b kladn\u00e9 hrdiny, v kontrastu se zcela negativn\u00edmi a patologick\u00fdmi postavami lid\u00ed. M\u00edsty se vytr\u00e1c\u00ed i jist\u00fd ironick\u00fd t\u00f3n a obrazy dosahuj\u00ed a\u017e mystick\u00e9 v\u00fdpov\u011bdi. Tato vyhrocenost spole\u010dn\u011b s vyt\u0159\u00edben\u00fdm humorem p\u0159esunuj\u00ed obrazov\u00e9 sd\u011blen\u00ed do daleko \u0161ir\u0161\u00edch souvislost\u00ed.<\/p>\n<p>Cyklus je vid\u011bn o\u010dima hub. A je p\u0159ekvapiv\u011b snadn\u00e9 se s t\u00edmto \u00fahlem pohledu ztoto\u017enit.  T\u00edm n\u00e1m autor ukazuje snadnou prom\u011bnlivost dne\u0161n\u00edho pohledu na skute\u010dnost. Karlovi Jerie se v souboru \u201eHouba\u0159i\u201c poda\u0159ilo z obecn\u011b ban\u00e1ln\u00edho t\u00e9matu vyt\u011b\u017eit poznateln\u00e9 maximum.<br \/>\n<em>Rea Michalov\u00e1<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rachacha Smotlacha! Galerie 21. stolet\u00ed, Praha, 5. 11. &#8211; 30. 11. 2011 Motto: \u201eFranti\u0161ek Smotlacha (1884 Hradec Kr\u00e1lov\u00e9 \u20131956 Praha) byl legend\u00e1rn\u00ed \u010desk\u00fd mykolog a zakladatel \u010desk\u00e9ho vysoko\u0161kolsk\u00e9ho sportu. V roce 1919 za\u010dal vyd\u00e1vat \u010casopis \u010deskoslovensk\u00fdch houba\u0159\u016f, nyn\u00ed Mykologick\u00fd sborn\u00edk, zalo\u017eil Mykologick\u00fd odbor \u010cesk\u00e9 botanick\u00e9 spole\u010dnosti (1912) a \u010ceskou mykologickou spole\u010dnost (1921). Jeho gigantick\u00e9 d\u00edlo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-770","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/770","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=770"}],"version-history":[{"count":2,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/770\/revisions"}],"predecessor-version":[{"id":772,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/770\/revisions\/772"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=770"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=770"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}