{"id":781,"date":"2012-01-19T18:29:52","date_gmt":"2012-01-19T16:29:52","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=781"},"modified":"2012-01-19T18:29:52","modified_gmt":"2012-01-19T16:29:52","slug":"jakub-janovsky","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=781","title":{"rendered":"Jakub Janovsk\u00fd"},"content":{"rendered":"

ALLE GEGEN ALLE
\n9. 12. 2011 \u2013 8. 1. 2012<\/strong><\/p>ngg_shortcode_0_placeholder

V\u00fdstava Jakuba Janovsk\u00e9ho \u201eAlle gegen alle\u201c je vy\u00fast\u011bn\u00edm autorovy v\u00fdtvarn\u00e9 tvorby zhruba za posledn\u00ed dva roky. Na t\u00e9to rozsahem nevelk\u00e9, av\u0161ak my\u0161lenkov\u011b prov\u00e1zan\u00e9 kolekci se p\u0159esn\u011b odr\u00e1\u017e\u00ed preciznost a sofistikovanost jeho tv\u016fr\u010d\u00edho p\u0159\u00edstupu. Z\u00e1kladn\u00ed teze a nosn\u00e9 prvky jeho d\u00edla se viditeln\u011b nem\u011bn\u00ed, nicm\u00e9n\u011b objevuj\u00ed se nov\u00e9 postupy, kter\u00e9 p\u016fsoben\u00ed na div\u00e1ka nesm\u00edrn\u011b zintenziv\u0148uj\u00ed. Tak\u00e9 volba a propracov\u00e1n\u00ed t\u00e9matu maj\u00ed dle m\u00e9ho n\u00e1zoru v\u00fdrazn\u011b stoupaj\u00edc\u00ed tendenci.
\nHlavn\u00edm v\u00fdrazov\u00fdm prost\u0159edkem Jakuba Janovsk\u00e9ho je intuitivn\u00ed kresba, transponuj\u00edc\u00ed na pl\u00e1tno t\u00edsniv\u00e9 obsahy \u010derpan\u00e9 z\u00a0nejhlub\u0161\u00edch sf\u00e9r podv\u011bdom\u00ed, z\u00a0 halucinogenn\u00edch sn\u016f a reminiscenc\u00ed na d\u011btstv\u00ed. Jak\u00e1si autorova \u201ealter ega\u201c se st\u00e1vaj\u00ed akt\u00e9ry tohoto jinak\u00e9ho, frapantn\u00edho sv\u011bta snov\u00fdch setk\u00e1n\u00ed. Prvn\u00ed dojem z \u201eart brut\u201c je v\u0161ak poru\u0161en pou\u017eit\u00edm rafinovan\u00fdch metod p\u0159i v\u00fdstavb\u011b d\u011bl. Autor neguje tradi\u010dn\u00ed p\u0159izp\u016fsoben\u00ed se form\u00e1tu a pl\u00e1tna poj\u00edm\u00e1 jako p\u0159\u00edm\u00e9 v\u00fdstupy sv\u00e9 vizuality. Jeho obrazy se n\u00e1m tak jev\u00ed v\u00a0tom vztahu form\u00e1tu a rozli\u0161en\u00ed, jak je vid\u00ed ve sv\u00e9 imaginaci on s\u00e1m (nepom\u011br podrobnost\u00ed na velk\u00fdch a mal\u00fdch form\u00e1tech).
\nNeonov\u011b jedovat\u00e1 estetika \u201ez\u00e1\u0159iv\u00fdch\u201c obraz\u016f evokuje barevnost absintov\u00e9ho opojen\u00ed, prohlubuj\u00edc\u00ed delirantn\u00ed atmosf\u00e9ru vize. Bylo by v\u0161ak chybou se domn\u00edvat, \u017ee mal\u00ed\u0159ova t\u00e9mata jsou pouhou ilustrac\u00ed neur\u00f3z, obav a traumatick\u00fdch z\u00e1\u017eitk\u016f. I p\u0159es v\u0161echno zm\u00edn\u011bn\u00e9 neklade Janovsk\u00fd na div\u00e1ka t\u00edhu deprese \u010di ne\u0159e\u0161itelnosti probl\u00e9mu. Jeho d\u00edla \u00fast\u00ed do odleh\u010den\u00e9 atmosf\u00e9ry ve smyslu masopustn\u00edho tance kostlivc\u016f, Halloweenu, p\u00e1len\u00ed \u010darod\u011bjnic. Jsem mu osobn\u011b za toto laskav\u00e9 v\u00fdchodisko vd\u011b\u010dn\u00e1. P\u0159\u00edli\u0161 tragick\u00e1 a bezv\u00fdchodn\u00e1 sd\u011blen\u00ed n\u00e1m ji\u017e \u017eivot beztak napl\u0148uj\u00ed.
\nObraz \u201eKok\u201c z\u00a0roku 2009 a ob\u011b pl\u00e1tna \u201eKolo kolo ml\u00fdnsk\u00fd\u201c (2011), kter\u00e1 cyklus \u201ealkoholick\u00fdch\u201c, fluorescen\u010dn\u00edch maleb uzav\u00edraj\u00ed, vynikaj\u00ed propracovanost\u00ed synt\u00e9zy imagin\u00e1rn\u00edho sv\u011bta s\u00a0realitou. Tyto dva obrazy se posouvaj\u00ed je\u0161t\u011b d\u00e1le rafinovanost\u00ed a pou\u010denost\u00ed symboliky ve spojen\u00ed s\u00a0neoby\u010dejnou lehkost\u00ed v\u00fdtvarn\u00e9ho zpracov\u00e1n\u00ed. Autor m\u00e1 dokonal\u00fd cit pro rozpozn\u00e1n\u00ed okam\u017eiku, kdy je d\u00edlo dokon\u010deno a dos\u00e1hlo maxima v\u00fdrazu. Z\u00e1va\u017enost vize osvobozuje akcent jeho ironick\u00e9ho, \u010dern\u00e9ho humoru. Men\u0161\u00ed pl\u00e1tna, jak\u00e9si polo-automatick\u00e9 z\u00e1znamy jako ze skizz\u00e1\u0159e, p\u016fsob\u00ed p\u0159es svou sv\u00e9bytnost jako prov\u00e1zan\u00fd obsahov\u00fd celek. V\u00a0nov\u00e9m souboru maleb si pro sebe jako v\u00fdrazov\u00fd prost\u0159edek objevuje pr\u016fhledn\u00fd silikon, kter\u00fd mu umo\u017e\u0148uje polo-kontrolovateln\u00e9 veden\u00ed linie a vytvo\u0159en\u00ed dal\u0161\u00edho pl\u00e1nu, struktury. Z\u00a0t\u00e9to \u0159ady se svou kvalitou v\u00fdrazn\u011b vy\u010dle\u0148uje obraz \u201eMama\u201c (2011, majetek OGV Jihlava). Toto d\u00edlo (kter\u00e9 bych patrn\u011b u kohokoli jin\u00e9ho vn\u00edmala jako velmi patetick\u00e9) pova\u017euji za vrchol autorovy brilantn\u00ed schopnosti nem\u00edt na obraze ani jeden p\u0159ebyte\u010dn\u00fd v\u00fdznam, ani jeden tah nav\u00edc. \u201eEter\u201c (2011, majetek OGV Jihlava), nejkoncentrovan\u011bj\u0161\u00ed pl\u00e1tno cyklu, otev\u00edraj\u00edc\u00ed v\u00a0tvorb\u011b Jakuba Janovsk\u00e9ho nov\u00e9 obzory, mn\u011b svou form\u00e1ln\u00ed i obsahovou nal\u00e9havost\u00ed asociuje um\u011bn\u00ed budoucnosti po zk\u00e1ze sv\u011bta. Tento mo\u017en\u00fd v\u00fdklad m\u011b velmi pot\u011b\u0161il, zejm\u00e9na v\u00a0souvislosti s\u00a0p\u0159ehnan\u011b depresivn\u00ed kampan\u00ed o apokalyptick\u00e9m v\u00fdznamu roku 2012.
\nRea Michalov\u00e1<\/em><\/p>\n

Jakub Janovsk\u00fd<\/strong>
\nnarozen roku 1984 v\u00a0Jihlav\u011b
\n2004-2010 Akademie v\u00fdtvarn\u00e9ho um\u011bn\u00ed v\u00a0Praze (Ateli\u00e9r kresby prof. Jitky Svobodov\u00e9)
\nZastoupen\u00ed ve sb\u00edrk\u00e1ch: N\u00e1rodn\u00ed galerie v\u00a0Praze, Oblastn\u00ed galerie Vyso\u010diny v\u00a0Jihlav\u011b, soukrom\u00e9 sb\u00edrky v\u00a0\u010cech\u00e1ch a v zahrani\u010d\u00ed<\/p>\n","protected":false},"excerpt":{"rendered":"

ALLE GEGEN ALLE 9. 12. 2011 \u2013 8. 1. 2012 V\u00fdstava Jakuba Janovsk\u00e9ho \u201eAlle gegen alle\u201c je vy\u00fast\u011bn\u00edm autorovy v\u00fdtvarn\u00e9 tvorby zhruba za posledn\u00ed dva roky. Na t\u00e9to rozsahem nevelk\u00e9, av\u0161ak my\u0161lenkov\u011b prov\u00e1zan\u00e9 kolekci se p\u0159esn\u011b odr\u00e1\u017e\u00ed preciznost a sofistikovanost jeho tv\u016fr\u010d\u00edho p\u0159\u00edstupu. Z\u00e1kladn\u00ed teze a nosn\u00e9 prvky jeho d\u00edla se viditeln\u011b nem\u011bn\u00ed, nicm\u00e9n\u011b objevuj\u00ed […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-781","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=781"}],"version-history":[{"count":1,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/781\/revisions"}],"predecessor-version":[{"id":782,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/781\/revisions\/782"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}