{"id":856,"date":"2012-05-25T15:50:08","date_gmt":"2012-05-25T13:50:08","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=856"},"modified":"2012-05-25T15:50:08","modified_gmt":"2012-05-25T13:50:08","slug":"zdenek-trs","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=856","title":{"rendered":"Zden\u011bk Trs"},"content":{"rendered":"

VIDINA
\n26. 4. \u2013 20. 5. 2012<\/strong><\/p>ngg_shortcode_0_placeholder

Zden\u011bk Trs, jeden z\u00a0v\u00fdrazn\u00fdch absolvent\u016f Ateli\u00e9ru klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik prof. Zde\u0148ka Berana na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze, p\u0159edstavuje v\u00a0Galerii Michal\u2019s Collection svou nejnov\u011bj\u0161\u00ed tvorbu pod n\u00e1zvem \u201eVidina\u201c.
\nJako kur\u00e1torku m\u011b jeho v\u00fdtvarn\u00e1 pr\u00e1ce poprv\u00e9 uhranula roku 2010, kdy\u017e jsem shl\u00e9dla jeho diplomn\u00ed soubor, v\u00a0n\u011bm\u017e se p\u016fsobiv\u011b prol\u00ednaly minimalistick\u00e9 z\u00e1m\u011bry s brilantn\u00ed hyperrealistickou malbou. Postupn\u011b jsem v\u00a0jeho d\u00edle sledovala p\u0159\u00edklon k\u00a0v\u011bt\u0161\u00ed zobrazivosti a velmi efektn\u00ed prezentaci t\u00e9matu ryb\u00edch a b\u00fd\u010d\u00edch hlav, n\u011bkdy \u010d\u00e1ste\u010dn\u011b skryt\u00fdch pod lehkou drap\u00e9ri\u00ed. Krom\u011b virtu\u00f3zn\u00edho zvl\u00e1dnut\u00ed mal\u00ed\u0159sk\u00e9ho projevu si autor p\u0159i tomto v\u00fdvoji dokonale osvojil neoby\u010dejn\u011b citlivou pr\u00e1ci s\u00a0kompozic\u00ed, kter\u00e1 dod\u00e1v\u00e1 jeho pl\u00e1tn\u016fm dal\u0161\u00ed meditativn\u00ed rovinu. Trsovo skr\u00fdv\u00e1n\u00ed a odkr\u00fdv\u00e1n\u00ed reality vn\u00edm\u00e1m jako p\u0159ed\u00e1v\u00e1n\u00ed tajemstv\u00ed, p\u0159\u00edslib n\u011b\u010deho tu\u0161en\u00e9ho. A v\u00a0tom shled\u00e1v\u00e1m um\u011blcovu nejv\u011bt\u0161\u00ed s\u00edlu. Jeho tajemstv\u00ed nejsou no\u010dn\u00ed m\u016fry rozervan\u00e9ho \u010dlov\u011bka, ale velmi senzibiln\u00ed a lyrick\u00e9 pohledy na objekty, kter\u00e9 bychom u kohokoli jin\u00e9ho mohli vykl\u00e1dat jako morbidn\u00ed a v\u00fdhru\u017en\u00e9. Sv\u00fdm obraz\u016fm dok\u00e1zal v\u017edy vtisknout neoby\u010dejnou vyrovnanost, zti\u0161enou atmosf\u00e9ru p\u0159i \u201epulzov\u00e1n\u00ed\u201c vnit\u0159n\u00edho obsahu.
\nSou\u010dasnou v\u00fdstavu pojal jako voln\u00e9 roz\u0159e\u0161en\u00ed cyklu \u201ePareidolie\u201c z\u00a0roku 2011. Tento soubor, jak ji\u017e n\u00e1zev napov\u00edd\u00e1 (pareidolie je psychologick\u00fd jev, p\u0159i n\u011bm\u017e doch\u00e1z\u00ed k\u00a0fantazijn\u00edmu dotv\u00e1\u0159en\u00ed vn\u00edman\u00fdch neur\u010dit\u00fdch nebo nez\u0159eteln\u00fdch podn\u011bt\u016f v\u00a0konkr\u00e9tn\u00ed objekty, typick\u00e9 jsou nap\u0159. imaginativn\u00ed asociace v\u00a0tvarech mrak\u016f), nebyl nikdy v\u00fdslovn\u011b zobrazuj\u00edc\u00ed. Tak jako u star\u00fdch Etrusk\u016f m\u011blo v\u017edy nejvy\u0161\u0161\u00ed bo\u017estvo zahalenou tv\u00e1\u0159, i v\u00a0nov\u00fdch obrazech n\u00e1m autor oponu nikdy neodhal\u00ed. To, co je skryto, je pro vn\u00edm\u00e1n\u00ed ka\u017ed\u00e9ho div\u00e1ka individu\u00e1ln\u011b rozd\u00edln\u00e9, ale p\u0159esto pro n\u00e1s v\u0161echny spojuj\u00edc\u00ed. P\u0159i pr\u00e1ci na t\u00e9to s\u00e9rii se m\u011bnil i um\u011blc\u016fv rukopis. Nejprve konkr\u00e9tn\u00ed a hyperrealistick\u00fd, p\u0159es snovou vidinu, a\u017e po obrazy zcela abstraktn\u00ed. Sama jsem o t\u00e9to p\u0159ekvapiv\u00e9 zm\u011bn\u011b formy dlouho p\u0159em\u00fd\u0161lela. Jako by se autor nyn\u00ed, metaforicky \u0159e\u010deno, sna\u017eil zredukovat celou knihu do p\u00e1r p\u00edsmen, nechal na div\u00e1kovi mnohem v\u00edce ne\u017e d\u0159\u00edve, kdy ho mistrn\u011b vedl sv\u00fdm meditativn\u00edm p\u0159\u00edb\u011bhem. Nyn\u00ed ho stav\u00ed ji\u017e p\u0159ed v\u00fdsledek anal\u00fdzy. Opro\u0161\u0165uje se od p\u016fsobiv\u00fdch a efektn\u00edch sc\u00e9n a d\u00e1v\u00e1 n\u00e1m nahl\u00e9dnout do jak\u00e9si \u201evy\u0161\u0161\u00ed matematiky\u201c sv\u00e9 p\u0159edstavivosti. Z\u00a0tohoto \u00fahlu pohledu je jeho v\u00fdvoj naprosto logick\u00fd.
\nDruhou lini\u00ed jeho aktu\u00e1ln\u00edho d\u00edla, prezentovanou na v\u00fdstav\u011b, je s\u00e9rie ryb\u00edch hejn. \u0158e\u0161\u00ed v\u00a0n\u00ed ot\u00e1zku kolektivn\u00edho v\u011bdom\u00ed. Abstrahuje op\u011bt od re\u00e1ln\u00e9 opisnosti, je fascinov\u00e1n p\u0159edstavou \u201eobjektu\u201c, jak\u00e9hosi roje \u010di mraku, kter\u00fd se ur\u010dit\u00fdm zp\u016fsobem chov\u00e1, m\u00e1 jistou inteligenci, ale z\u00e1rove\u0148 je slo\u017een z\u00a0jednotliv\u00fdch, samostatn\u00fdch v\u011bdom\u00ed. Jakkoli je nov\u00e1 forma pro autora neobvykl\u00e1, poslou\u017eila mu k pregnantn\u00edmu vyj\u00e1d\u0159en\u00ed my\u0161lenky. Je t\u0159eba ocenit, \u017ee Zden\u011bk Trs nes\u00e1z\u00ed na dosa\u017een\u00e9 jistoty, ale novou experimentac\u00ed se \u0159ad\u00ed k\u00a0tv\u016frc\u016fm, kte\u0159\u00ed n\u00e1s svou prac\u00ed budou nad\u00e1le jist\u011b p\u0159ekvapovat.
\nRea Michalov\u00e1<\/em><\/p>\n

Zden\u011bk Trs<\/strong>
\nnarozen 1.5.1985 v Liberci<\/p>\n

Studium:
\n2007-2010 AVU, Ateli\u00e9r Klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik, prof. Zden\u011bk Beran
\n2004-2007 V\u0160UP, Ateli\u00e9r Sklo, prof. Vladim\u00edr Kopeck\u00fd<\/p>\n","protected":false},"excerpt":{"rendered":"

VIDINA 26. 4. \u2013 20. 5. 2012 Zden\u011bk Trs, jeden z\u00a0v\u00fdrazn\u00fdch absolvent\u016f Ateli\u00e9ru klasick\u00fdch mal\u00ed\u0159sk\u00fdch technik prof. Zde\u0148ka Berana na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze, p\u0159edstavuje v\u00a0Galerii Michal\u2019s Collection svou nejnov\u011bj\u0161\u00ed tvorbu pod n\u00e1zvem \u201eVidina\u201c. Jako kur\u00e1torku m\u011b jeho v\u00fdtvarn\u00e1 pr\u00e1ce poprv\u00e9 uhranula roku 2010, kdy\u017e jsem shl\u00e9dla jeho diplomn\u00ed soubor, v\u00a0n\u011bm\u017e se p\u016fsobiv\u011b prol\u00ednaly minimalistick\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-856","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=856"}],"version-history":[{"count":1,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/856\/revisions"}],"predecessor-version":[{"id":857,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/856\/revisions\/857"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}