{"id":863,"date":"2012-06-10T22:19:34","date_gmt":"2012-06-10T20:19:34","guid":{"rendered":"http:\/\/michalscollection.cz\/?p=863"},"modified":"2012-06-10T22:23:09","modified_gmt":"2012-06-10T20:23:09","slug":"lukas-miffek-2","status":"publish","type":"post","link":"https:\/\/michalscollection.cz\/?p=863","title":{"rendered":"Luk\u00e1\u0161 Miffek"},"content":{"rendered":"<p><strong>NA HROMAD\u011a<br \/>\nGalerie Kotelna, \u0158\u00ed\u010dany<br \/>\n8.6.-12.7.2012<\/strong><\/p>\n<p>V\u00fdstava nazvan\u00e1 s\u00a0nads\u00e1zkou \u201eNa hromad\u011b\u201c prezentuje um\u011bleck\u00fd v\u00fdvoj mal\u00ed\u0159e Luk\u00e1\u0161e Miffka (1978) za posledn\u00ed \u010dty\u0159i roky, kter\u00e9 pro autora znamenaly velmi plodn\u00e9 tv\u016fr\u010d\u00ed obdob\u00ed. Nahl\u00ed\u017eejme tedy na tuto p\u0159ehl\u00eddku jako na bohat\u00e9 spektrum p\u011bti a\u017e \u0161esti obrazov\u00fdch cykl\u016f. P\u0159i t\u00e9to \u010dlenitosti p\u016fsob\u00ed Miffkova tvorba naprosto sourod\u011b. Autor si na sou\u010dasn\u00e9 v\u00fdtvarn\u00e9 sc\u00e9n\u011b vydobyl v\u00fdznamn\u00e9 postaven\u00ed d\u016fsledn\u00fdm rozv\u00edjen\u00edm sv\u00e9ho nezam\u011bniteln\u00e9ho figurativn\u00edho stylu s\u00a0typick\u00fdmi prvky obrazov\u00e9 metafory, grotesky a parodie formou klasick\u00e9 malby. Prosadil se jako velmi vtipn\u00fd \u201eglos\u00e1tor\u201c, jen\u017e ve sv\u00e9m d\u00edle zpracov\u00e1v\u00e1 existencion\u00e1ln\u00ed t\u00e9mata, pop kulturu, fenom\u00e9ny konzumn\u00ed spole\u010dnosti a masm\u00e9di\u00ed a jen\u017e je s\u00a0p\u0159\u00edzna\u010dnou ironi\u00ed schopen p\u0159istoupit i\u00a0s\u00e1m k\u00a0sob\u011b, sv\u00fdm slabostem a sv\u00e9ho okol\u00ed.<br \/>\nNa svou tvorbu nahl\u00ed\u017e\u00ed sp\u00ed\u0161e jako na hru, nikoli jako na p\u0159esn\u00fd p\u0159epis skute\u010dnosti a zachycen\u00ed re\u00e1ln\u00fdch vztah\u016f. Jeho mal\u00ed\u0159sk\u00e1 symbolika nem\u00e1 fixn\u00ed v\u00fdznam, obraz je souhrou v\u00edcer\u00fdch mo\u017en\u00fdch interpretac\u00ed v\u00a0r\u016fzn\u00fdch v\u00fdznamov\u00fdch rovin\u00e1ch. Aspekt h\u0159\u00ed\u010dky a nads\u00e1zky je patrn\u00fd nejen z\u00a0d\u011bl sam\u00fdch, n\u00e1zev obrazu je \u010dasto kl\u00ed\u010dem k\u00a0jeho transponovan\u00e9 interpretaci. V\u00a0procesu sv\u00e9ho kreativn\u00edho my\u0161len\u00ed laboruje s\u00a0principem neo\u010dek\u00e1van\u00fdch a n\u00e1hodn\u00fdch vztah\u016f. Je fascinov\u00e1n souvzta\u017enost\u00ed uv\u011b\u0159iteln\u00e9ho a neuv\u011b\u0159iteln\u00e9ho sv\u011bta kolem n\u00e1s.<br \/>\nSpole\u010dn\u00fdm znakem v\u0161ech jeho d\u011bl je pevn\u00e1 styliza\u010dn\u00ed linie, narativnost a v\u00fdrazn\u00fd kolorismus. V\u00a0n\u011bkter\u00fdch obrazech se dot\u00fdk\u00e1 hranice kreslen\u00e9ho humoru. Miffkovy pr\u00e1ce maj\u00ed pro svou vizu\u00e1ln\u00ed \u00fa\u010dinnost a poutavost tendenci k obecn\u00e9 zapamatovatelnosti. Ur\u010ditou \u201estrnulost\u00ed\u201c rukopisu fixuje autor sv\u016fj tv\u016fr\u010d\u00ed pohled na kaleidoskop dne\u0161n\u00ed zrychlen\u00e9 reality.<br \/>\nVn\u00edm\u00e1m jeho obrazy jako epiku, kvalitn\u00ed liter\u00e1rn\u00ed d\u00edlo. Pot\u011b\u0161\u00ed, zbyte\u010dn\u011b nezat\u00ed\u017e\u00ed, ani nec\u00edl\u00ed k\u00a0mor\u00e1ln\u00ed kritice. Z\u00a0filozofick\u00e9ho hlediska maj\u00ed pr\u00e1ce Luk\u00e1\u0161e Miffka a jeho z\u00e1sahy do r\u016fzn\u00fdch oblast\u00ed lidsk\u00e9ho chov\u00e1n\u00ed (av\u0161ak nevylu\u010duji ani abstraktn\u011bj\u0161\u00ed post\u0159ehy) opravdu \u0161irok\u00fd z\u00e1b\u011br. Najdeme zde klasick\u00e9 \u0159e\u0161en\u00ed ot\u00e1zky \u201eona a j\u00e1\u201c, p\u0159ihl\u00e1\u0161en\u00ed se k\u00a0n\u00e1rodopisn\u00fdm tradic\u00edm, adoraci konzumn\u00edch symbol\u016f a\u017e po dadaistick\u00fd humor p\u0159edlo\u017een\u00fd se sladk\u00fdm u\u0161kl\u00edbnut\u00edm. T\u00e9m\u011b\u0159 n\u011b\u017en\u011b zasn\u011bnou atmosf\u00e9ru jeho pl\u00e1ten umoc\u0148uje v\u00fdb\u011br retro n\u00e1m\u011bt\u016f a celkov\u00e1 bez\u010dasovost a univerz\u00e1lnost zachycen\u00fdch t\u00e9mat.<br \/>\nMal\u00ed\u0159ovy obrazy se obratn\u011b vyh\u00fdbaj\u00ed patetice a v\u0161em negativn\u00edm aspekt\u016fm. Prezentuj\u00ed jen tu \u010d\u00e1st sv\u011bta, o kterou se autor s\u00a0n\u00e1mi chce d\u011blit, ale kter\u00e1 je p\u0159esto dostate\u010dn\u011b bohat\u00e1, aby se na\u0161e vid\u011bn\u00ed posunulo do jin\u00e9, p\u0159\u00edjemn\u011bj\u0161\u00ed roviny. Spojen\u00ed stylizovan\u00e9 malby s\u00a0neoby\u010dejn\u011b \u017eiv\u00fdm, a\u017e karikaturn\u00edm komiksem ukazuje na dvojzna\u010dnost p\u0159edlo\u017een\u00e9ho sd\u011blen\u00ed. Podob\u00e1 se to \u017eertu pronesen\u00e9mu s\u00a0velmi v\u00e1\u017enou tv\u00e1\u0159\u00ed. A jak v\u00edme, takov\u00fd vtip b\u00fdv\u00e1 nejlep\u0161\u00ed.<br \/>\nLuk\u00e1\u0161 Miffek je v\u00fdtvarn\u00fdm poslem ze sv\u011bta, kde je v\u0161e trochu \u201ejinak\u201c a kde n\u00e1s nezat\u011b\u017euj\u00ed probl\u00e9my a stres. Dok\u00e1\u017ee se nad tyto v\u011bci povzn\u00e9st a \u201evypr\u00e1v\u011bt si\u201c s\u00a0n\u00e1mi v\u00a0r\u00e1mci velmi kultivovan\u00e9ho \u201erozhovoru\u201c, ze kter\u00e9ho si odn\u00e1\u0161\u00edme jen p\u0159etrv\u00e1vaj\u00edc\u00ed \u00fasm\u011bv na rtech.<\/p>\n<p><em>Rea Michalov\u00e1<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>NA HROMAD\u011a Galerie Kotelna, \u0158\u00ed\u010dany 8.6.-12.7.2012 V\u00fdstava nazvan\u00e1 s\u00a0nads\u00e1zkou \u201eNa hromad\u011b\u201c prezentuje um\u011bleck\u00fd v\u00fdvoj mal\u00ed\u0159e Luk\u00e1\u0161e Miffka (1978) za posledn\u00ed \u010dty\u0159i roky, kter\u00e9 pro autora znamenaly velmi plodn\u00e9 tv\u016fr\u010d\u00ed obdob\u00ed. Nahl\u00ed\u017eejme tedy na tuto p\u0159ehl\u00eddku jako na bohat\u00e9 spektrum p\u011bti a\u017e \u0161esti obrazov\u00fdch cykl\u016f. P\u0159i t\u00e9to \u010dlenitosti p\u016fsob\u00ed Miffkova tvorba naprosto sourod\u011b. Autor si na [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-863","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=863"}],"version-history":[{"count":1,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/863\/revisions"}],"predecessor-version":[{"id":864,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=\/wp\/v2\/posts\/863\/revisions\/864"}],"wp:attachment":[{"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michalscollection.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}